Dissertações em Artes (Mestrado) - PPGARTES/ICA
URI Permanente para esta coleçãohttps://repositorio.ufpa.br/handle/2011/6806
O Mestrado em Artes, em 2008 foi autorizado pela Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES) com funcionamento no Programa de Pós-Graduação em Artes (PPGARTES) do Instituto de Ciências da Arte (ICA) da Universidade Federal do Pará (UFPA).
Navegar
Navegando Dissertações em Artes (Mestrado) - PPGARTES/ICA por Orientadores "AMORIM, Ana Karine Jansen de"
Agora exibindo 1 - 4 de 4
- Resultados por página
- Opções de Ordenação
Item Acesso aberto (Open Access) Cenas que revelam o encontro com a vida: a presença de intervenções cênicas no espaço hospitalar como provocadoras de alegria e humanização(Universidade Federal do Pará, 2013-07-30) PINHEIRO, Patricia Mara de Miranda; LIMA, Wladilene de Sousa; http://lattes.cnpq.br/4769018199137074; AMORIM, Ana Karine Jansen de; http://lattes.cnpq.br/5875820201443540This Master Research is based on the different intervention strategies scenic in the hospital space, among the groups: Clowndoctors (SP) , The Universe as Scenic Hospital (RJ) and Infirmary of Laughter (RJ) . My goal is to identify and analyze , from the experience of the groups mentioned, the conceptions of art and health support groups in their scenic interventions in the hospital. Among the authors who dialogued, is important to highlight: Beard (2010), Masetti (2011), Foucault (2011), Deslandes (2006), Boal (1996), Boff (1999), among others. The methodological model chosen for this study was qualitativ , more specifically with the approach in the case study, according to Yin (2005) . In the stage of data collection, I used the analysis of documents and semi-structured interviews with actors and group coordinators. The analysis of the research material was based on three categories of analysis, namely: the first intervention - scenic and space, in which I found that the encounter between art and health can cause distinguished look for these aspects when interventions may appear with scenic the most varied possibilities for creations of theatrical forms, praising the work of the artist 's perception of how art can engage within the hospital. The second - setting for intervention, before the analyzes revealed a consistence of preparation, training, organization, producing quality work, in a dialogue with the world of the hospital within creative possibilities and materials, and can bring power to artistic action regarding the art of scene. And the third - actor/clown/patient, when I found that interventions materialized in meetings in the hospital, can trace a direction for a new encounter with the health, because the theater, introduced in the hospital, may be involved in a road of cure, in the sense of caution: of the space, the relationships, the others.Item Acesso aberto (Open Access) Memórias de um autor em construção: reinvenção de processos criativos como fonte de aprendizado(Universidade Federal do Pará, 2012-06-25) SILVA NETO, Alberto da Cunha e; LIMA, Wladilene de Sousa; http://lattes.cnpq.br/4769018199137074; AMORIM, Ana Karine Jansen de; http://lattes.cnpq.br/5875820201443540This paper presents a mapping of four creative process experienced by the researcher, conducted with the aim of understanding the acquired knowledge about the art of acting and how it was built from these practices. Based on the notion of memory as a reinvention of living, using the concept of Amazon behavior as methodology, and from the theoretical framework on the psychophysical actions as the basis for the work of the actor, was made a critical analysis of techniques, procedures and constructive methods used or produced in these process, which results in the invention of these methods from a current look. The result of this research extends the researcher‟s view about the actor, dilated to understand the mind of the actor as a source of fluid sheet stock psychophysical, generating knowledge that can be applied in future performances, theatrical directions, and the other practices in theatre theory and interpretation teaching, and contribute to the theoretical studies about the actor from the experience of creation.Item Acesso aberto (Open Access) “Um santo só de passagem”...: festa e performance numa comunidade amazônica(Universidade Federal do Pará, 2013-06-27) OLIVEIRA, Ysmaille Ferreira de; PACHECO, Agenor Sarraf; http://lattes.cnpq.br/5839293025434267; AMORIM, Ana Karine Jansen de; http://lattes.cnpq.br/5875820201443540The Festa do Divino Espírito Santo, linked to the catholic religion, occurs in the city of Castanhal in agrovila of Macapazinho / PA. Before the feast of Pentecost the "Holy" travels eleven communities in which they are held processions, litanies and banquets. In this research, I traveled all the way to the "Divine" done in order to understand, from, optics ethnographic OLIVEIRA (2000) the dynamics of party making intersections between field research and dialogical character of the performance. It is noteworthy that the party wanders through other fields, in this case, literature Amazon by authors such as Inglês de Sousa, Dalcídio Jurandir and Bruno de Menezes, beyond their own narratives of devotees communities. In visits by history scholars gather as Napoleão Figueiredo, Anaiza Vergoíno, Arthur Vianna and Vincent Salles to build the scenario paraense the Feast of the Divine. Finally, the story of the Divine in Macapazinho is told, with the motto of the pilgrimage "Holy", discussed, starting, of performance studies. With this history, literature and performance are visited by "A 'Holy' only in passing.Item Acesso aberto (Open Access) Três vestidos fazem pra se apresentar: um estudo sobre o vestir no espetáculo O Auto do Círio(Universidade Federal do Pará, 2012-12-18) MOREIRA, Francisco Edilberto Barbosa; RODRIGUES, Carmem Izabel; http://lattes.cnpq.br/5924616509771424; AMORIM, Ana Karine Jansen de; http://lattes.cnpq.br/5875820201443540They make three dresses to the presentation: a study about dressing in the scenic show O Auto do Círio is presented in three sessions, titled dresses. In the First Dress: the first Autos do Círio's street poetics, the actor is the creator of his/her dressing. In the Second Dress: cloth, costume and fancy dress there is made a presentation of these cardinal concepts and also the making of these creative process with colaboration of the carnival creators, known as carnavalescos. The Third dress: the fancy dress-costume of Auto do Círio argues about the creative processes of actor, costume designer or carnavalesco as conceiver and creator of the costume in the scenic show analyzed. From the analysis I propose a new concept to this dressing which is named as fancy dress-costume.