Dissertações em Comunicação, Cultura e Amazônia (Mestrado) - PPGCOM/ILC
URI Permanente para esta coleçãohttps://repositorio.ufpa.br/handle/2011/4453
O Mestrado Acadêmico em Comunicação, Cultura e Amazônia funciona no Programa de Pós-Graduação em Comunicação, Cultura e Amazônia (PPGCOM) do Instituto de Letras e Comunicação (ILC) da Universidade Federal do Pará (UFPA).
Navegar
Navegando Dissertações em Comunicação, Cultura e Amazônia (Mestrado) - PPGCOM/ILC por Orientadores "COSTA, Vânia Maria Torres"
Agora exibindo 1 - 5 de 5
- Resultados por página
- Opções de Ordenação
Item Acesso aberto (Open Access) Artitas visuais e vídeos mapping: narrativas audiovisuais produzindo sentidos na Amazônia paraense(Universidade Federal do Pará, 2021-11-16) BREMGARTNER, Jean Lucas Teixeira; COSTA, Vânia Maria Torres; http://lattes.cnpq.br/7517564393392394In this research, we seek to understand the use and concept of video mapping beyond its technical dimension, as it can be considered a new form of expression and contemporary interaction. At the same time, we focus on the analysis of the productions and experiences of four local visual artists, whose main characteristics are that they come from the Amazon region of Pará and express themselves through media art technology. For this, interviews were conducted with each of them so that we could observe how they understand their experiences, how they see themselves as Amazonians and how their productions facilitate (or not) a connection between art and communication, through the interaction generated between the artist and art through the created projections. In this process, we entered the audiovisual universe seeking understanding about how the connection between art, artist and technology occurs, how the use of narratives occurs in this context, and which narratives are constructed. As a methodological procedure, we used interviews with visual artists in order to get to know their creations and productions of meanings. We emphasize that the audiovisual we deal with here, video mapping, is an audiovisual expanded beyond the screens of the cinematographic circuit, which is an art and communication tool that generates connection with/among people, strengthening the cultural environment, in constant movement for the middle of the images.Item Acesso aberto (Open Access) Cidade (Re)vista: interpretação decolonial da fotografia de Naiara Jinknss em Belém do Pará(Universidade Federal do Pará, 2022-06-14) SANTA BRÍGIDA, Juliane Oliveira; COSTA, Vânia Maria Torres; http://lattes.cnpq.br/7517564393392394This research focused on the imagetic production of the documentary photographer Naiara Jinknss, focusing on the content posted on her Instagram during 2019, in order to understand from a decolonial interpretation the role of her photography as an image of resistance. Therefore, the overall aim seeks to answer the following question: "how can Naiara Jinknss's photographic production be interpreted as an image of resistance within the power relations present in the discourse on the Amazon?". Through netnographic inspirations in Kozinets (2014) and phenomenological-decolonial approach, anchored in the phenomenological sociology of Schutz (1979), the understanding that phenomena and experiences are conditioned to the social and, therefore, transmitted in society was adopted. While exploring research objects that are immersed in the context of a country built by coloniality, it is a fact that the phenomena and experiences analyzed are also involved in what Quijano (1992) calls the colonial matrix of power. Therefore, we seek to develop the articulation of the concepts of Kossoy (2001), Aumont (2002), Fairclough (2001), Bhabha (1998), Hall (2006), Quijano (1992), Mignolo (2015), Maldonado-Torres (2017), among others. The research methodology developed included a bibliographic survey on the Amazon, Power and Photography, in the area of Social Sciences, and multiple stages of online data collection. The relevance of this study is trusted in highlighting the photographic production made by a professional from Pará who identifies with several minority groups in front of a field traditionally marked by power relations that do not contemplate these groups and that is not exempt from discourses and imaginary reproduced on the Amazon.Item Acesso aberto (Open Access) Entre dunas, mangue e mar: narrativas e resistências dos moradores da Ponta da Sofia em Salinas (PA)(Universidade Federal do Pará, 2024-02-28) FERREIRA, Erika Mourão; COSTA, Vânia Maria Torres; http://lattes.cnpq.br/7517564393392394The main objective of this dissertation is to understand the interactions, narratives and resistance practices of the residents of the Ponta da Sofia community, in Salinópolis (PA), in the face of the violation of their territory for the installation of tourist developments. The study will look at the daily life of this community, its productions of meaning about history, place, environmental preservation and relationships of affection, exploring the residents' narratives, their interactions and the processes of resistance in their social and cultural practices. The methodological procedures adopted are based on qualitative research, based on data analysis through interviews (MOTTA, 2013); (GOMES, 2007), supported by ethnographic practice as defined by Rocha and Eckert (2008), and interviews. The main authors used to support the understanding of narratives and social practices include Ferdinand Tonnies (1973), Martin Buber (1987), Filho and Mendes (2014), Krenak (2021), Medeiros and Ido (2018), Gudynas (2019) and Santos (2023). The result of this investigation highlights not only the adversities faced by the residents of Ponta da Sofia, but also the resilience and depth of their connections, especially their care for the environment, since they understand the intrinsic interdependence with the ecosystem they consider their home.Item Acesso aberto (Open Access) Foliões Mensageiros: memórias e narrativas das comitivas de esmolação do Glorioso São Benedito de Bragança/PA(Universidade Federal do Pará, 2022-03-31) SANTOS, Adison Cesar Sousa dos; COSTA, Vânia Maria Torres; http://lattes.cnpq.br/7517564393392394; https://orcid.org/0000-0002-0493-8763The objective of this dissertation is to understand the interaction processes of the almsgiving delegations from the Glorioso São Benedito from Bragança, city in the northeast of Pará state, their memories and narratives. Characterized as a manifestation of resistance of popular culture in the Amazon, marked by sonority and the hybridity between the sacred and the profane, these groups are configured through a practice known as almsgiving of the saint, in which three processions, formed mostly by men, they travel to various locations around the city of Bragança, located 210 kilometers from Belém, taking images of São Benedito to the houses of devotees in the region with songs and prayers, received in a festive atmosphere. To understand the constitution of memory and narratives present in this manifestation, the research will use the theories of Le Goof (2003) and Motta (2013). Regarding the origin of Benedictine devotion, meanings, symbologies and concepts of this rite both for members of the delegations and for the saint's devotees, the work will draw on studies by Silva (1997), Eliade (2010) and Fernandes (2011), in addition to other authors who portray the construction of social representations.Item Acesso aberto (Open Access) Foliões mensageiros: memórias e narrativas das comitivas de esmolação do Glorioso São Benedito de Bragança/PA(Universidade Federal do Pará, 2022-03-31) SANTOS, Adison Cesar Sousa dos; COSTA, Vânia Maria Torres; http://lattes.cnpq.br/7517564393392394; https://orcid.org/0000-0002-0493-8763The objective of this dissertation is to understand the interaction processes of the almsgiving delegations from the Glorioso São Benedito from Bragança, city in the northeast of Pará state, their memories and narratives. Characterized as a manifestation of resistance of popular culture in the Amazon, marked by sonority and the hybridity between the sacred and the profane, these groups are configured through a practice known as almsgiving of the saint, in which three processions, formed mostly by men, they travel to various locations around the city of Bragança, located 210 kilometers from Belém, taking images of São Benedito to the houses of devotees in the region with songs and prayers, received in a festive atmosphere. To understand the constitution of memory and narratives present in this manifestation, the research will use the theories of Le Goof (2003) and Motta (2013). Regarding the origin of Benedictine devotion, meanings, symbologies and concepts of this rite both for members of the delegations and for the saint's devotees, the work will draw on studies by Silva (1997), Eliade (2010) and Fernandes (2011), in addition to other authors who portray the construction of social representations.