Fluviografias cênicas: memórias e presenças de um corpo em travessias.

Abstract

The present work proposes the poetic-scenic elaboration of a body located in between, this understood as an intersection: between the city of Belém and the interior of Marajo island, between narrative and scene, between word and action, between memory and presence. Between, here, is available as a means of understanding the history of a researcher in her processes of physical crossings, written, recorded and retold. Amazonian authors such as Eidorfe Moreira and Joao de Jesus Paes Loureiro support the setting of this research, guiding reflections for a personal journey; there is the search for a poetics of space, as proposed by Gaston Bachelard (1993). In addition, the research dialogues with the concept of “Personal Dramaturgy”, defined by Wladilene Lima (2004) and the so-called Self Writings. In this context, the following issues emerge: 1) the body, as an organism, can be constituted in a landscape - approached in this work in the light of humanist geography? 2) can this body express itself scenically, in line with an environment, in which it lives its own journey through writings, travels and memories? 3) what are the relationships between the body, the text and other elements of the scene in the staging process? Based on these questions, the objective is to understand the condition reached by the acting body, when it crosses and is crossed as a subject / object of a poetics developed on the scene. As for the elaboration processes and their unfolding, this research is understood like a fluviographic immersion, in view of considering landscapes, margins and express flows of rivers and in the rivers taken. As a device of practice, body language and the possible states of scenic composition of an extra-everyday body are sought and the “Corpografia” highlighted by Juliano Jacopini (2016). As a methodological procedure, the fluviographies follow the idea of research in art proposed by Sônia Rangel (2009), appropriate to the line of research in Poetics and Processes of Performance in Arts. Therefore, the methodology will be immersed in the practice of scenic creation. Create, cross and dive are configured as the action verbs for the scenic act in progress, working a scenic state as a reality inscribed and made present in a body / space of identifications of the acting, resulting from their crossings