Dissertações em Artes (Mestrado) - PPGARTES/ICA

URI Permanente para esta coleçãohttps://repositorio.ufpa.br/handle/2011/6806

O Mestrado em Artes, em 2008 foi autorizado pela Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES) com funcionamento no Programa de Pós-Graduação em Artes (PPGARTES) do Instituto de Ciências da Arte (ICA) da Universidade Federal do Pará (UFPA).

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1900 – O RANGER DA LIBERDADE: A memória como indutora de performances de rua
(Universidade Federal do Pará, 2020-12-04) SANTOS JUNIOR, Paulo César Sousa dos; BEZERRA, José Denis de Oliveira; http://lattes.cnpq.br/9404514273838260
This dissertation memorial presents and analyzes the creative process 1900 – o ranger da Liberdade, a set of performances developed by Zecas Coletivo de Teatro, in the streets of the metropolitan region of Belém do Pará in 2019. The research aimed to highlight the importance and multi-layered significance of scenic performances works, as a practicaltheoretical process, in interface with the studies of history and social and cultural memory, starting with the postulates of Le Goff (2013), Nora (1993), Candau (2011), and Assmann (2011). On language issues, we proposed a reflection on the relationship between the theater and the performance from the “in-between” perspective found in Bonfitto (2013) and Féral (2015); and about the specificities of performance language based on Cohen (2013), Goldberg (2007), Glusberg (2009), Schechner (2006; 2010), and Pavis (1996; 2017). From this universe, we approach the notion of experiencing the street in the relationship amongst performers, passers-by, and the city, dialoguing with the discussions about street scenic practices, proposed by Carreira (2007; 2009; 2011; 2012; 2020), Teles and Carneiro (2005). As results, we point out: a) the accomplishment of eight street performances; b) the proposition of the instigation method and creation device, organized during the research, beginning with the studies of Rangel (2015) and Sales (2011) over the creative process as an Arts research methodology, Cypriano (2015) about the power of creative processes in performance and Ribeiro ( 2019) on the concept of the place of speech; c) memory as an inducer of street performances, as a basis for the creation of dealienating artistic works that, in a dialogue between past and present, performatively expose issues that enhance respect for differences.
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Amatória: práticas artísticas de uma feminista que reescreveu uma parte da memória líquida de seu corpo
(Universidade Federal do Pará, 2019-06-26) GARCIA, Maryori Katherine Cabrita; LEÃO, Ana Cláudia do Amaral; http://lattes.cnpq.br/3091200390689592
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Amazoniana, transzamazônia, transarte: a geoestética
(Universidade Federal do Pará, 2015-08-17) PRADO, Alcidean Augusto Brasil; SOUZA, José Afonso Medeiros; http://lattes.cnpq.br/6045766440369156; MANESCHY, Orlando Franco; http://lattes.cnpq.br/6198572031091761
The Amazoniana, Transzamazônia, Transarte: Geoaesthetics will address questions about the position of the image in the Amazon, the place of matter in the region, the place of time in the Amazon. As these cycle times between image space, the territory of matter and entropy are given in the Amazon, it is what will decide when and how come the cycles of Amazoniana. Supported the research object, the Amazon project, place the Experiência¹. You begin to think the region by the project substrate, Amazoniana Collection of Art, to get to the Amazon as larger object to be investigated in the compilation of the four visual tests, which are subdivided for seven mônadas². Leaving for the Amazon by questions raised by Amazoniana. In order to bring the light effects and states of the region on aesthetic issues, image and art, to discuss areas of visuality in the development of the Amazon, from a question: "Where does the image in the Amazon?".
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Animação Audiovisual Paraense: formação do campo e narrativas quadro a quadro
(Universidade Federal do Pará, 2018-11-14) DUARTE, Andrei Miralha Padilha; AZEVEDO, Ana Lucia Lobato de; http://lattes.cnpq.br/9182752708471137
The word animation comes from the latin term "anima," which means "soul" in the sense of "breath of life." According to Perisic (1979), animation is a way of creating an illusion, giving "life" to inanimate objects – real / virtual objects or simply freehand or computer drawings. Born of the mix between art and technology, the animation films come in the late nineteenth century, and developed throughout the twentieth century in numerous productions around the world. However, it is only at the beginning of the 21st century that the first animated short films were produced in brazilian State of Pará. This research includes the formation of the State of Pará's field of animation, according to Pierre Bourdieu. It gathers narratives about the production of animations carried out until 2018, considering the networks of personal relationships, the formation of groups, as well as the techniques and methodologies used to carry out each work. I carry out this study through participatory field research, interviews, bibliographical and film research, observing sociocultural events, characters, productions, policies and institutions that contributed to the development of the animation in the State of Pará.
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Arte da voz e do corpo: poéticas de narradores urbanos (Melgaço-PA)
(Universidade Federal do Pará, 2015-05-28) VIEGAS, Jurema do Socorro Pacheco; SILVA, Joel Cardoso da; http://lattes.cnpq.br/6918547599708778
In this research we aimed to analyse oral poetics in voices of residents who live in the city of Melgaço, in Forests' Marajó - PA. Taking as base the interlacement between rural-urban in the Amazon and considering that a lot of research about oral narratives focused on rural areas, we interpret these narratives as ways of life, creation, artistic and cultural existence produced in the poetic of the voice, performances and aesthetics by urban dwellers of Melgaço; We mapped creative movements to apprehend ways that the narrators socialize these histories that are invented, recreated, suffer adaptations or enter in disuses in urban lives. Following theoretical orientations of Semiotic Studies, Literary, Psychological, Anthropological and Cultural in connection with the Art field, using the methodology of Oral History, we strive to enter in the oral poeticity of a city of the Marajoara Amazon, capturing the imagination aesthetic that is elaborated in the everyday know-create, gestated in the art of telling and listening by residents of Melgaço. In our perception, the urban oral narratives recover, on its content, afroindígenous memories, historical heritages, practical knowledge, artistic, symbolic, psychological, philosophical and religious transmitted from generation to generation in form of counseling and human conduct. Dipped in this universe, we discovered, by the morphology of oral art, that Melgaço, in the voice of each deponente, is the place of reception, work, friends meetings and fight for life. By performantized voices, the storytellers-poets externalize feelings of dedication, affection and love for the city. The voice’s poetic makes visible the local imaginary aesthetics where the art of narrating has a unique value in the life of each poet because it shares happiness, delight for the soul, therapy for the body, moment of encounter and dialogue with one another, intertwining different times, spaces and generations.
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A arte na sua cotidianidade: uma percepção de arte na Feira do Guamá
(Universidade Federal do Pará, 2013-07-01) CASTRO, Marina Ramos Neves de; SOUZA, José Afonso Medeiros; http://lattes.cnpq.br/6045766440369156; SILVA, Joel Cardoso da; http://lattes.cnpq.br/6918547599708778
This work develops an approach of the art as sociality from a focus on the daily life in the popular Market of the Guamá, Belém, in Brazilian Amazon. Therefore, using a frame of reference centered on Simmel and Meffesoli we start from a comprehensive perspective, watching the market as a "social form". We understand social form like a process resulting from the social construction of meaning that evolves continuously social relations. We figure out to realise how these social relations are produced from shared feelings: a feeling-together, common experiences, feelings, all kinds of emotions of the life, in short, that makes sense when are perceived and lived together. We propose that this feeling-together, here it treated, in the Market of Guamá, conforms social forms, which we identify as part of a process of "transmanência", this way producing an aesthetic and particular art, that results in the established relations in the commonplace of daily life.
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Arte na TV: reflexões sobre matérias de arte em telejornais paraenses
(Universidade Federal do Pará, 2011) ANDRADE, Ana Paula Dias; SILVA, Joel Cardoso da; http://lattes.cnpq.br/6918547599708778
Art and communication, two areas of knowledge that can contribute with reflections and questions about human reality, and still need to be more approximated. This work proposes a partnership between the two fields, to the development of the critical and culturally enriched. The focal point chosen for the study is the mediation of the art by the television news from the state of Pará, in Brazil. Does the TV news value, encourage and give visibility to the guidelines on art, primarily the local art? In attempting to answer this and other questions, we plunged into a theoretical literature addressing issues related to language of the arts and of the television, the critic of the art and cultural journalism, raising pillars for the understanding of how the TV, as mass media, must act to make a correct the mediation of artistic information. From theoretical approach, it is observed in practice, news reports broadcasted on the TV news stations in open channels from Pará: Liberal TV (Globo) TV RBA (BAND) and TV Cultura do Pará (public broadcaster), chosen for this content analysis. In the survey, the subjects bring artistic themes, part of the contemporary scene. Collect material on distinct channels contributes to the observation of how the information of art is addressed in each one, if visibility is given to the issue, valuing it, and if there is incentive, motivation or collaboration with the formation of a public of art.
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A arte popular entre o real e o imaginário: o imaginário na xilogravura e no cordel de J. Borges
(Universidade Federal do Pará, 2016-07-08) GOMES, Paulo Henrique de Oliveira; SOUZA, José Afonso Medeiros; http://lattes.cnpq.br/6045766440369156
The folk art between reality and fantasy: the imaginary in the woodcut and string literature by J. Borges investigates Folk Art by studying the artwork of J. Borges and several views about this theme since the first half of the twentieth century. This research emphasizes the understanding and positioning of artists and scholars about the role of the art of brazilian people in the creation of a national and cultural identity, as well as the space of folk art in the art system, particularly the contributions of Mário de Andrade and Lina Bo Bardi and considerations of Gilbert Durand and Michel Maffesoli about this universe. Throughout this narrative is set a possible panorama of folk art and its evolution (or evolution of its study and debate) to locate the subject during the ancient history until the present times. Among this, this research presents the artist from Pernambuco J. Borges, recognized for his string literature and woodcut works. This research demonstrates how the artist is influenced by several issues and the way he transposes it to his work, transforming his artworks in a registration of everyday life, social and fantastic experiences. Bibliographic research with interviews, field and life observations build this job and form a basis - among many possibilities - where Brazilian folk art can be discussed.
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Arte, Educação, Cultura no interior do Pará: Um estudo de caso na E.E.E.M. Dr. Inácio Koury Gabriel Neto, Castanhal - PA
(Universidade Federal do Pará, 2023-11-24) SETÚBAL, Mylena Monteiro; COUSTON JUNIOR, John Fletcher; http://lattes.cnpq.br/7793272958380509; BRITO, Márcia Mariana Bittencourt; http://lattes.cnpq.br/3710898379776654
This study aims to analyze and demonstrate, based on a case study, the neglect in the systematization of its art spaces in the city of Castanhal – PA, due to the lack of investment in the different forms of contact with culture, whether formal or non- formal and/or informal. Under a magnifying glass is the reality, history and formation of this city in the interior of northeast Pará, Castanhal, or as it is known, the “Model City”, and a formal education apparatus, the public high school Dr. Inácio Koury Gabriel Neto, and its importance for the locality and the occurrence of art education in this educational space. Through observation, interview and project at the school mentioned above, it is noted that a strengthened relationship between formal education (in this case the school) with the artistic and cultural scene of the “model city” and a better dialogue with its students can be a way and way to expand and value the teaching/learning of art and the production of arts and culture within these locations that suffer from the abandonment of investments in the artistic segment.
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Arte, imaginação e criação com crianças da cidade de Benevides-PA
(Universidade Federal do Pará, 2025-05-15) CALDERARO, Kelly Lene Lopes; BRITO, Márcia Mariana Bittencourt; http://lattes.cnpq.br/3710898379776654
The aim of this paper is to reflect on children's paintings and what they can represent in their lives. Specifically, this research involved listening to children's drawings of the territory of Benevides, Pará, and trying to establish relationships with their lives by looking at the concepts of Imagination and Art in childhood. Lev Vygotsky's (2014) Cultural-Historical perspective was used as a conceptual basis, observing that the richer the human experience is culturally, the greater the material available for imagination and creation. Seen from this perspective, the child's imagination would be expressively open to countless creative experiences, considering that, when compared to adults, their repertoire would not be permeated by the marks of experiences that have already been widely experienced. And it is in this sense that the Art, Children and the City project sought this experience of listening, to give children a voice and bring them to the center of the process, in which they can participate in the construction of a territory, since they have a perception of the place in which they live and desires to be fulfilled for this place, demonstrating their sensitivity and affectivity. It is in this sense that we emphasize the importance of looking at both the experiences the child already has and those that are still open. Observing the relationships that are established between the child, art and its creation. The methodology used was participant research. The technique used was to listen to children, through drawings, in four public squares in the Benevides area, with the guiding question of how they see this city and how they would like it to be? Seventy-eight drawings were collected for analysis and construction of the results. In the same way, bibliographical research was carried out in the methodology developed, with the data presented coming from books, dissertations, theses, research published in periodicals and presentations of scientific papers. In order to analyze these drawings, discourse analysis and Vygotsky's approach to Art and Imagination were used. It is hoped that this research, together with other studies, can contribute to the academic field, as well as giving greater visibility to the importance of listening to children, their desires, ideas and dreams, through Art and Imagination.
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Artes carnavalescas: processos criativos de uma carnavalesca em Belém do Pará
(Universidade Federal do Pará, 2012-06-19) PALHETA, Cláudia Suely dos Anjos; RODRIGUES, Carmem Izabel; http://lattes.cnpq.br/5924616509771424; LIMA, Wladilene de Sousa; http://lattes.cnpq.br/4769018199137074
This paper presents carnival arts as expressions and artistic representations present in workshops and sheds of the samba schools during the production of a carnival parade, including plot synopses of texts, letters of samba plot, drawings, costumes and floats. This is a study based on my actions as carnavalesca in three samba schools of Belem: Academia de Samba Jurunense in 2005; Gremio Recreativo Deixa Falar in 2006, 2007, 2008 and 2009, and Associação Carnavalesca Bole-Bole in the years 2010 and 2011. From the record of memories, experiences and observations, I elaborate an autoethnography of my creative processes at the same time I try to contribute towards an ethnography of my creative processes of Carnival in Pará.
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Artes indígenas no sistema das artes visuais: modos de exibição na Argentina e no Brasil
(Universidade Federal do Pará, 2025-08-12) MELI, Marlene Binder; SOUZA, José Afonso Medeiros; http://lattes.cnpq.br/6045766440369156
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O artesanato urbano como valor agregado à Moda Autoral produzida na cidade de Belém-Pará
(Universidade Federal do Pará, 2014-06-30) MAIA, Maria Felicia Assmar Fernandes Correia; MANESCHY, Orlando Franco; http://lattes.cnpq.br/6198572031091761
The present research makes the relationship between urban handcraft an authorial fashion production in the city of Belém, in the state of Pará, Brazil, after the researcher has discovered that the wish to create fashion products with local identity has led the people of the region to search new local resources to make clothes and accessories with characteristics that could make them different in today’s globalized world, and that the difference is linked with the local culture. The research starts with the investigation of the interfaces of fashion, art and handcraft, showing that this last one can be considered one of the kinds of representation of the local identities. It also shows how the local fashion designers are trying to find their cultural roots in order to face the process of hybridization caused by the acceleration of history. Authors like Nestor Garcia Canclini, Zygmunt Bauman, Pierre Bourdieu e Gilles Lipovestsky give the theoretical support for the researcher’s perception that the access to a wide variety of goods, facilitated by globalization can make it easier to combine them and help designers create new things. Methodologically, the research has been developed by the analysis of the work of four fashion designers who have dared to add the value of handcraft with some local resources like tururi fiber, curauá fiber, fish leather and a new kind of rubber called encauchado to make clothes and accessories that can have original looks. Other authors like Stuart Hall, Lars Svendsen, Carol Garcia and Ana Paula de Miranda also contribute to the researcher’s conclusion that to create fashion production is to create behavior and in today’s market context, handcraft can be the great value that could be aggregated to fashion.
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Artivismo ambientalista no Brasil: A luta pela conservação e distribuição da água nas ações do Movimento Artistas Pela Natureza coordenadas por Bené Fonteles
(Universidade Federal do Pará, 2024-06-07) COSTA, Dóris Karoline Rocha da Costa; STOCO, Sávio Luís; http://lattes.cnpq.br/3206903170798612
This research addresses the artistic interventions of the Movimento Artistas Pela Natureza (MAPN), founded and led by Bené Fonteles, investigating its uniqueness in the Brazilian scene, having as its starting point the theme of environmental artivism. The contributions of this research include expanding the understanding of the Art History involving the Pará born artist Bené Fonteles and the Movimento Artistas Pela Natureza in the scope of artivism in Brazil. This research objectives focus on understanding the particular characteristics of MAPN's artivism, exploring specific actions aimed at the conservation and distribution of water in Brazil, such as Encontro das Águas I and II. Specific objectives include the definition of the concepts and modes of operation of activist art, the examination of the context of the artist's and MAPN's trajectory concerning the selected interventions, the collection of visual and descriptive data from the interventions, and the textual and contextual analysis of them. To achieve these objectives, this research adopts a hybrid methodology that combines the Cultural History of Art with Visual Culture. This involves bibliographical review, contextual analysis, documentary research in collections and newspaper libraries, as well as analysis of events from a visual culture perspective.
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Artivismo sapatão amazônida na cultura digital como dispositivo de afeto
(Universidade Federal do Pará, 2024-12-10) SALIMOS, Nícia Coelho; MELO, Ana Cláudia da Cruz; http://lattes.cnpq.br/4777116947247545
The research investigates the lesbofeminist artivism of amazonian collectives from the state of Pará, which I term sapativistas, focusing on the visual expressions, digitally available, that constitute an "artified device of sapatão1 affection." The concept of device is grounded in Michel Foucault (1979) and directed towards the intersections of gender, race, and class, as explored particularly by bell hooks (1995; 2019) and Sueli Carneiro (2005; 2019). It is understood as a cultural practice that articulates affection, identity, and LBTQ+ resistance in the context of digital culture. The research seeks to understand how the visual and poetic productions of collectives such as Sapato Preto Amazônida and Rede ALAMP, on Instagram and in physical spaces, express and construct an imaginary of resistance and affect, highlighting symbols and narratives of belonging. The identification of these images as forms of art is based on concepts of artivism, drawing from Lucy Lippard (2024), and on the hypothesis of artification, primarily introduced by Ellen Dissanayake (2009). The analysis methodology combines feminist approaches with sapatão and queer epistemologies, drawing from authors such as Adrienne Rich (2012), Audre Lorde (2019), Glória Anzaldúa (2000; 2005), Ann Cvetkovich (2021), and Sara Ahmed (2006; 2010). These perspectives help to understand dissident poetic production through the lens of lesbian existence and continuum, unveiling the aesthetic and affective codes present in the images and collective actions, as well as the impact of these productions in expanding lesbian visibility and fostering public policies. Among the findings, the research identifies contemporary lesbofeminist artivism in the Amazon region, which operates on digital social networks and appropriates these spaces to create existence and, above all, to expand, make visible, and resignify images while bringing people together in physical or non-physical spaces through encounters of political and cultural resistance. From the perspectives of activist poetics and artification, the sapativistas emerge not only as activist subjects and social protagonists across all analyzed groups but also as creative artivists who reframe images, turning them into powerful forms of affection and emotional impact. With this study, we aim to highlight historically dissident artistic expressions and contribute to the debate on the role of digital culture in the expansion and reconfiguration of lesbian and feminist discourses by Amazonian collectives. This is a challenging endeavor in the face of social media algorithms shaped by a concept of compulsory heteronormativity, while simultaneously promoting new forms of political articulation for the local sapphic community.
Acesso aberto (Open Access)
Arukwahaw: uma etnografia do casamento Suruí à luz da etnologia ritual
(Universidade Federal do Pará, 2014-06-04) SANTOS, Bárbara Dias dos; CAMARGO, Giselle Guilhon Antunes; http://lattes.cnpq.br/2551648142775344
This research analyzes the lens rises the ritual of the marriage ceremony Surui indigenous ethnic group residing in indigenous land Sororó located in the southeastern region of the state of Pará in the municipalities of São Geraldo do Araguaia and Great Swamp . Where , through the methodology of ethnography , with the observation of everyday village , cultural and social customs intrinsic to Surui and wedding ceremony , performed open interviews , photographic records and videos in order to understand the marriage ritual in the light of anthropology through the perspective of Richard Schechner and the lines between anthropology and concepts of Adrienne Kaeppler and Gertrude Kurath . I believe the importance of this research turns to the study of Amazonian indigenous culture , especially the culture of the Surui , reaffirming that although the whole process of cultural development and aggregation of this ethnic group have been uneven, disrespectful and inhuman , many of times , values and traditions remain and are worthy of study in various areas, such as in the case of this study , the slope of the Arts. Besides the importance of the cultural record in written copies, both for the company itself Surui , as for other indigenous society and non - indigenous.
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Atmosfera imanente: poética de luz da companhia moderno de dança
(Universidade Federal do Pará, 2015-06-11) ALVES, Tarik Coelho; SAPUCAHY, Ana Flávia Mendes; p://lattes.cnpq.br/6144243746546776
This research investigates the creative process of visuality in stage lighting of Companhia Moderno de Dança’s spectacles. While understanding that stage lighting during the creative process of this company absorbs the creating principles of the body that dances and develops its own poetics, I point here the approaches between this group’s methodology, i.e., the immanent dance, and the procedures that permeate the lighting creation in this aforementioned company. Starting from an analysis of its scenographical particularities and the visualities obtained on stage through lighting, the research aims to search for the visual signature of the scenic lighting designer and the way by which he develops his creative processes. The theoretical foundations of visual arts and dance used here are the ones related to Gil Camargo’s and Iara Souza’s studies of light aesthetics, Anna Mantovani’s creativity and creative processes, and Ana Flávia Mendes’s and Luiza Souza’s immanent dance, amongst other theories that verse about visuality and corporeity, such as Johann Goethe, Donis Dondis, João de Jesus Paes Loureiro and José Gil. As for the methodology, this research makes use of Roberto Sidnei Macedo’s ethno research, through the perspective of the participating observation, adopting strategies of bibliographic research, open interviews and documental analysis. Thus, there will be bases for the understanding of this visuality obtained in contemporary dance, proposing then a broadening of the Influential Atmosphere concept by approaching the immanent dance, developing and organizing the Immanent Atmosphere as the visual signature of the stage lighting designer.
Acesso aberto (Open Access)
A atriz da diáspora: um estudo sobre a poética-política de Zélia Amador de Deus
(Universidade Federal do Pará, 2020-08-28) BANDEIRA, Maria Ceci Leal; BRITO, Maria dos Remédios de; http://lattes.cnpq.br/6896268801860211
The following work aims to analyze, using as basis the concept of diaspora of black people's performative body, by Zélia do Amador de Deus, the actress and director's artistic path and her poetic-politic character. The research was divided, aiming to make it possible to analyze its three main characters: Catirina, character from the work Coronel de Macambira, by Joaquim Cardozo (1998); Suely, character from the play Quarto de Empregada, by Roberto Freire (1993); and a nameless character, presented in the work Theastai Theatron. The reflexion that leads the research is done based in feminism as perspective of critical and theoretical analysis for the categories of stratum, genre, ethnicity, as stabilised theoretically by the philosopher Angela Davis (2016) and the battle against epistemicide, line of thinking relocated by the philosopher Sueli Carneiro (2005). By tracing Zélia Amador de Deus' artistic path, it is possible to find a new way to perceive the diaspora of black people's performative body and their descendants by the performative bias that represents the political-socio-cultural crossings that still continue to differentiate this body. Considering that it is a subject that begins in the body and does not detach itself from it, the analysis departs from the body and its main three characters, in order to demonstrate not only the artistic evolution of the actress, but mainly the political and existential development of a black woman in Amazon.
Acesso aberto (Open Access)
Barcarena cidade-obra: cartografia de uma cidade entontecida
(Universidade Federal do Pará, 2012-03-09) CARDOSO, Sebastião de Jesus; COSTA, Luizan Pinheiro da; http://lattes.cnpq.br/5390750292706184
This work composes on an artistic, aesthetic and critic reading about Barcarena. It looks for a comprehension of its urban area. It is divided into three moments: The Historical city, the image city and the aesthetic city, searching in a reading with Mumford, Argan, Guimarães, Lynch, Rossi, Deleuze, Guattari and Calvino, the way it is established in History. This reading shows how this city is today, at the same time that it is projected on a specific way to see it. Therefore, the idea of a cartography of its areas on an entontecida writing.
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A beleza no corpo do mito (in) variações do clássico na arte sequencial
(Universidade Federal do Pará, 2014-06-12) ALCÂNTARA, Filipe Barata; SOUZA, José Afonso Medeiros; http://lattes.cnpq.br/6045766440369156
The beauty according to Roger Scruton is a fundamental value to the human condition. When the modern art emerges, the discussions around this value became, gradually, minor issues for the visual arts. The body, however, does not cease to be an object of idealization, so that many representations persist in carrying elements of classic beauty. We see in images of contempo-rary heroic a kind of fender for that value, in a process that we call modernization or reinven-tion of the classic. This work aims to foment the discussion about beauty as an aesthetic cate-gory, with emphasis on the heroic body of a diverse nature approach. First, we established the classic visual on which our study is all about. Then we put forward a conceptual perspective of philosophical and scientific character. Finally, with those concepts in mind, we comment on the aesthetics of the characters that we consider most iconic within the genre of superhe-roes: Superman, Batman and Wonder Woman.