Navegando por Assunto "Vigia (PA)"

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Acesso aberto (Open Access)
Carimbó “pau e corda”: antropização e cultura negra na região do salgado paraense
(Universidade Federal do Pará, 2020-09-14) CORDEIRO, Raimundo Paulo Monteiro; LEAL, Luiz Augusto Pinheiro; http://lattes.cnpq.br/7967678999713659
Acesso aberto (Open Access)
Gente do estuário: mudanças e permanências dos saberes e técnicas tradicionais de pescadores artesanais de Vigia (PA)
(Universidade Federal do Pará, 2020-10-28) SILVA, José Matheus Barata; FERNANDES, José Guilherme dos Santos; http://lattes.cnpq.br/7023812449790431; https://orcid.org/0000-0001-9946-4961
Handmade fishing in the North Brazilian Coast is one of the main economic activities of the region. This Study aims to analyze the techniques of estuary artisanal fishing from Vigia-PA, with an emphasis on transformations and reframing of artisanal fishing and the traditional knowledge of the local community. This study points to the main fishing gear used in the microregion of Salgado Paraense, and its importance to the local, regional and national scenario. Is considered the contribution of the artisanal fisherman’s traditional knowledge, through its readjustments to the territorial geography of the constantly changing place. It shows the importance of artisanal fishing, the implication of industrial fishing to the category and its tensions. Thus, it is proposed to include the knowledge of artisanal fishermen in public policies for fishing in the region, given their deep knowledge of the activity, in addition to allowing the approximation between academic knowledge and traditional knowledge, or know-how of local people.To this end, it was sought to carry out bibliographic surveys and theoretical research on the topic. From the methodology, 300 forms and semi-structured interviews were applied, discourse analysis, field research with local subjects, with questions regarding fishing, its transformations, permanences and perspectives. Ahead, tables, graphs and images were produced collaboratively, taking into account the notes of artisanal fishermen, their reflections, narratives, knowledge and perceptions about their own practice. Finally, some categories were essential for the research, such as: artisanal fishing, traditional knowledge, know-how and techniques. Some authors were fundamental, such as: Ramalho (2011, 2012, 2014), Diegues (1983, 1988, 2001, 2004), Cunha (1993, 2000, 2004), Furtado (1987, 1990, 2001) e Isaac (1998, 2003, 2006). In this way, the translation of the knowledge of the estuarine artisanal fishermen was sought as a way to help future proposals for studies and public policies for the micro-region of the Salgado Paraense.
Acesso aberto (Open Access)
“No meu sangue corre as águas desse mar”: o movimento do bloco Pretinhos do Mangue, Curuçá-PA, Amazônia
(Universidade Federal do Pará, 2020-06-07) FERREIRA, Marcus dos Reis; FURTADO, Lourdes de Fátima Gonçalves; http://lattes.cnpq.br/1828475659148260; https://orcid.org/0000-0002-5243-4607; VILLACORTA, Gisela Macambira; http://lattes.cnpq.br/4673875521234184
This research seeks to discuss about the idea of nature produced by the playful people from the “Pretinhos do Mangue” block, in Curuçá County-Region of the Salgado Paraense. To carry out this discussion, I start with the theoretical guidelines of Environmental History (ARNOLD, 2000; PÁDUA, 2010; WORSTER, 2015) and Anthropology (CSORDAS, 2008; INGOLD, 2015). And, in this perspective, ethnography was used as a way to experience the ways of dwell in the environment, which are present in the block parade, at Carnival (FABIAN, 2013; SALDI; WAGNER, 2013; PEIRANO, 2014; INGOLD, 2015). During this period, the interlocutors aim to present the main non-humans who inhabit the city environment, and, as well, to enunciate the day by day of the artisanal fisherman. And these perceptual experiences of the “salgado” from Pará are materialized through their allegories: the “Caranguejo”, the “Guará”, the “Ostra” and the “Barraca do Avoado”. However, it is the use of “mud” (“tijuco” and “tabatinga”) that has attracted the most attention from the “playful”, because for them the mud-in-body manifests the “ecological” experience and the idea of “nature preservation". In this context, the media began to publicize this experience with the mangrove swamp, which started to promote more and more tourists to participate in the block. With that, it is noticed that the playful-curuçaenses seek to take the life of the "salgado" paraense to their parade, in order to "show" this experience to "all" who visit the Curuçá Carnival. Thus, the mud of the mangrove swamp and the allegories are not simply accessories used by the playful-curuçaenses, since they present their ideas of nature, at the “Pretinhos do Mangue” parade.