Palavra-corpo: uma cartografia fragmentária, enigmas do livro de artista na construção dos espetáculos

Abstract

The following dissertation tries to analyze a cartography constructed from artistic processes experienced by me, presenting a content that converges between the real and the virtual. The analysis consists of observing the workings of creation processes that are posted on the palavra-corpo blog, in a fragmented way and create beyond these fragments other possibilities through every thing that transforms me during the trials and experiments that I breathe. This body is put through a poetic of itself through texts, photographs, sounds, images, scribbles, vídeos and other virtual interactions that lead to reading beyond the blog platform. Artistic cartography seeks to show a personal document of the processes that I am experiencing, understanding my artistic know-how and seeking to understand this virtualization that is inserted next to the body in this re-construction of the imagery created. Imaginary this, shared from what I do and show, in parts, through this body that expands in this mediatic confluence. This dissertation seeks to show the reader a research between textual reading and performance that fragmented process that I develop as na artist. The research addresses, through theoretical references, a discourse that I seek to interpret along with other artists that I recognize through the experiments in the theatrical/performative/mediatic processes that are constructed. According to the Idea recognized with media concepts that seep into the artistic work safter its creation, expanding the process of creation for future re-productions of this own idea. In this junction between the real and virtual body, I present two theatrical spectacles Reator Eterno and I(MUNDO) UBU, that show the records for a multimedia interaction, allowing another movement of creation, a continuity without demarcations and absolute ends of works through the web. The research through this fragmented cartography connects to the virtual to share records of the artistic processes that I experienced, connecting the viewer to the works through the hypertextual reading of the writing in the artist's notebook in various media. The resultis a performance of this environment that I try to describe in the discourse of this research, amplifying the senses of a body that moves on this virtuality of the present.