Dissertações em Ensino de História (Mestrado Profissional) - PROFHISTÓRIA/Ananindeua

URI Permanente para esta coleçãohttps://repositorio.ufpa.br/handle/2011/9263

O Mestrado Acadêmico pertence ao Programa de Pós-Graduação em Mestrado Profissional em Ensino de História (PROFHISTÓRIA) do Campus Universitário de Ananindeua da Universidade Federal do Pará (UFPA).

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Cangaço, saberes experienciais e ensino de História: uma cultura histórica e suas ressignificações no espaço escolar
(Universidade Federal do Pará, 2023-12-15) OLIVEIRA, Richardy Leal; SILVA, Wesley Garcia Ribeiro; http://lattes.cnpq.br/2125737316069934; https://orcid.org/0000-0002-2734-5442
The teacher as an agent of the teaching and learning process also presents himself as an integral part of a social context with two-way streets, leading and opening paths for the student to build reflections and bases for cognitive, critical and social development. Therefore, being a teacher is also in conditions of constant learning and maturation, experiential knowledge is an important part of this context of professional and personal improvement, there are various decision-making processes, whether macro or micro, throughout everyday life. shaping over time the logic undertaken by the latter within the classroom and in guiding the student in their respective endeavors within education. This entire context will directly affect the choices and/or mobilization of content in the classroom. The content of the cangaço is one of those, among many others, that significantly changes the dynamics of mobilization on the part of teachers and students and therefore the reflective context of teaching and learning, are dynamics beyond the event itself in the gone from the first half of the 20th century, but today a process of mnemonic resignification built in different contexts, settling through various elements and spaces. A social movement transmuted into memory and used by the teaching of History as school knowledge capable of providing opportunities for male and female students to reflect deeply on various tangential topics. This research using a qualitative methodology will analyze the content of the cangaço from its aspects in the normative documents, through the different experiential knowledge of teachers and students in the macro and micro dimensions of history teaching, using the classroom as the main field of research. , as well as analyzing cultural objects constructed by this body in movement from a set of collective memories. Furthermore, fulfilling its role as research within the scope of a professional master's program, it proposes a didactic pedagogical artifact that assimilates the content of cangaço in different monumental points encouraged by deepening and indications of mobilization of the same, compartmentalized into six categories.
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Cartografia social como ferramenta para o ensino: a História do Povo Indígena Mortigura por meio de um mapa digital em Barcarena-PA
(Universidade Federal do Pará, 2024-08-28) FERREIRA, Vinicius Machado; BASTOS, Carlos Augusto de Castro; http://lattes.cnpq.br/5957760591235451
This professional master's dissertation in history teaching starts from the use of the textbook "Conquista Solução Educacional" as the object of study for the analysis of maps, highlighting its importance at Instituto Cristo Rei, where it is mandatory and linked to the National Common Curricular Base (BNCC). The use of this book faces challenges due to the extent of the content and the limited class hours. The maps, present in the book, are seen as resources to make classes more reflective and dynamic. Authors such as Kazumi Munakata (2016) and Alain Choppin (2004) offer perspectives on the role of the textbook in school culture, while others like Harley (2005) and Carlos Tiné da Silva Pereira (2020) emphasize the power and construction of cartography, respectively. The immersion of students in social maps, especially those produced by the Mortigura indigenous people, expands their historical and spatial understanding, challenging Eurocentric views. The need to broaden students' perception of Portuguese colonization and the experiences of the Mortigura required the construction of a digital map. Authors such as Souto (2017) and Danilo Alves da Silva (2018) discuss the importance of using digital resources, in addition to my mediation as a teacher-researcher in the teaching and learning process. Social cartography, made by the Mortigura indigenous people, was used as the main teaching material, seeking to value their knowledge and resistance in the history of the past and present time. Thus, the active and interactive methodological approach, combined with workshops, allowed students a deeper understanding of the territory and history of the Mortigura, as well as of the municipality of Barcarena, contributing to a decolonial teaching of history.
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Cartografias do patrimônio cultural do bairro do Jurunas (Belém-Pa): espaço, tempo e identidade no ensino de História
(Universidade Federal do Pará, 2020-12-03) CORRÊA, João Nazareno Pereira; BASTOS, Carlos Augusto de Castro; http://lattes.cnpq.br/5957760591235451
This text deals with the steps taken towards a sociocultural cartography of the Jurunas neighborhood (Belém-Pará), according to the cognitive point of view of students from two classes of Fundamental Maior (8th and 9th Years), from Escola Vereador Gonçalo Duarte. Research / teaching strategy, mainly, focused on moving elements of the local history of this urban space and its cultural heritage with the knowledge of school history, through the use and analysis of mental maps, textual productions and photographic records formulated by them subjects / students. The application of this mapping process or didactic sequence, emerged from the favorable meeting of my teaching experiences with the scientific theory of History Teaching, especially from the reflections emanating from the perspective of local history, the plural notion of heritage and important aspects of the field Cartography. That said, I can say that this research effort was able to glimpse the gestures that such students practice to territorialize the spaces in which they live and, with that, offered the possibility to unveil new scenarios of living heritage or in continuous movement of this southern region of the Capital of Pará.
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Centro Histórico de Belém: lugar de história e memória na sala de aula
(Universidade Federal do Pará, 2019-01-29) MARTINS, Lourdes Machado; SILVA, Wesley Garcia Ribeiro; http://lattes.cnpq.br/2125737316069934; MACÊDO, Sidiana da Consolação Ferreira de; http://lattes.cnpq.br/4202561791565993
The dissertation Centro histórico de Belém: place of history and memory in the classroom, aims to develop a didactic proposition, to teach history from heritage sources, incorporating the use of local historical patrimony. The experiment was carried out at the State School of Elementary and Middle School Rui Barbosa, located at Rua Joaquim Távora, 408 in the neighborhood of Cidade Velha. For this research, two monuments of the Historic Center of Belém were selected: the Castle Fort and the Frei Caetano Brandão Square, as a space for the development of teaching and learning in interface with local history. The result was considered positive, because a great involvement of the students with the proposed tasks was observed, a fact that favored the learning of the same ones. As an educational product of the dissertation, the third chapter presents the pari passu of the didactic preposition that proposes to be used in teaching history in different series and levels of teaching. The didactics of history used foresees a methodological course in which the teacher will be the interlocutor in dialogue with the students, because it is he who will present to the students the sources that will be used, as well as, guide them in the construction of reflections about the historical patrimony , whose main objective is to stimulate the construction of historical knowledge in different spaces of memory. The students, in turn, will be agents of this research, since they will have the opportunity to analyze the sources directly and, at different times, they will be the interlocutors through the answers that they will find in the crossing of the sources to each presented question, whose objective is to approach the students of local history through direct contact with sources and local themes. The project was theoretically reflected in the debates and disciplines in the first group of the Professional Master's Degree in History Teaching, highlighting the Rüsenian didactics in epistemological interaction with the debates about heritage education. The study of the historical center from the perspective of heritage education is the educational product as a result of the master's thesis that seeks to make the dialogue between epistemology and praxis.
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A cidade entre memórias e fotografias: uma prática de ensino patrimonial nas aulas de História - Icoaraci – Pa
(Universidade Federal do Pará, 2020-08-28) PEIXOTO, Williomar de Souza; MACÊDO, Sidiana da Consolação Ferreira de; http://lattes.cnpq.br/4202561791565993; https://orcid.org/0000-0002-1481-9274
This dissertation has as main theme the dialogue between Heritage Education and local History in the teaching of History in order to contribute to scientific research on the didactics of History. It seeks paths that can lead students to historical knowledge, in fact, meaningful. To this end, it aimed to demonstrate the importance of the treatment of history teaching with themes of local history, and heritage, considering the important connection that they have with the perspective of the development of the students' identities and sense of belonging, suggesting to present a didactic sequence within these research fields mentioned above. In this sense, mainly oral sources were used, derived from the survey of memories of part of the residents of the district of Icoaraci, and consecutively the recording of photographic images of the spaces and practices listed in these reports of memory. Such practice aimed to place the student as the protagonist of the research, enabling them to apprehend a past from their place that for them was previously silenced, helping them to gain notions of a time full of ruptures and permanences in the present. The production is a means of expanding the debate on heritage teaching, and of research in teaching history from the uses of different memory spaces as a source of analysis. The work suggests the existing debate about the definitions and uses of cultural heritage, their purposes and what projects of society they serve. The material result of this project is configured in a product in a booklet format, systematizing the didactic proposal in heritage teaching carried out here, having as main target teachers of the basic education network, as well as the collection of images produced by the students, in addition to the bank itself of data that organizes the notes on places, customs, local practices from the memory of the elders and students.
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De Dandara a Firmina: o ensino de História do Brasil a partir de Mulheres Negras no Ensino Médio Integrado
(Universidade Federal do Pará, 2020-10-05) COSTA, Rayme Tiago Rodrigues; CHARLET, Eliane Cristina Soares; http://lattes.cnpq.br/6000275052016633
A single story has been told about the black population and black women in the teaching of Brazilian history, a history of invisibility and subordinate places, where black people is dehumanized and black women reduced to the conditions of mulattos, domestic workers and black mothers. This narrative is result of a conscious historical process of dehumanization shaped by the West in modernity/coloniality to generate dominance and consolidation of power. In this sense, this master’s dissertation seeks to be a response to this context, aiming at to build a narrative in the teaching of Brazilian history in light of the trajectory of five black women, Dandara, Chica da Silva, Mônica, Luiza Mahin and Maria Firmina dos Reis, mobilizing their perspectives to understand the colonial context (16h-19th century), visualizing marginalized characters and contexts and presenting the methodology and the ideas on which this experience is based, having the web system “Women Black in History Teaching” as a product of the activities carried out. This research was developed at the Federal Institute of Education, Science and Technology of Pará, campus located in the city of Paragominas, concurrently the history classes for the second year high School of informatics class, in 2018. For this, it was necessary to decolonize ways of seeing, intersectionality, gender and the scale games of microhistory were used as procedural tools, combined with student’s knowledge to understand the black women from the present and the past. The methodology used was the classroom-workshop (BARCA, 2004) where the students, after being acclimated about the contexts, they were divided into groups and had access to sources about each character, presenting in the form of a seminar its context and biography, which were used to produce the web system. Understanding the colonial past through the lenses of black women materialized and approached the history of the students' daily lives, a lot of them made an appropriation of the characters as symbolic elements for the positivity of blackness, starting to observe black women around them and their issues, in addition to analyze critically what is to be a woman and criticism of white femininity.
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Ensino de História e Direitos Humanos: a história de gênero na perspectiva interseccional e a luta da mulher negra por direitos
(Universidade Federal do Pará, 2021-12-20) FARIAS, Marilin Genezareth de Oliveira; ESTEVES, Carlos Leandro da Silva; http://lattes.cnpq.br/6758802097773377
This work intends to discuss how the human rights can be worked in the teaching of history from the gender issue through an intersectional perspective. We will start from the hypothesis that there is a historical culture that ignores the importance of rights as a parameter of citizenship, as well as a "patriarchal tradition" that legitimizes the male chauvinist culture. Methodologically, we will use the theory of history to base our research on concepts of historical awareness and school culture, in order to identify the students' historical knowledge. The thematic cut will deal with the issue of intersectionality, considering a specific approach to gender, class and race from the perspective of the history teaching. To do that, we rehearse proposals for thematic workshops on the fight of black women for rights, so we can think about the product together. At the end of the research, the designed product will serve as a didactic support for schools and the teaching of history, in HQ format, that is, one that has a accessible language to the basic education.
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O ensino de História em sons e imagens: patrimônio histórico-cultural, memórias e olhares do presente na produção de um documentário sobre a base aérea de Igarapé-Açu
(Universidade Federal do Pará, 2021-12-28) SOUZA, Manoel de Jesus Manito de; ESTEVES, Carlos Leandro da Silva; http://lattes.cnpq.br/6758802097773377
This dissertation entitled the history teaching in sounds and images: historical heritage, memories and views of the present in the production of a documentary about the Igarapé-Açu air base, within the research line, historical knowledge in different spaces of memory, methodologically was carried out with the direct participation of 9th grade students from the Cônego Calado school in the 2020 morning period, who participated in the preparatory workshops for research on the air base, preparing inquiries and conducting interviews together with this research teacher who was the coordinator- overview of this work, from the preparation and application of workshops, questionnaires, filming and editing the product of this dissertation, which is a documentary video with the same title as the dissertation, the work was also done through a series of interviews with former and current residents of igarapé-açu to gather information about our research object, at the air base, we did research bibliographic research on the topic and research in newspapers from the Second World War in Belém, and we filmed the air base. The objectives of this research with students were to know the history of the Igarapé-Açu air base, a remnant of the Second World War and to think of ways to use this cultural asset in History classes, providing a decolonial learning process that would take 9th grade students to thinking critically about the historical and cultural assets of your city, as well as realizing that in your location history is made, we also aim to produce a 28-minute documentary about the air base of Igarapé-Açu, filming the location and interviewing elderly people who they lived with that space while it was active and also interviewed other researchers who had already produced knowledge about the air base or the manifestations of the Second World War in Igarapé-Açu. As sources we used oral and written interviews through dozens of questionnaires distributed in different geographies of the city of Igarapé-Açu and for different people, queries to printed newspapers from the time of the Second World War, queries to the air force command in Belém, we also used old photos of the city of Igarapé-Açu and the air base.
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Entre os seringais: o Museu Parque Seringal como um espaço de aprendizagem histórica
(Universidade Federal do Pará, 2024-02-29) SILVA, Marcos Vinícius Marcelino da Cruz; CHARLET, Eliane Cristina Soares; http://lattes.cnpq.br/6000275052016633; https://orcid.org/0009-0007-0797-4894
The discussions in this work are concerned with investigating the educational possibilities provided by the Parque Seringal Museum, in Ananindeua (PA) as a space for historical learning and a teaching resource in History Teaching. For this purpose, we developed knowledge production workshops with students from the 9th year school of a private basic education institution, located in the city of Belém (PA), which resulted in the creation of informative leaflets about the Rubber Cycle. Based on what is presented throughout this dissertation, the study methodologically appears to be bibliographic, documentary, descriptive and exploratory, with a qualitative and quantitative approach, characterized by participatory research, in an applied manner. The central objective of this initiative was to build a learning methodology considering the museum as a place of memory in its heritage and historical dimensions.
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História local e ensino de História: as memórias da paisagem do bairro Carananduba, na ilha de Mosqueiro, Belém-PA
(Universidade Federal do Pará, 2023-06-12) COSTA, Roberto Souza; CHAVES, Túlio Augusto Pinho de Vasconcelos; http://lattes.cnpq.br/0678870505162412; https://orcid.org/0000-0002-4008-5235
This dissertation has as purpose to promote history teaching through the mermories of Carananduba neighborhood in Mosqueiro island, Belém – Pará, offering a significant learning to the eighth and nineth period students on elementary level from “Prof. Abelardo Leão Conduru School”, to support a construction and perception of seeing, feeling and think about the neighborhood, taking as a theorical assumption the urban history, understanding the importance of building and valuing local history, this last one is used as a necessary connection to understand a broader context in wich the neighborhood is inserted. Various activities were proposed to execute this work in and out of school, such as applying questionnaire to students using different sources and interviewing the local people. For the interviews the methodology of oral history was used, it demanded preparation and guidance, for instace an elaboration of an interviewing script. . The proposed activities search to encourage students to assume a historian attitude in relation to the reading and analysis of sources and promotion of the recognition of the historicity of themselves, others and the place where they live. An online questionnarie was also applied to teachers that teach to elementary school in order to understand how they establish activities focusing on local history. All the material obtained was analyzed based on the technique of thematic categorical content analysis. From this, it was possible to notice what knowledge the students had about the history of the place where they live and, in addition, to visualize the positive aspects and the limitations of teaching practices aimed at the local studies. The propositional dimension of this dissertation constitutes a website to teachers and it is expected that it will serve as a guide for their teaching practices focused on the study of local history, allied to this, that it constitutes a space for sharing of knowledge in constant growth and dissemination of other teaching experiences of the genre.
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Lugares de memória das culturas negras em Bragança-Pará: experiências com o ensino de História
(Universidade Federal do Pará, 2019-02-27) SILVA, Tomé Montanaro Ferreira da; LIMA, Maria Roseane Corrêa Pinto; http://lattes.cnpq.br/0040917069487308
The present work aims to examine the places of memory of black cultures in Bragança, in the State of Pará, based on experiences in teaching history with elementary school students. To this end, we have placed memorial places that served as points to be visited and investigated by elementary students. The questions developed were based on what students know about blacks, from the stories told in the classroom, which date back to the days of slavery and record the black African presence in the region, and the cultural imprints of that presence still alive today. After the previous readings that guided the elaboration of the project that was designed as an action research, the methodology of work with the students was divided in two great moments: application of questionnaires and visits to the selected sites. As for the application of questionnaires, these were made as a survey of the students about the specific theme of the life of the Negro in history and of how in contemporary times there are still traces that are delimited as part of the daily life of Bragança. In the second point, that of the methodology, six places for visitation were chosen. In this second case, formal teaching in the classroom and teaching in other spaces were articulated in order to enable students to learn history in places that are part of their everyday life, but which are silenced. Some of what is defined as black culture is part of the context of the history of Bragança, although some are part of the students' experience, they do not associate as a structuring part of a process that comes from a period that was characterized in the country as black African slavery, and is energized to the present. Strategies were designed that made the students relate and perceive that in the spaces where they live pulsate the stories and memories in such a way that the places are also object of studies whose student's look can be guided by the teacher.
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Museu Parque Seringal: proposta no ensino de História e natureza
(Universidade Federal do Pará, 2021-12-29) CONCEIÇÃO, Ana Maria da Silva; KETTLE, Wesley Oliveira; http://lattes.cnpq.br/9421187953739248; https://orcid.org/0000-0002-5824-5700
The present work makes a study about the heritage set of the Museu Parque Seringal, in Ananindeua/PA, as a space that collaborates for the teaching and learning process, in order to contextualize the relationship between past and present of the history of the municipality for the const ruction of historical knowledge that considers nature as a source of learning for the discipline of History. Here we present the results of a field work that involved elementary school students from the “Cândido Horácio Evelin” Middle School. The objective is to launch new perspectives on the park in order to rethink how that place contributes to the teaching of History, using the narratives and knowledge produced by the 9th grade students and also the previous knowledge of the community around the park. It was intended to demonstrate that museums are living spaces and places of memory that dialogue with our present and that keep their specificities and that, therefore, must be preserved within an interdisciplinary perspective that implies the relationships between memory, history and nature contained in the space that shelters rubber trees ( Hevea brasiliensis ). The educational product associated with this research is a folder that will help future guided visits to the Museum. The folder has guidelines, a pho to gallery, hyperlinks and QR Code that make the experience more interactive and immersive and can be used by teachers, students and the general public.
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Narrativas e conhecimentos históricos substantivos: um estudo com alunos do 9º ano do município de Tailândia/PA
(Universidade Federal do Pará, 2019-02-05) NANEZ, Otto Jorge da Silva; FERREIRA, Eliana Ramos; http://lattes.cnpq.br/8121954088119834
The aim of the study was to understand how elementary school students mobilize elements and operations of historical thought when challenged to narrate the history of black slavery in Brazil. The task faced by the research subjects provoked a series of cognitive movements: selecting events, characters, spaces and concepts in the long temporality, interpreting them and articulating them in an explanatory and coherent account. To achieve the proposed objectives, the investigation dialogued with the theories of the historian Jörn Rüsen and with the reflections of the field of historical education, discussing the specificities of the narrative in the production of historical knowledge and its relationship with the Historical learning and the formation of historical thought/consciousness. In the methodological course of qualitative nature, we attempted to articulate the contributions of Rüsen with referential from empirical researches in order to subside the analysis of the collected material. Twenty-three students from a 9th grade class from a municipal school in Thailand, Pará, participated in the study. The description and analysis of historical markers (substantive content, historical, spatial and temporal agents), characterized as structural substantive historical concepts and the way they articulate in the collected narratives were performed. The analysis and reflection made it possible to highlight the way students apprehend their historical knowledge about the historical concept of black slavery in Brazil, how they mobilize historical markers and basic notions of thought Historical as those of explanation, causality and relations between the temporal dimensions, which can help researchers and teachers in the task of understanding the processes of formation of thought and historical consciousness.
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"No tempo do pega": lugares e memórias da Balaiada no ensino de História em São Bernardo-MA
(Universidade Federal do Pará, 2020-12-18) SOUSA, Ronilson de Oliveira; BRITO, Adilson Júnior Ishihara; http://lattes.cnpq.br/5217224392697515; http://orcid.org/0000-0002-9072-8956
This essay on History teaching aims to understand the representations of Balaiada in the past and present of São Bernardo-MA, considering the memories and oral tradition shared between citizens throughout time about the vestiges of slavery and Balaiada resistance processes. We analyze the silences and forgetfulness of this past from the teaching of History in the researched school and also in the city, the narratives and historical discourses nowadays. To analyze this strategy, the essay was structured as an action research, exploring the different places of the city and rural communities of black ancestry. In this sense, we elaborated activities inside and outside the school, exploring history, memory and oral traditions. By dealing with citizens and immaterial sources, students were instrumentalized in dealing with oral sources, produced by recording interviews conducted in the city and in the communities, collecting testimonies of oral traditions. Within the theoretical-methodological contribution of the research – action, class – workshop and Oral History, students prepared forms with questions about the origin of the city, the past of slavery and the remains of Balaiada in the region. The data collected allowed us to analyze several aspects of local historicity, mainly regarding issues related to the black resistance processes in Balaiada, in the sites of memory, versions and traces of the city’s past. Also, as part of this master’s essay and didactic-pedagogical product, we prepared a documentary, presenting oral narratives, group memories and representations of the Balaio past in non-formal learning spaces combined with the teaching of History and Public History.
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Nos rastros da “Maria Fumaça”: o ensino de História a partir das fotografias familiares
(Universidade Federal do Pará, 2021-12-21) COSTA, Daniele Barreto da; SILVA, Wesley Garcia Ribeiro; http://lattes.cnpq.br/2125737316069934; https://orcid.org/0000-0002-2734-5442
This dissertation establishes the possibility of building and using local history from the reading of students' primary sources, such as photographs, as a means of facilitating the understanding of the contents of History. The place where we developed our study is the School Center in Learning and Development Percepcion (CEADEP), where I have been teaching for 12 years. To develop our purpose, we started from the problematization of the uses, from a heritage perspective, of places / objects / monuments / memory spaces in the city of Castanhal in Pará. spaces of memory, we propose to reflect on historical time (past and present) and problematize them as narratives that emerged as stories of the city, from then onwards we glimpse the possibility of bringing about other narratives. We culminated in the proposition of remembrance of the city using sources available in the personal collections of students, who, in collaboration with their families, made available as a solution for implementing the propositional dimension of this dissertation, the Family Portal, allowing the students themselves to assume the protagonism of the stories told. The use of digital tools to publicize photographs made it possible for them to perceive different forms of treatment and manipulation of photographic records over time, allowing them to analyze how to conserve this type of source, in addition to enabling readings of changes and permanencies that occurred in the city, disputes over what should or should not be remembered, social, political and economic conflicts, as well as perceived forms of appropriation and installation of their families in the city, and the care that must be taken when dealing with historical sources.
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Projeto cartografia da cultura afro-brasileira da EAUFPA: uma didática da História em interface com a pedagogia decolonial
(Universidade Federal do Pará, 2018-08-07) BRIOSO, Antônia Maria Rodrigues; CHARLET, Eliane Cristina Soares; http://lattes.cnpq.br/6000275052016633
The dissertation work describes and analyzes the didactic teaching and the decolonial pedagogy developed in the Cartography Project of Afro-Brazilian Culture that has been developed since 2012 at the School of Application of the Federal University of Pará (EA-UFPA). The project under study, made by me, is a didactic of History anchored epistemologically in the ideas of Decoloniality. It was observed that over the years, the project was based on four pillars: interdisciplinarity, multiculturality / interculturality, subordinate-curriculum and playfulness. As a didactics of history, it took on the face of a pedagogy of insurgent practices, for it brought to the curriculum of history and to the other scholarly knowledge involved in the project, the culture of the subaltern segments of Brazilian society produced in contexts of assimilation, struggle, marginalization and resistance. The project was theoretically reflected in the debates in the disciplines in the first group of the Professional Masters of History Teaching, marking this the Rüsenian didactics in epistemological interaction with the Decolonizing conception. Cartography is the educational product that we present as a result of the master's thesis that seeks to make the dialogue between epistemology and praxis.
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Temporalidades, anacronismo e ensino de História
(Universidade Federal do Pará, 2019-02-29) CRUZ, Edgar Cabral Viegas Borges da; SILVA, Wesley Garcia Ribeiro; http://lattes.cnpq.br/2125737316069934; LOPES, Siméia de Nazaré; http://lattes.cnpq.br/8791203591623509
The current work‟s main objective is to present how the notions of temporality and the anachronisms may and shall be explored as important tools to be used in the didactics of history, making easier the comprehension of the themes used into the teaching-learning relationship, as well as in the construction of concepts, searching through the participant observation and the dialogs established with the scholar community, between teachers and students, develop as propositional dimension workshops and support resources for history teachers helping, trying to turn them into multiplier agents of the developed ideas.
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A “terra da liberdade” e a memória estudantil: ensino de História e negritude em Benevides - Pará
(Universidade Federal do Pará, 2024-02-19) SOUZA, Elizabeth Braga de; LEAL, Luiz Augusto Pinheiro; http://lattes.cnpq.br/7967678999713659; orcid logo https://orcid.org/0000-0002-0145-5379
This work brings as its theme the teaching of history and its relationship with the historical memory and identity of black people. This is a research focused on the teaching of History, Having been developed in a state public school in the municipality, These people are Youth and Adult Education students (EJA). Dialogues in history classes revealed the existence of an official memory of the city that erases black people from local history. From this problem, We hypothesize that local official memory compromises the construction of a positive identity among black populations. The time frame refers to the date of creation of Law 10,639/2003, until 2023. After these twenty years, we want to know how the school we investigated worked on ethnic-racial issues during this period. To support the discussions and analyses, we brought to the debate the concepts of memory (RICOEUR, 2007; CAMILO, 2020; MISSIATTO, 2021; NORA, 1993), whiteness (SILVA, 2017; MIRANDA, 2017; BENTO, 2022) and blackness. (MUNANGA, 2012), seeking to understand identity issues that arise among black people, from the idea of power expressed in whiteness. Based on this analysis, We aim to encourage students to critically reflect on their place in the context of the identity of the black population of Benevides, shedding light on the architecture of the power of whiteness and strengthening the power of blackness. The research brings with it a qualitative methodology, with emphasis on oral history, in ethnographic research methods and documentary analysis. As a result, We propose the creation of an educational brochure on the history of abolition in Benevides and its reflections in the present, providing another perspective on this historical episode.

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