Dissertações em Artes (Mestrado) - PPGARTES/ICA
URI Permanente para esta coleçãohttps://repositorio.ufpa.br/handle/2011/6806
O Mestrado em Artes, em 2008 foi autorizado pela Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES) com funcionamento no Programa de Pós-Graduação em Artes (PPGARTES) do Instituto de Ciências da Arte (ICA) da Universidade Federal do Pará (UFPA).
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Item Acesso aberto (Open Access) Barcarena cidade-obra: cartografia de uma cidade entontecida(Universidade Federal do Pará, 2012-03-09) CARDOSO, Sebastião de Jesus; COSTA, Luizan Pinheiro da; http://lattes.cnpq.br/5390750292706184This work composes on an artistic, aesthetic and critic reading about Barcarena. It looks for a comprehension of its urban area. It is divided into three moments: The Historical city, the image city and the aesthetic city, searching in a reading with Mumford, Argan, Guimarães, Lynch, Rossi, Deleuze, Guattari and Calvino, the way it is established in History. This reading shows how this city is today, at the same time that it is projected on a specific way to see it. Therefore, the idea of a cartography of its areas on an entontecida writing.Item Acesso aberto (Open Access) Cenas poéticas da Marambaia(Universidade Federal do Pará, 2014-06-27) COSTA, Francisco de Assis Weyl Albuquerque; COSTA, Luizan Pinheiro da; http://lattes.cnpq.br/5390750292706184he Marambaia’s poetic scenes pulsate the ontological condition of this research that challenges itself by means of scriptures whose erratic fragments show / reflect the production of poets / creators of a possible peripheral and invisible art, here dionisiacamente affirmed by a stylistic aforismática (Nietzsche) and a rhizomatic philosophy (Deleuze) to reframe the readings of spontaneous journeys and experiences of Marambaia’s artists.Item Acesso aberto (Open Access) Cidade, processos de criação e intervenções: práticas poe[lí]ticas na dimensão ordinária da experiência estética(Universidade Federal do Pará, 2012) AZEVEDO, Fernando de Pádua Mesquita de; COSTA, Luizan Pinheiro da; http://lattes.cnpq.br/5390750292706184In this dissertation, I propose we try experiential possible displacements of research traversed by vivencias and other events in ordinary dimension of aesthetic experience. The matters discussed herein address issues concerning the practices of creative doing experienced in everyday city. Propositions of a rhizomatic approach in víeis deleuze-guattariano on aspects relating to artistic processes that occur in parallel to the mechanisms of collective agency. Aproprio me the meaning of scripture disseminated by Jacques Derrida, as a strategy to traffic over the plots that involve everyday situations in temporality proper to do.Item Acesso aberto (Open Access) Corpos desejantes: acontecimentos esteticulturais na Praça da República(Universidade Federal do Pará, 2012-03-20) SOUZA, Lídia Matilde Santana de; COSTA, Luizan Pinheiro da; http://lattes.cnpq.br/5390750292706184This work is a theoretical and practical testing of the Deleuzian concept of happening, have as their object of study “desiring bodies”, which were identified in the square of the Republic of Belém/Pará, whose bodily practices and social performances; your finality is identify contemporary aesthetic that affect and broaden the perception of urban visuality. The overall objective of the study is to contribute knowledge about the processes of creation, transmission and reception of art; for involvement the theoretical and conceptual, poetic and visual in the relationship betwee art and life.Item Acesso aberto (Open Access) Deslocamentos cotidiano: corpo-cidade-arte-educação(Universidade Federal do Pará, 2012-03-29) PORTO, Priscilla Fragoso da Silva; COSTA, Luizan Pinheiro da; http://lattes.cnpq.br/5390750292706184It is a narrative of everyday life for an art teacher who lives the city of Belém do Pará with an aesthetic look, aim to instigate research into the city, on the aesthetics and art education all tied to the aesthetics of everyday life and relational, where all the livings are leveraged (percept and affect), an apprehension of the world. Art is a way to create worlds through scripture that reveals the spaces as an artistic medium where the actual events that occur in it already leads to a poetics. Using as theoretical references Bachelard, Guattari, Sartre, Walter Benjamin and some authors who see the street, public space, as a support of artistic enjoyment. The city, approached in a poetic and subjective. The street and urban daily life and art education thinking and lead to an intense gaze and dense on the space that a body moves. The images of the city (specifically Bethlehem: center and periphery) and images of everyday life (everyday, everyday urban school) act to subjectivity according to the theoretical perspectives discussed in this research.Item Acesso aberto (Open Access) Do clic na EJA ao furo da lata: experimentações fotográficas na educação e no cotidiano(Universidade Federal do Pará, 2012-03-01) RODRIGUES JUNIOR, Walter Gomes; COSTA, Luizan Pinheiro da; http://lattes.cnpq.br/5390750292706184This study reveals two processes of experimentation with the image through photography: the first aimed at a group of students of Youth and Adults (EJA) from a Public School in Bethlehem / PA, and the second directed at a group of young community of the District of Mainland on the outskirts of Bethlehem / PA. Seeking to unleash new subjectivities and interpretations from experimenting with photography in its many aspects, we point our lenses as well as a production technique, in the direction of a perception that step into what we see those who build their own identity. The whole process experienced was concerned to develop the aesthetic sense of students and especially in re-educate the eye to a more sensitive, attentive to detail the day-to-day and critical, based on principles of observation, experimentation and research. We chose this approach because we believe that photography, all given end trajectory imagery, historical and conceptual, within and outside a school context, can contribute to the training of individuals in society.Item Acesso aberto (Open Access) Grupo de teatro Palha: trajetória e identidade teatral(Universidade Federal do Pará, 2015-06-26) FURTADO, Paulo Roberto Santana; COSTA, Luizan Pinheiro da; http://lattes.cnpq.br/5390750292706184Study of the trajectory of the Straw Theatre Group over its 34 -year history (1980-2014), addressing his artistic production, cultural activities and inclusion in the panorama of Pará theater. The research aimed to understand the challenges the Group, which originated with young members and on the outskirts of Bethlehem, seeking to translate the Para theatrical movement during his thirty-four years of building a theatrical identity. The productions of the group are referenced the theory of German playwright and director Bertolt Brecht, in order to bring reality to the theatrical scene. It was used as a research source, group material, such as programs, newspaper clippings, photographs, videos, reviews, texts, scripts and testimony of its members and founders.Item Acesso aberto (Open Access) A imagem por fora: uma experiência “verbivocovisual” pelos caminhos da errância(Universidade Federal do Pará, 2013-06-27) TAVARES, Mara Rodrigues; FRANCA-HUCHET, Patricia Dias; http://lattes.cnpq.br/9065267896846482; COSTA, Luizan Pinheiro da; http://lattes.cnpq.br/5390750292706184The photographic language, when it reaches the limit of its functional use, opens the potential to produce a new image, an opening to the field of art, within the images estate. A foreign image. Just as verbal language that diverge from its everyday use to become essential language. When these opening or folding processes are held, it can be said that these structures undergo a delirium in their senses. Within this perspective, this research is based on the concept of the out to point a pathway from where you may think about these delusional openings of the image, as well as the views of the paradoxes to observe how they happen and the notion of becoming to understand from where they become, in order to show and narrate the interactions that exist between: photo-document, photo-expression, colloquial language and essential language. Existing relationships in the photographic and literary languages, interfaces that are entwined in the research.Item Acesso aberto (Open Access) Naif urbano: percepção visual no trânsito de Bragança, Castanhal e Belém(Universidade Federal do Pará, 2012-12-20) ROSÁRIO, Daniely Meireles do; COSTA, Luizan Pinheiro da; http://lattes.cnpq.br/5390750292706184This research is focused on a aesthetic-poetic-visual construction of the contemporary city from the perception of urban naïve – handmade painting – present in the transit of three cities: Bragança, Castanhal and Belém. Just do is presented as a manifestation of a popular aesthetic, characterized handmade by their appearance. Capturing and understanding of these events happened through photographic records, used as tools for collecting a visual construction of the city from the objects that comprise naïve and supported by a phenomenological method of awareness in which the body is an agent in the world and the eye is the main instrument in the construction of memory.Item Acesso aberto (Open Access) [Nu]-: aparelho: relatos sobre coletivo, arte e colaboração(Universidade Federal do Pará, 2013-06-24) BARROS, Bruna Suelen Silva; COSTA, Luizan Pinheiro da; http://lattes.cnpq.br/5390750292706184This research constitutes poetic accounts of-concept experiments, proposing to set out to reveal the collaborative processes arising from the actions of the Rede [Aparelho] -: in which the predominant use of technological devices, such as Internet, radio, cellular and graphics (stickers and stencils) as a way of questioning the political, artistic, cultural and economic guided by the free distribuition and circulation of information in the Brazilian Amazon. This work has as support the mapping methodology, where the search does not want to know about, but it comes with knowledge. Seeking experience in what moves a state of things thus ears, noses, mouths, hands scour events, giving them body.Item Acesso aberto (Open Access) Olhando pro muro, enxerguei o mundo! : uma visão sobre a poética de quatro grafiteiros do cosp tinta crew(Universidade Federal do Pará, 2015-06-29) MACHADO, Carmen Maria Bragança de Souza; COSTA, Luizan Pinheiro da; http://lattes.cnpq.br/5390750292706184Looking at the wall, I saw the world! This is how this dissertation starts, a research willing to rediscover those artists who inscribe themselves on the streets, on the skin walls of a supporting city. Four graffiti artists from the Cosp Tinta Crew, George, Marcelo Bokão, Edpaulo and Fábio Graf, those who, within their personal differences, create spaces on the plots which get cross linked alongside the graffiti universe of Belém do Pará. Discovering how those "Manus" (kind of slang among the artists, meaning "Guys") get crossed, completed and inscribe the poetic trails of their jobs was one of the aims reached; it was evidenced how the aesthetic-artistic knowledge enlarged and enabled those lads to be seen as well-known artists by their fellows and allowed the oncoming of the universe of the theoretical realities with the practical reality, from the teaching of graffiti to the living of it. In order to do so, it was needed to highlight the speech and opinions from the "manus", allowing them to choose the images which represented them and interfered in the inscriptions aesthetically, showing to the academy as well as through it, that these youngsters have identity in their traits and drawings, without either the aspiration of decoding them or analyzing the meaning of their "jobs". Authors like Jan Christian Smuts, with the concept of the holistic view; Oswald de Andrade and Michel Melamed, with the concepts of the Manifesto Antropofágico e Regurgitofagia (Anthropophagic Manifest and "Regurgitofagia"); distant-experience and close-experience, from Clifford Geertz; Leda Guimarães and Romulo Avelar, with their concepts of writings in a dissertation in Arts are some of the theoretical support which allowed the development of a pleasant research and close to reality, not only to the graffiti artists but also to the schools I work as an Arts teacher. Nevertheless, in order to build up this bridge, it is necessary to fortify the crews’ basis which spread throughout the city; the academy and its researches are fundamental support sources in order to do so. In these aspects, we are led to credit that this paper, of academic character, cannot be limited to the university academic range only. It was realized aiming at the posture of authorrecognition, enlarging the possibility that graffiti artists identify themselves in it and get closer and closer to the academy, in constant exchanges.Item Acesso aberto (Open Access) O traço da traça num troço chamado livro: processo de pesquisa e criação poética(Universidade Federal do Pará, 2014-06-27) SOUZA, Bárbara Lívia Damasceno de; COSTA, Luizan Pinheiro da; http://lattes.cnpq.br/5390750292706184This is the research and creation of poetic book Edge Violations, art-book of my own, designed heteronym by Livia Thysanura. The poetic core of the work discusses the book as a poetic element, addition of the word support, standardization of information and scientific truth. I do this during the whole text and the creation of a memoir of heteronym where rousing, verbally and visually, reflections on the maintenance of symbolic structures present in the life certification system and the formal school knowledge. Are drawings and words that blend the registers and regulatory signs, questioning the book space and the look of him that experience. The Draft of Silverfish of a Thing Called Book is, thus, a research and creation process that fuses reality and fiction, poetic act and scientific thought. A project inspired mainly in thoughts of Pierre Bourdieu, Michel Foucault, Gilles Deleuze, Felix Guattari, Maurice Blanchot and work Unarmed Eye Sonia Rangel.Item Acesso aberto (Open Access) Travestidas formas: arte, beleza e erotismo em corpos de travestis no Bairro do Reduto em Belém do Pará(Universidade Federal do Pará, 2012-02-28) SOUZA, Paulo Sérgio das Neves; COSTA, Luizan Pinheiro da; http://lattes.cnpq.br/5390750292706184Item Acesso aberto (Open Access) Vamos comer Oswald: por uma desterritorialização da antropofagia Oswaldiana.(Universidade Federal do Pará, 2014-06-25) GUIMARÃES, Juan Pablo Freire; CAMARGO, Giselle Guilhon Antunes; COSTA, Luizan Pinheiro da; http://lattes.cnpq.br/5390750292706184Item Acesso aberto (Open Access) Ver-o-Peso: poesia em postais do[s] submundo[s](Universidade Federal do Pará, 2014-06-30) OLIVEIRA, Raphaella Marques de; COSTA, Luizan Pinheiro da; http://lattes.cnpq.br/5390750292706184This research value the hazard and daily meetings. motivated by an biographical experience through the labyrinths of Ver-o-peso – the biggest free market of Latin America, located in city of Belém and regarded as a great landmarks – there I’ve been met persons who aren’t live in landmarks, but makes daily the narratives behind of history [!] artistically, this paper is situated as a work of poetry and form a colecttion of articles about the esthetics experiencies lived in Ver-o-Peso. [this also a intuitive work inspiraded by brasilians poet]. scientifically, it cross the fields of Arts, Philoshophy and Comunication Research and use ethnographic methodogies and the rhizome, the philosophical concept. [:] together, Art and Science, makes this notebook an reunion of words written under the officials narratives about Ver-o-Peso. what they say and not say print poetic narrative cards.