Feminino pau e corda na Amazônia: as sereias de Vila Silva Tocadoras de Carimbó

Abstract

This work aims to overcome the essentialized and mediated image of the stamping woman proposed by traditional media. The group chosen as the guiding thread of this decolonial narrative that takes place through images is the pioneer group, composed, primarily, of women from the village Of Vila Silva, located in Marapanim, called Sereia do Mar. Musical presentations, articulations and the daily life of the village, evidenced from the perspective of a decolonial feminism (LUGONES, 2010) are the focus of this work that will discuss other forms of narratives coming from the Amazon Region. This work also dialogues with the term Escreviveência (EVARISTO,2021) by Conceição Evaristo, which proposes a feminine and Afrodescendant perspective (2018/ Revista Língua & Literatura) in the construction of the text, in its poetics. This concept was created by analyzing literary works, however this work uses this cut out in writing for the academic text. Therefore, the researcher's first-person account at various times comes to the fore and is important in the construction of this visual narrative. Why, based on this thought of Evaristo, where the writing is part, it reveals a lot about the work.