Dissertações em História (Mestrado) - PPHIST/IFCH
URI Permanente para esta coleçãohttps://repositorio.ufpa.br/handle/2011/4190
O Mestrado Acadêmico iniciou-se em 2004 e pertence ao Programa de Pós-Graduação em História (PPHIST) do Instituto de Filosofia e Ciências Humanas (IFCH) da Universidade Federal do Pará (UFPA).
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Item Acesso aberto (Open Access) Belém entre filmes e fitas: a experiência do cinema, do cotidiano das salas às representações sociais nos anos de 1920(Universidade Federal do Pará, 2011-08-12) CARNEIRO, Eva Dayna Felix; SARGES, Maria de Nazaré dos Santos; http://lattes.cnpq.br/2076421409418420; LACERDA, Franciane Gama; http://lattes.cnpq.br/1007392320101957The social history of cinema is also marked by the habit of frequenting. In addition to the film, elements such as infrastructure and advertising plays a major role in order to create an atmosphere of seduction and involvement with the images displayed. The track of the cinema, among other ways, is linked to the viewer, the physical space of projection rooms and the sociability it worked out. This essay discusses the cinema in the city of Belém (Pará) in the 1920s. To investigate how much the cinema interacted with the urban scene that period. Likewise, we discuss elements of the infrastructure of the rooms such as accommodation, ventilation, and music. We sought to demonstrate that the act of watching a movie in the state capital of those years was just a part of the "ritual" of frequenting the cinema, hence the concern to understand the forms of sociability processed within those rooms. Besides, it is an analysis of the cinema acting as a mediator of social representations of gender and childhood.Item Acesso aberto (Open Access) Mundo metálico belenense e política cultural: declínio e reorganização do heavy metal paraense (1993-1996)(Universidade Federal do Pará, 2014-12-05) SILVA, Bernard Arthur Silva da; COSTA, Antonio Maurício Dias da; http://lattes.cnpq.br/2563255308649361This paper seeks to explain why and how the art world and Para underground circuit of Heavy Metal and the actions of its practitioners, after the 3rd Rock 24 Hours between 1993 and 1996, began to enter the transition process, accompanied by declining dispersion and sprawl, the city of Belém, resulting in the gradual decrease of events of Heavy Metal, along with elimination of the presence of metal shows at the Experimental Theatre Waldemar Henrique, Municipal Theatre of São Braz Market, Square Artist / Centur Circus and Republic Square, while setting "a modification of the city‟s metal map" by the emergence of other spaces for concerts, private spaces like Olê-Hello Park Igarapés, Nightclub Rhyno's Nightclub Spectron, Bar, Nightclub slips and Nightclub Insânu, intense stampede of practitioners of development spaces of "metal sociability", reduction in cultural news columns of the leading local newspapers (The Liberal, Diary of Para and the Province of Para), accusatory and prejudicial treatment given to the Heavy Metal and Rock in Pará relation to the 3rd Rock 24 Hours a cultural columns of some paraenses journals (The Liberal and Diary of Para), continued to launch (demo-tapes and albums in vinyl format) metal phonograph records and the gradual and permanent change in state cultural policy facing public spaces used by local Heavy Metal and Rock. Newspapers, magazines, fanzines, videos, concerts, posters, flyers, interviews and recorded such actions were used to make this discussion.Item Acesso aberto (Open Access) Visto, logo existo: moda, sociabilidade feminina e consumo em Belém no limiar do Século XX(Universidade Federal do Pará, 2010-07-12) MARTINS JÚNIOR, Rui Jorge Moraes; LACERDA, Franciane Gama; http://lattes.cnpq.br/1007392320101957The dissertation discusses the women's clothing in Belém in the first two decades of the twentieth century, trying to understand the multiple meanings given to women's clothing by women themselves and by the chroniclers of magazines and newspapers that circulated in the major city of Pará as A Semana, Belém Nova, A Tarde, A Palavra, Folha do Norte among others. In this regard, the discussions turn to the relationship between the consumption of fashion elements and the advance of modernity in Belém, with the backdrop of the profound transformations undergone by the urban city in the early decades of the twentieth century, marked by the crisis in the later business of rubber. They reveal themselves so the quest for change in some of these women constructed from cutting the hair, the length of skirts, the construction of a new look, and concerns play spaces beyond the ambience of the private. Thus, sociality built by many elite women, suggests a questioning of its social role in that fashion, sometimes functioned as non-verbal speech.