Programa de Pós-Graduação em Sociologia e Antropologia - PPGSA/IFCH
URI Permanente desta comunidadehttps://repositorio.ufpa.br/handle/2011/6622
O Programa de Pós-graduação em Sociologia e Antropologia (PPGSA) é vinculado ao Instituto de Filosofia e Ciências Humanas (IFCH) da Universidade Federal do Pará (UFPA) e foi aprovado pela CAPES no ano de 2002, ainda com o nome de Programa de Pós-graduação em Ciências Sociais. Iniciou suas atividades no primeiro semestre de 2003, com o funcionamento da primeira turma de Doutorado. Atualmente o Programa oferece também curso de Mestrado Acadêmico.
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Item Acesso aberto (Open Access) A música e a cidade: práticas sociais e culturais na cena da canção popular em Belém do Pará na década de 1980(Universidade Federal do Pará, 2014-08-11) MOREIRA, Nélio Ribeiro; COSTA, Antonio Maurício Dias da; http://lattes.cnpq.br/2563255308649361The dissertation discusses the development of practices of sociability and a network of commitments among members of an art world (BECKER, 1982) made possible in popular song, as well as forms of cultural production and circulation of such goods in the city of Belém do Pará, Brazil, understanding it as a frontier area ( HANNERZ, 1997) in the eighties. For this, I turned to the musical scene category (STRAW, 1991) as an input for socio-cultural analysis of these occurrences. This is an anthropological study of a historical theme (FREHSE, 2005; SAHLINS, 1999) which is divided into three chapters. The first, entitled "An expanding city and its musical culture in process" presents a characterization of the transformations of the urban scenery of Belém do Pará in the early 1980s and the foundations of a scene of popular song. Thus, two key events are studied concerning for the formation of this music scene: the Feira Pixinguinha in Belem and Projeto Jayme Ovalle. The second chapter is named “The production of identity by song discursive practices of popular music artists in Belém in the 1980s”. The focus in it is the relationship of place with the making of the song and its meaning, the idea of a song as the object-value, the formation of the association of musicians called CLIMA and a study of some emblematic songs of the eighties scene. The third chapter, "Practices of sociability and ‘places of Popular Song’ in Belém do Pará eighties" studies social spaces of popular song as places where they produced and consumed to that cultural commodities and place to artists and audiences this musical mode in the city - such as bars, theaters, concert halls - in the characteristics of the urban environment. Also, it presents a view on the song festivals and recordings as cultural commodities as projeto (VELHO, 2008) for the category to the artists of music scene.Item Acesso aberto (Open Access) Pedra, redes e malha na circulação do pescado do Ver-o-Peso ao meio urbano de Belém do Pará(Universidade Federal do Pará, 2016-03-08) SILVA, Luiz de Jesus Dias da; RODRIGUES, Carmem Izabel; http://lattes.cnpq.br/5924616509771424This thesis aims to use ethnography to describe the social network involved in the process of fish circulation that arrives at Ver-o-Peso market on a daily basis and is distributed around the city of Belém do Pará. The problem is to understand how this commercialization still remains important, to this day, in the largest popular market in the city and to the city itself considering that it has been active since the Brazilian colonial days. The local ethnography becomes a cultural, historical and economic significance to the social life of Belém; the players in this market perform, between water and land, in a set of collective spaces, where an interpenetration of history to local culture exists, and is transformed in practices and update the senses. Methodologically, research was done using secondary data for theoretical foundation and the ethnographic research, with both direct and participant observation, once accepted in the field, sometimes, I was able to be help with the fish commercialization at the “Pedra”, at the Marambaia market and another point of sale in the city. Ver-o-Peso, was researched as a popular Market, symbolic system and of cultural importance for the city of Belém. There was an investigation concerning the origin of this fish trading space as a place of interrelations, its specific characteristics, local conflicts, laws or tacit regulations, and also the preparation of the fishing boat crews for a new journey, because once a fish load is sold, distributed throughout Belém and other places, a cycle ends and new preparations start again for the next trip in search for fish to be sold at this place. The fish distributed in Belém reaches final consumers in natura, and is found in street markets, small markets, supermarkets and other points of sale throughout the city, including the most diverse restaurants as regional dishes to people who love good food. During the final considerations, there was a reflection concerning the fish commercialization network and its economic, social and cultural aspects, its rules, informalities and conflicts, as a response to why fish circulation remains so vigorous after so many years, having Ver-o-Peso as the center of its flow, as well as, propositions collected from workers who labor there on a daily basis concerning its permanence at the local.Item Acesso aberto (Open Access) “Pelas ruas de Belém...”: produção de sentido e dinâmica cultural nos arrastões do Pavulagem em Belém do Pará(Universidade Federal do Pará, 2016-04-01) CHAGAS JUNIOR, Edgar Monteiro; RODRIGUES, Carmem Izabel; http://lattes.cnpq.br/5924616509771424Recent demands by groups of residents from large Brazilian urban centers for some cultural manifestations understood as traditional – approached according to a model of cultural representation whose dimension of identity value has been increasingly activated – has permitted some reflections that surpass the conditions of use and appropriation of urban public spaces that elaborate and institute different forms of artistic- cultural expression without necessarily following the consolidated standards for large events where distance from the artist and the public prevails. During the last two decades, there has been a resuming of actions of pedagogical nature on knowledge whose origin are in old popular dances that started to provide a referential for production of discourses by urban cultural activists who became known for their appeal to “degradation” of identities in a world economically globalized, redirecting participation and consumption of the socalled cultural assets and providing a form of public mobilization that began to (re) assume the streets as referential in the sense of socialization and experimentation as driving energy of accomplishment of a cultural action performatically ritualized. Therefore, this study aims to collaborate with these discussions anchored in the possibility of intermingling among the notions of heritage, ritual and performance motivated by observations of a cultural movement called Arrastão do Pavulagem, which has been performing for the last twenty eight years, and has been consolidated in the annual cultural schedule of Belém do Pará as a moment of esthetic and symbolic (re) creation of the festivity based on performance of musicians, dancers, actors, producers who carry out their actions in an environment, that suggests that it is institutionalized from a sense of participation and experimentation of the place as one of the fundaments of this movement mobilized by different interests, but that, when meeting at this environment, intermingle and performatically elaborate discourses and visualities that operate in the possibility of (re) interpretation of the urban landscape of the Historical Center of Belém do Pará.