Desdobrando a dança imanente: imanência, organicidade e técnica na construção de uma poética cênica

Abstract

The present research brings in its core notes referring to the continuity of the theoretical and practical aproaches concerning the work developed by Companhia Moderno de Dança (CMD). Aiming at unwinding of the matters treated on Ana Flávia Mendes’ doctorate thesis, artistic director of the group, it has been observed, then, the poetic construction of CMD from other aspects related to the research object. The focus resides on the chaining of three keyconcepts which guide the reflexions and analysis prepared during the investigation process. This triad, composed by the notions of immanence, organicity and technique, sustained the development of experimentations with the CMD dancers in order to verify the possibilities of investigation and research in dance, whose process had as a starting point the subjectivities of the dancers intertwined in it. The conceptual interrelation between these notions was the basis for the development of artistic experimentarions based on immanence as first stimulus for the application of experimentental laboratories for practical and theoretical purposes, in order to promove an activation of different states of the body, given the implications of these corporal states with the results raised in the process.