Dissertações em Ciências Sociais (Mestrado) - PPGCS/IFCH
URI Permanente para esta coleçãohttps://repositorio.ufpa.br/handle/2011/2358
O Mestrado Acadêmico em Ciências Sociais funciona no Programa de Pós-Graduação em Ciências Sociais(PPGCS) do Instituto de Filosofia e Ciências Humanas (IFCH) da Universidade Federal do Pará (UFPA).
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Item Acesso aberto (Open Access) "É a festa das aparelhagens!": performances culturais e discursos sociais(Universidade Federal do Pará, 2008-04) LIMA, Andrey Faro de; MOTTA-MAUÉS, Maria Angélica; http://lattes.cnpq.br/7861116876230464This work is a research about the called festas de aparelhagem that, in generic way, are inserted in the set of festive popular promoted by aparelhagens, undertakings identified by the use of pomps electronic/sounds structure and differentiated by the “style” of parties that propose, the audience that attract and by his dimensions and different outlines. The festas de aparelhagem shape a wide and well-known scenary in Belém, through the relations that establish between audience, party and aparelhagens, marked by certain symbolic articulation that unfold for besides the festive moment properly stated. In these terms, this dissertation constitutes an interpretative study on the relation existent between the dynamic of reproduction aesthetic/performative of the festas de aparelhagem and the different hues semantic/discursive that these acquired: publicly (your communication in the large mídias) and in plans more intersubjectives, where there emerge the protagonists (audience/aparelhagens) of this universe.Item Acesso aberto (Open Access) Sociabilidades no Mercado de Peixe do Ver-o-Peso durante o Círio de Nazaré(Universidade Federal do Pará, 2010-03-12) NASCIMENTO, Lícia Tatiana Azevedo do; RODRIGUES, Carmem Izabel; http://lattes.cnpq.br/5924616509771424This paper aims to analyze some aspects of the practices carried out by fishmongers, rockers and glaciers from Ver-o-Peso through the sociability they perform. Assuming that the social practices are responsible for the signification or re-significations of the spaces, the Ver-o-Peso, the oldest commercial area of the city of Belém, is daily presented as a place for expressive activity of work, but eventually it is also a place of entertainment for those who work daily on it. From the festival, that takes place during the Círio de Nazaré in Belem, in order to render honors to the Saint, Our Lady of Nazareth, will be interpreted in the prism of an anthropological approach, the existed playful side in Ver-o-Peso. To perform the analysis, were carried out direct observation and interviews with those who work in the fish commercialization in Ver-o-Peso, more precisely in the Mercado de Ferro (Iron Market), as also known as Mercado de Peixe (Fish Market), which are responsible for carrying the Feast.Item Acesso aberto (Open Access) Ver-o-peso, patrimônio(s) e práticas sociais: uma abordagem etnográfica da feira mais famosa de Belém do Pará(Universidade Federal do Pará, 2008-05-30) LIMA, Maria Dorotéa de; CONRADO, Monica Prates; http://lattes.cnpq.br/6141735247260273This work aims at identifying and interpreting, by the means of ethnography, the cultural heritage of people who work at the Ver-o-Peso, the most famous open-air market of Belém do Pará. The focus is not the architecture and landscape as it was acknowledged as cultural patrimony by Brazilian state law in 1977, but the heritage as a means for aggregating a social group, conveying a sense of belonging and collective identity, as well as a way for attributing values and meaning, even by people who are largely unaware of it. The investigation methods included participant observation and formal and informal interviews, in four field stages, from 2005 to 2007. The cultural heritage that was identified has an intangible nature, but also is present in tangible form, around a space, one territory according a proper timing, which is also considered a place, defined by its users social practices and everyday routines, that reach other dimensions of social life. In that space, objects, body expression, feelings and sociability associated and developed during everyday practices, full of meanings and possibilities stimulate imagination and activate memories. From generation to generation, this legacy is responsible, together with those who preserve, reinterpret, and transmit it, for the maintenance of the essence of Ver-o-Peso, as well as for the sense of belonging and identification of its workers with the place over the years. The despite of the negligence of institutions, these workers preserve their culture.