História e cinema: uma leitura iconográfica da modernidade

Abstract

This article has a scope deal with a movie theater as a consequence of changes by the development of modernity. The elements captured by cinematic lenses, beyond big facts shown by the historiographies studying, passing by daily relation, those which many times are managed by the time. This one, problematized here like capitalism substance placed as standardization about an organization. Some films were done to fund the study. For example Metropolis (Lang, Fritz), and Tempos Modernos (Chaplin, Charles). Both bring a lot of questions for an analysis of that conjuncture. Searched scan scenes that bring the direct form to Time as an elementary substance about that reality, and your conjunctions which implies in alternation and consequences of modernity man from iconographic reading.