Sobrevoos e pousos sobre a dramaturgia do In Bust teatro com bonecos

Abstract

This text focuses on the creative process of In Bust Teatro com Bonecos, puppet theatre group formed in 1996, in Belém, Pará, active until these days and a reference in Pará’s theatre, mostly when it comes to puppet theatre. The research approaches the construction of a cartography on the group’s dramaturgy, explores the procedures that induce the creation of the show, as well as points out inductor elements, which work as components in the creation of acting. The rhizomatic perspective, by Gilles Deleuze and Félix Guattari (2011), gives us support as a method to understand the group’s poetics. Aiming to let the cartographic and rhizomatic thinking conduct this work, we suggest an overview flightupon the experience of the group’s dramaturgy and we use as instrument of navigation a movement towards the connection point of its signs of processuality or artistic codifications. An action that steers the fields of aesthetic and ethics, an overview of this landscape of spectacles. To think about this dramaturgy has the purpose to observe, through the shows FIO DE PÃO – A LENDA DA COBRA NORATO, OS 12 TRABALHOS DE HÉRCULES, HUMANOS and CATOLÉ e CARAMINGUÁS, the component elements of the landscape, the multiple lines that root the artistic creation of the group, its preponderant aspects – such as the game between the puppet and the actor, the deconstruction of the actor-manipulator’s neutrality, the puppet itself as a character and the hybrid acting of both puppet and actor in the play’s scenery.