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Dissertações em Comunicação, Cultura e Amazônia (Mestrado) - PPGCOM/ILC

URI Permanente para esta coleçãohttps://repositorio.ufpa.br/handle/2011/4453

O Mestrado Acadêmico em Comunicação, Cultura e Amazônia funciona no Programa de Pós-Graduação em Comunicação, Cultura e Amazônia (PPGCOM) do Instituto de Letras e Comunicação (ILC) da Universidade Federal do Pará (UFPA).

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Acesso aberto (Open Access)
A Amazônia codificada: a configuração narrativa da comunicação institucional
(Universidade Federal do Pará, 2017-03-29) RODARTE, Lídia Karolina de Sousa; COSTA, Alda Cristina Silva da; http://lattes.cnpq.br/2403055637349630
This dissertation aims to comprehend how the sustainability narratives about Amazon are configured in Amazônia Viva magazine, an institutional journal that works on sustainability in the relationship between company and society. We also seek to understand the communicative dimension present in this relationship, de symbolic dimension of Amazonian imaginary representation and the aesthetic codes of Amazon’s identification in the visual and written narrative of the magazine. We start from the analysis of the mechanisms of narrative construction about the Amazon from the perspective of the Amazônia Viva magazine, monthly publication, produced and chartered in Pará's newspaper O Liberal, owned by the Rômulo Maiorana Organizations, sponsored by the mining company Vale S/A, The second largest mining company in the world. As theoretical-methodological procedures, we used narrative analysis, with inspiration in the hermeneutic phenomenology proposed by Paul Ricoeur, and methodological procedures based on the seven narrative analysis movements proposed by Motta. As the corpus analysis we selected 14 covers and cover stories, chosen by its level of relation with the sponsoring company and the development of sustainability theme, a way of understanding the construction of institutional narrative in the social context which it is inserted.
Acesso aberto (Open Access)
Amazônia Virtual no game Brasil Ragnarök Online: representações, construção e circulação de sentidos sobre a região
(Universidade Federal do Pará, 2015-02-27) ASSIS, Bruno Monte de; COSTA, Luciana Miranda; http://lattes.cnpq.br/1310961057480638
The present study aims to analyze the presence of Amazonian representations in Brasil Ragnarok Online (BRO), a digital game for thousands of simultaneous participants. The investigation was based on documents and literature to support the discussions of representation processes, construction and circulation of meanings in games, especially on digital games, and briefly introduces the transformation of representative capacities of these media products over its history. For the description and analysis of the empirical object, it was sought the construction of analytical model representations in digital games, based on theoretical contributions of Denise Jodelet (1989), Mikhail Bakhtin (1995), Stuart Hall (2003, 2005) and José Luiz Braga (2012) and in the methodological proposals directed to digital games of Ian Bogost (2007, 2008), Cristiano Pinheiro (2007) and Felipe Teixeira (2007), respectively, procedural rhetoric, the digital game model and dynamic hermeneutics. Following the proposed model of analysis, it was conducted a survey of digital games which submitted representations of Amazon in its contents to verify aspects relatable to those found in BRO. It was found that the meanings built in BRO reinforce numerous stereotypes about the Amazon region, in order to present similarities with the meanings contained in digital games discovered in mapping. Nevertheless, it is believed that digital games are configured as a potential media to value and debate about the Amazon region, showing a reality that enables forthcoming researches.
Acesso aberto (Open Access)
Arrastão do Pavulagem e o " estar junto" em Belém do Pará durante a Pandemia de COVID-19: comunicação, sociabilidades e consumos da cultura material
(Universidade Federal do Pará, 2023-03-22) SANTOS, Lucas Gil Corrêa dos; VIEIRA, Manuela do Corral; http://lattes.cnpq.br/1758973354834768; https://orcid.org/0000-0003-2034-5359
This master's dissertation seeks to understand how the practices of communication, consumption and sociability, involving the June procession Arrastão do Pavulagem, held annually between the months of June and July, were resiginified, with the scenario of social isolation, arising from the Covid-19 virus pandemic. To this end, the following procedures will be used as methodology: netnographic analysis, as pointed out by Kozinets (2014); interviews with semi-structured script; snowball sampling, according to studies by Bockorni and Gomes (2021); and participant observation. In order to ground the axes of analysis, the notes of França (2008) and Muniz Sodré (2008; 2002) about communication will be used; Amaral Filho (2017; 2019) about cultural shows and entertainment; Santos (2010) and Castro (2012; 2020) about Amazonia; Simmel (1983) and Maffesoli (2016) about sociabilities; Miller (2007) about material culture; and McCracken (2003; 2007), Barbosa, and Campbell (2006) about consumption. We highlight the experimental and successful character in the preparation and realization of the digital programming of the analyzed period, the sharing of similar feelings and sensations that enabled the subjects to connect with each other even at a distance, and the sensitive dimensions that crossed the practices of consumption of the arrastões and their material aspects.
Acesso aberto (Open Access)
Canção para inglês ver: gêneros, identidades e relações de poder no carimbó e no brega
(Universidade Federal do Pará, 2015-02-27) SILVA JUNIOR, Antonio Carlos Fausto da; LIMA, Regina Lúcia Alves de; http://lattes.cnpq.br/8158415442871989
This Master’s Thesis is entitled Songs for the sake of the show: genres, identities and power relations in carimbó and brega, and it aims to analyze the meanings on cultural identities portrayed in carimbó and brega, two music genres promoted to the global market as authentic productions from the Pará state, northern Brazil. Our starting point for this work is the notion of communicative nature (MARTÍN-BARBERO, 2001) and the traits of communication process (FRANÇA. 2001) presented both by the carimbó and the brega. These notions help identify discursive strategies (CERTEAU, 2012) activated in the communication configuration of these music genres (JANOTTI JÚNIOR, 2006), so we are able to discuss meanings on cultural identities (HALL, 2011) based on these strategies. For that purpose, we use a) discourse analysis, and b) iconography and iconology, two research methods from the field of History of Art that provide the tools to work the discursive characteristics of the carimbó and the brega. The communication configuration of both genres is crossed by asymmetric relations of corporative, cultural and political power and foreshadows discursive strategies for the domestication of meanings on identities. These domesticated meanings, in their turn, are preferred in detriment of cultural hybridizations capable to stand as threat to the visibility of artists, producers, businessmen and politicians in a global market used to the consumption of regionalisms (HALL, 2011).
Acesso aberto (Open Access)
Cartografia movente: uma postura de pesquisa em comunicação na Amazônia
(Universidade Federal do Pará, 2013-08-30) MIRANDA, Fernanda Chocron; MALCHER, Maria Ataide; http://lattes.cnpq.br/5418062253829906
In this dissertation, however, we propose a discussion of what we call moving cartography, that is a result of several articulations traced in the ways and reways that we establish in the dialogue with life and work of Jesús Martín-Barbero and his perspective of "cartography that moves". The moving cartography presents itself as a posture of research, in which the investigator allows himself to affect by what he studies, revealing the different faces of a diurnal and nocturnal science, from what he is a researcher integrally and that what constitutes him as sociocultural integrates the research and drives his ways. As a central element for discussions about moving cartography are some key situations that I experienced in specific empirical sceneries of the state of Pará and that delineated my academic formation even before the entrance in the Post-Graduation. In the work of being a researcher and researched, I commented on the challenges and singularities that delineate the empirical sceneries of the region, especially from the concept of forest-cities observed by Pacheco (2006), one of the examples that I dare to identify by communicational realities (therefore, sociocultural), by understand, from authors of the communication area, such as Vera França and José Luiz Braga, that the communication is constituted as a strength which gives league to the social, what connects people culturally. So, also demarcate my position concerning the epistemological discussion of the Communication area, which calls the attention of the researchers to the importance of establishing a “special angle to look at the society”, what, on the other hand, does not invalidate the moving cartography and yes it delimitates its angle of entrance. In this sense, the work approximates of the discussion of what would be to investigate the study object of the communication and what the contribution of our area is for the comprehension of communicational realities (therefore, sociocultural) that we observe in the moving landscape from Amazon.
Acesso aberto (Open Access)
A Cena Fantasma: um olhar sobre a experiência da música popular massiva da Amazônia
(Universidade Federal do Pará, 2014-03-10) AMADOR, Elielton Alves; CASTRO, Fábio Fonseca de; http://lattes.cnpq.br/5700042332015787
This dissertation analyzes the musical scene of the city of Belém, Pará State, Amazon, Brazil, using the concept from Will Straw (1991). From this starting point the study make a sensitive and discursive approach of this scene, based on the phenomenology of Alfred Schutz (2012) and Michel Maffesoli (2001), considering its intersubjective spectrum between the actors of this phenomenon, its mediators and a "national" audience. Based on authors Jacques Derrida (1994), Fabio Castro (2011 ), Frédéric Martel ( 2012), Renato Ortiz (2006) and Marcel Mauss (2004 ) it analyzes the presence of a nativist phantasmagory that interferes on the sociability and the total economy of territorialized dynamic scene, with reflects on their media projection. Taking also based on the experience of the author and analyses of samples, products and materiality generated at this scene have studied on the period from the late 1960s until the 2000s. Introductorily discusses the phenomenology as a research methodology in the Amazon.
Acesso aberto (Open Access)
Cidade (Re)vista : interpretação decolonial da fotografia de Naiara Jinknss em Belém do Pará
(Universidade Federal do Pará, 2022-06-14) SANTA BRÍGIDA, Juliane Oliveira; CASTRO, Marina Ramos Neves de; http://lattes.cnpq.br/6636359546031674
This research focused on the imagetic production of the documentary photographer Naiara Jinknss, focusing on the content posted on her Instagram during 2019, in order to understand from a decolonial interpretation the role of her photography as an image of resistance. Therefore, the overall aim seeks to answer the following question: "how can Naiara Jinknss's photographic production be interpreted as an image of resistance within the power relations present in the discourse on the Amazon?". Through netnographic inspirations in Kozinets (2014) and phenomenological-decolonial approach, anchored in the phenomenological sociology of Schutz (1979), the understanding that phenomena and experiences are conditioned to the social and, therefore, transmitted in society was adopted. While exploring research objects that are immersed in the context of a country built by coloniality, it is a fact that the phenomena and experiences analyzed are also involved in what Quijano (1992) calls the colonial matrix of power. Therefore, we seek to develop the articulation of the concepts of Kossoy (2001), Aumont (2002), Fairclough (2001), Bhabha (1998), Hall (2006), Quijano (1992), Mignolo (2015), Maldonado-Torres (2017), among others. The research methodology developed included a bibliographic survey on the Amazon, Power and Photography, in the area of Social Sciences, and multiple stages of online data collection. The relevance of this study is trusted in highlighting the photographic production made by a professional from Pará who identifies with several minority groups in front of a field traditionally marked by power relations that do not contemplate these groups and that is not exempt from discourses and imaginary reproduced on the Amazon.
Acesso aberto (Open Access)
Ciência em comunicação: estudo exploratório sobre os processos comunicacionais no Clube do Pesquisador Mirim do Museu Paraense Emílio Goeldi
(Universidade Federal do Pará, 2013-07-05) LOPES, Suzana Cunha; MALCHER, Maria Ataide; http://lattes.cnpq.br/5418062253829906; COSTA, Luciana Miranda; http://lattes.cnpq.br/1310961057480638
The communication of science is commonly associated to the contents and media formats that contemplate the theme of science. Besides the media centrality, the conceptions and practices of communication of science are usually based on a diffusion and linear model that separates, in opposite poles, people who “have knowledge” (scientists) and the society in general. In this dissertation, however, we ask what is communicational in the relationships between science and society, that we realize to be beyond the presence of a technological apparatus, as well as it involves relationships more complex than a simple transfer of knowledge. So, we invest ourselves in order to understand the communicational dimensions of an Amazon experience developed by the Museum of Pará Emílio Goeldi: the Club of the Little Researcher. The club has the proposal to offer to the students of basic education some experiences of sharing and production of scientific knowledge, in a collaborative and interactive way. Our challenge was developing an exploratory research, by a transmethodological perspective, congregating qualitative and quantitative procedures in the construction of an object of study in the area of Communication. In this course, the analysis of the communicational processes developed and triggered by the Club happened from the constant relationship of our referential with what the empiric made us possible to observe and interpret. We work with a collaborative and dialogic methodology, through procedures of reception, that allows us to analyze the communicational processes in the Club and also analyzing it from the perception of the participant subjects on, besides experiencing the communicational dimensions in our own process of research. From a bigger discussion about science and communication, we developed the critic of the communication of science and other denominations related, which led us to work with the concept of communication of science as a process that puts in circulation practices and several conceptions, joining the functional and the normative, the positivist and the post-modern, the functionalist and the dialogic, the simple and the complex, the subject and the object, in varied measures and proportions, in immediate and infinite times. We found, in the club experience, some communicational dimensions (sharing, seduction, affection, conviction and convincing, negotiation and coexistence, appropriation, active role of the subject and incommunication), which are constituted as elements that promote the beginning and the continuity of the communicational flows of the science. So we understand that the contribution of our area to the discussion about the theme of communication of science is to reflect, evidence and problematize that the communication isn’t only in the diffusion of the results of a research, but it is inherent to the process of construction of the scientific knowledge, above all, in the contemporaneity.
Acesso aberto (Open Access)
Círio de Nazaré: experiências de sentidos e sociabilidades por meio da cultura material
(Universidade Federal do Pará, 2022-03-14) FERREIRA, Gabriel da Mota; VIEIRA, Manuela do Corral; http://lattes.cnpq.br/1758973354834768; https://orcid.org/0000-0003-2034-5359
This research aims to reflect on the role of objects in the constitution of communicational processes in the Círio de Nazaré, considering the impacts of the Covid-19 pandemic on the consumption and sociability practices of the participants amid the suspension of processions and face-to-face events in the religious/cultural event in honor of Our Lady of Nazaré, held annually in the city of Belém, Pará, during the month of October. Addressing the relational perspective of communication, it was intended to trigger the subjects' experiences in years prior to the pandemic and compare them with the one experienced in 2020, to understand how material culture and consumption help to understand the main relationships that these participants develop with the Círio, among themselves (sociabilities) and with materialities. The methodological procedures include the elaboration of questionnaires and the realization of online observations with netnographic inspirations, as well as the recovery of participant observations carried out in previous research on the Círio. Based on the analyzed experiences, it is considered that the objects are (i)material elements of the Círio, constituting the subjects and their social practices by presenting absences that integrate the communicational processes of the empirical phenomenon studied.
Acesso aberto (Open Access)
Configuração do acontecimento violento em narrativas jornalísticas: chacina da região metropolitana de Belém em Diário do Pará e o Liberal
(Universidade Federal do Pará, 2019-02-19) FERREIRA JÚNIOR, Sérgio do Espírito Santo; COSTA, Alda Cristina Silva da; http://lattes.cnpq.br/2403055637349630
Urban mass murders, or chacinas, are part of a context of violence and murders by death squads which have happened in the Pará state, Brazil, at least since the 90s. Among the most recent ones, there is the Belém Metropolitan Area chacina, which occurred in January 20th and 21st, 2017. It was the target of an ostensive news media coverage as much as of intense disputes towards the meaning of what had happened and its consequences. Due to such aspects, this master’s thesis analyzes the configuration of the chacina as a social event in journalistic narratives of newspapers from Pará state, Diário do Pará and O Liberal. Throughout the work, we present event theories and possible articulations between event and narrative as working concepts, emphasizing the role of emplotment in making events of social life. We also deal with the context and problematic fields of the Belém Metropolitan Area chacina in order to present the interpretations under which such events are inscribed. To analyze the narratives from both newspapers, we depart from an approach that is made of two concepts, eventful course and eventful scenes, so to understand how the violent event is configured. We identified three scenic orders throughout the configuration of this event: a) crime scenes; b) political-institutional scenes; and c) scenes of dispute. In Diário do Pará, the chacina is thematized as part of a political conflict between the state management of public security and the various meanings the newspaper proposes based on the deaths and other agents. In O Liberal, the chacina is integrated in a diffuse context of lethal violence or violent deaths, putting a strong emphasis on criminalizing the victims and echoing the state security management’s perspective on the event. Thus, the research findings point to an event that presents the chacina as a) the policeman’s death as well as the other victims’, killed in the Belém Metropolitan Area peripheries, .and b) through the political-institutional consequences that signal to the disputes of meaning in the narratives and by the social and political agents who are made part of them.
Acesso aberto (Open Access)
Da estética da identificação comunicacional à dimensão sensível territorial da feira do Guamá, Belém - PA
(Universidade Federal do Pará, 2021-11-22) XAVIER, Fábio Rodrigo de Moraes; CASTRO, Marina Ramos Neves de; http://lattes.cnpq.br/6636359546031674
The research we have as perception the aesthetics of communicational identification to the sensitive territorial dimension in the daily of the Guamá fair, located in Belém in the State of Pará Brazilian Amazon. The our objective is to understand the functioning of the movement that happens between the regulars in that daily, also the communicative experience of the place. We use as our methodology visits to the fair within the ethnographic process, to us understand aesthetics as being-together with others in the generalized art that place and the identification as interactions between people and connections that constitute the sensitivity of the fair that is conducted in the territory those individuals. We observed that the diversity of the Guamá fair offers different expressions and is built on events of connections that permeate the existing relationships between those people. Our reflection provides an understanding of the existence of that reality that is driven by the present experience of that movement that the fair in Guamá express
Acesso aberto (Open Access)
De moços alegres a LGBTs: explorando memórias e história sobre os homens homossexuais na produção enunciativa dos jornais Folha do Norte e O Liberal (1901-2011) em Belém, Pará
(Universidade Federal do Pará, 2019-04-20) SANTA BRÍGIDA, Jessé Andrade; SEIXAS, Netília Silva dos Anjos; http://lattes.cnpq.br/2301685130625189
This study aims to explore the enunciations and enunciates about homosexuals in Belém, Pará, published on Folha do Norte and O Liberal newspaper between 1901 and 2011, to understand the memories about these social subjects in the city. We believe that this research is relevant in view of the current moment in which many social subjects seek self-affirmation by the means of rights. Due to the long time span this study covers, we collected data jumping ten to ten years and paying attention to three main events: Carnival, Festa da Chiquita Bacana (a local party) and Belém LGBT Pride Parade. We chose these events based on a bibliographic survey that indicated they were more likely to present enunciations about homosexuals. Thus, we selected issues from February and/or March (Carnival), August and September and/or October (Festa da Chiquita Bacana and LGBT Pride Parade), observing seven issues during the week in which the events took place. When we did not find texts about homosexuals in a particular year, we observed the following year, so as not to let any decade uncovered. Overall, we observed 18 years and 147 issues. From this, we collected 53 texts, 12 from Folha do Norte and 41 from O Liberal, which addressed homosexuals explicitly or implicitly. We also interviewed three male homosexuals between 50 and 70 years old, who live in Belém since 1960, to help us contextualize the sociability and history of homosexuals in Belém. We discussed and presented the data exploring six categories: a) from “moços alegres” (cheerful young man) to transvestites; b) Homosexuals, gays and LGBTS; c) Emphasis on the enunciation; d) Homosexuality and religion; e) Carnival stories; and, f) The movie Giselle. The data indicates that enunciates about homosexuals from early 20th century to mid-1930s were built around the idea of wilderness and bestiality. Meanings related to party, happiness and carnival crossed the time span covered by the research, which is an evidence that the memories about homosexuals were linked to enunciates of moços alegres¸ veado and/or the transvestites. The transvestites were a recurrent image, used by the newspapers as a symbol of male homosexuality. A shift in enunciation was observed in the late 20th century and early of 21st century, when the terms homosexual and LGBT emerged, moving the meanings toward the political actions of the subjects.
Acesso aberto (Open Access)
Depois de todo esse tempo? Sempre: um estudo de interações e experiências estéticas de fãs brasileiros e belgas da saga Harry Potter
(Universidade Federal do Pará, 2018-09-27) FLORÊNCIO, Felipe Jailson Souza Oliveira; GEERTS, David; MALCHER, Maria Ataide; http://lattes.cnpq.br/5418062253829906
This research aims to understand how interactions and experiences of Brazilian and Belgian fans with the Harry Potter saga constitute communication processes, having as a starting point their practices in social media on the Internet. For this, we carried out a comparative study with ten Brazilian participants and eight Belgian participants, through a methodological arrangement constructed with inspiration in principles of ethnography for the Internet (HINE, 2000; 2015), from the combination of qualitative methods: online observation of participants' social media on the Internet during 30 days, semi-structured interviews with these participants (BLANDFORD; FURNISS; MAKRI, 2016), description and comparison of the data obtained in the online observation and articulation of it with the thematic analysis (BRAUN; CLARKE, 2006) of the data obtained in the interviews. The research has as main theoretical contributions the relational approach of Communication (FRANÇA, 2016a, 2016b, 2018a) and studies in Aesthetics of Communication (BARROS, 2016; BRAGA, 2010; CARDOSO FILHO, 2011, 2016; DEWEY, 2010; DUARTE, 2012, 2014, 2016; GUIMARÃES, 2016; JIMENEZ, 1999; MARQUES, MARTINO, 2015; MARTINO, 2016, PICADO, 2014, 2016), social media on the Internet (RECUERO, 2014; 2017), fans (COSTA, 2018; HILLS, GRECO, 2015) and mediatization (BRAGA, 2011). As a result of the study, we obtained a comparison between the types, formats, references, elements and feelings involved in the online interactions collected in the social media of the participants, as well as identifying, from the thematic analysis, seven dimensions of the communication processes of these subjects, related to these online interactions: contexts, feelings, relations, practices, temporalities, being fan and experiences. We also analyzed a keyword definition activity in the interviews with the participants, through which it was possible to relate the feelings involved in their online interactions with their experiences.
Acesso aberto (Open Access)
Design vernacular: a comunicação visual informal no cotidiano da Amazônia
(Universidade Federal do Pará, 2018-03-15) PEREIRA, Natália Cristina Rodrigues; AMORIM, Célia Regina Trindade Chagas; http://lattes.cnpq.br/9650931755253248
This research reflects on the vernacular design as a communication experience in the Amazon region. The analyzed object in the study is the draws of letters (lettering) painted manually on boards, facades, banners, and other surfaces widespread across the region that, based on the popular culture, aim to supply the communicational necessities of the informal commerce where they originate. The focus of the investigation came from the following question: what are the inspirations, particularities, and strategies that permeate the material and symbolic universe of this type of informal visual communication, without losing sight of its market potential and its relationship to the community? Therefore, this research used concepts of Benjamin (1987), Braga (2011), Canevacci (1997), Schutz (2012), Dewey (1980), Durand (1996), Flusser (2013), Kant (2012), Maffesoli (1998) e Paes Loureiro (2008; 2001), among others. Accordingly, the hypothesis presented here pointed that the informal visual communication, permeated by the universe of the Amazonian culture, contributes in the symbolic and economic scope directly to the reality of the community in which it is inserted. The methodology was based on the qualitative descriptive analysis, starting from field research, being that the collection of material (photography registration and interviews) started from August 2015 to January 2018, including two visits in each one of the three islands of the Municipality of Belém chosen for the study: Cotijuba, Caratateua (Outeiro) e Mosqueiro. It's believed that the importance of this research is focused on the possibility of contributing with studies that go beyond the technical aspects of communication, therefore based on the men in society, as well as, long-term, to be able to collaborate for a possible demystification of stereotypes about the Amazon.
Acesso aberto (Open Access)
O discurso midiático sobre mudanças climáticas: análise da cobertura ambiental de o Liberal e Folha de São Paulo
(Universidade Federal do Pará, 2019-03-21) SILVA, André Luiz Palmeira da; DUTRA, Manuel José Sena; http://lattes.cnpq.br/2597192749872675; COSTA, Luciana Miranda; http://lattes.cnpq.br/1310961057480638
The study objective consisted of analyzing the discourse of climate change produced by O Liberal and Folha de S. Paulo newspapers in their coverage of the environment in 2015, when the Paris Climate Conference, also known as COP-21, was held. A comparative analysis among the discourses of the newspapers was performed, embracing the same period and using the same theoretical-methodological reference, which presents as main basis the Semiology of Social Discourse, through concepts such as Polyphony. In order to define our scope, we approached the work of authors such as Eliseo Verón and Mikhail Bakhtin. The research methodology is anchored in the Discourse Analysis of French strand. The concept of Discursive Formation, by Michel Foucault, was also employed. In order to operationalize our methodology, we referred to the online platform of the respective newspapers to consult the editions and analyze the journalistic texts. In total, 38 texts of Folha de S. Paulo and 27 texts of O Liberal newspaper were analyzed.
Acesso aberto (Open Access)
Elas e o neoconservadorismo: análise da desinformação sobre aborto entre mulheres evangélicas
(Universidade Federal do Pará, 2024-05-16) LEAL, Camila Fagundes; ESTEVES, Lorena Cruz; http://lattes.cnpq.br/6917631244983786; http://orcid.org/0000-0003-1332-1236; LAGE, Danila Gentil Rodriguez Cal; http://lattes.cnpq.br/4593992869253877; https://orcid.org/0000-0003-3243-8368
This dissertation aims to analyze how evangelical women from the Cabanagem neighborhood, one of the neighborhoods considered peripheral to Belém (PA), position themselves on abortion and how they interact with highly visible content on the subject, in a context of misinformation and advancement of neoconservatism. The theoretical discussion is central to the abortion theme (Barrancos, 2022; Biroli, 2016), neoconservatism (Vaggione; Machado; Biroli, 2020), disinformation, post-truth and disinformation content (Gelfert, 2018; Nguyen, 2018; Wardle; Derakshan, 2017) and beliefs in the formation of moral values (Haro, 2006). As a methodological procedure, estructured and semi-structured and dynamic interviews on abortion were conducted with eight evangelical women, residents of the Cabanagem neighborhood, in Belém (PA) and active in the churches, seeking to understand their social and informational contexts and how they feel and react to content. misinformation about abortion. At the end of the analysis, was observed that the issue of abortion and misinformation on the topic is intimately linked to political, social, cultural processes that arise from sociability, education and historical processes such as the political, educational and institutional constitution of the country. Iramuteq was also used to help with the analysis process. Was noticed that religious beliefs, which compose the moral values of the research participants, combined with their perceptions of the world, were fundamental in the process of believing or not in disinformative content. As a concluding proposal for the research, was proposed the identification of the stereotypes that reverberate in the speeches of these conservative women, to become axes of dialogue to be worked on with them by progressive groups, as a way to combat disinformative content and the imaginary that invisibilizes the debate on abortion.
Acesso aberto (Open Access)
Entre dunas, mangue e mar: narrativas e resistências dos moradores da Ponta da Sofia em Salinas (PA)
(Universidade Federal do Pará, 2024-02-28) FERREIRA, Erika Mourão; COSTA, Vânia Maria Torres; http://lattes.cnpq.br/7517564393392394
The main objective of this dissertation is to understand the interactions, narratives and resistance practices of the residents of the Ponta da Sofia community, in Salinópolis (PA), in the face of the violation of their territory for the installation of tourist developments. The study will look at the daily life of this community, its productions of meaning about history, place, environmental preservation and relationships of affection, exploring the residents' narratives, their interactions and the processes of resistance in their social and cultural practices. The methodological procedures adopted are based on qualitative research, based on data analysis through interviews (MOTTA, 2013); (GOMES, 2007), supported by ethnographic practice as defined by Rocha and Eckert (2008), and interviews. The main authors used to support the understanding of narratives and social practices include Ferdinand Tonnies (1973), Martin Buber (1987), Filho and Mendes (2014), Krenak (2021), Medeiros and Ido (2018), Gudynas (2019) and Santos (2023). The result of this investigation highlights not only the adversities faced by the residents of Ponta da Sofia, but also the resilience and depth of their connections, especially their care for the environment, since they understand the intrinsic interdependence with the ecosystem they consider their home.
Acesso aberto (Open Access)
O futuro ancestral da comunicação política: análise e reflexões sobre as primeiras candidaturas indígenas para deputadas federais do Pará
(Universidade Federal do Pará, 2025-03-14) PEREIRA, NailanaThiely Salomão; STEINBRENNER, Rosane Maria Albino; http://lattes.cnpq.br/1508467019000744; https://orcid.org/0000-0003-4321-7245
In the last seven decades, indigenous peoples began to elect their first representatives for elected positions, and the growth of this participation in electoral processes in Brazil has drawn researchers' attention to reflections on this expansion as a sociopolitical phenomenon (Baniwa, 2003, 2006, 2010, 2022; De Paula, 2017, 2023; Harari, 2023; Jecupé, 1998; Lima, 2010, 2022; Oliveira, 1968; Oliveira, 1983; Pataxó, 2023; Terena, 2021; Tuxá, 2020; Verdum, 2004, 2023). The communicational dimension, however, still intersects these studies in an incipient manner. Few studies have explored how indigenous peoples engage with political party communication, their contributions, the impact of campaign strategies on electoral mobilization among both non-indigenous and indigenous people, and the cultural barriers faced by these groups. Despite the Federal Constitution of 1988 recognizing the social and cultural organizations of indigenous peoples as the basis for differentiated citizenship – a notion that is explained, according to Baniwa (2022), to the extent that indigenous peoples have specific rights, in addition to those extended to the rest of Brazilian citizens, representation in the Legislative, Executive, and Judiciary is still proportionally incipient for indigenous people to participate politically more actively in decisions that concern their peoples and the country, as a whole. The right to differentiated political citizenship, and the gaps in studies on the challenges of partisan political communication of indigenous people in Brazilian elections are the starting point and justification of this study, which aims to analyze the candidacy of the first two indigenous women for federal deputies in the state of Pará, their ontologies and reaffirmations of themselves as indigenous candidates, seeking to understand the strategies and challenges of electoral communication, especially in view of the structural inequalities of the electoral process in Brazil. For this, we use the concept of Countercolonization by Nego Bispo (2015), the Critical Studies of Whiteness by Deivison Faustino (2017), Priscila Elisabete Da Silva (2017), W. E.B. Du Bois (1920, 1935); Frantz Fanon (1952); Albert Memmi (1957), Steve Biko (1978) and Alberto Guerreiro Ramos (1957), Lourenço Cardoso (2017), Daniela Núñez Longhini (2022), Lia Schucman (2017), Bento, (2002) and the communicational vision of Paulo Freire (1976, 1981, 1986, 1987, 1994), through a mixed and in-depth investigation of the candidates' campaign, complementing the reflections with theorists of resistance to coloniality. Among the various asymmetries (ontological, structural, financial, racial), the need to implement a special and differentiated election for indigenous peoples, with reserved seats in Parliament, proved to be a proposal for urgent debate and implementation.
Acesso aberto (Open Access)
O imaginário sobre a cidade: entre experiências e socialidades nas narrativas de mídia e dos indivíduos em Belém do Pará
(Universidade Federal do Pará, 2019-03-21) KABUENGE, Nathan Nguangu; AMARAL FILHO, Otacílio; http://lattes.cnpq.br/2605877670235703; COSTA, Alda Cristina Silva da; http://lattes.cnpq.br/2403055637349630
The present proposal aims to analyze the experiences and socialities between the city of Belém, individuals and the media, based on the imaginary constructed in the daily narratives of (de) construction and (res) significations of the city, considering that this imaginary, to some extent would constitute as structuring element of the socialities in the contemporaneity. The perspective of analysis starts from an approach of the comprehensive hermeneutics, trying to understand how the daily narratives of the city, or those that result from the power to construct what is the reality in the experience of an individual or of a community. It’s considered as such, the conversation at the bar table, in the street, in the market, in the square, at the dinner table, in the taxi, in the media, among other conversations, as everyday narratives. I take the narratives in two perspectives: a) the narratives of the newspapers Diário do Pará and O Liberal, with the use defined from the "constructed week" technique, in its editions published from 2000 to 2017. The selection of these two periodicals Paraenses were motivated by the sociopolitical and cultural representativeness of both in the construction of experience and inter subjectivity among individuals, mainly Belenenses; and b) the narratives of the taxi drivers of Belém, considering that some of them are potential readers of the newspapers, as well as 'transit', due to their activity, by the city. In the methodological course, a semi-structured interview was used with 15 (fifteen) taxi drivers from three neighborhoods were selected: Cidade Velha, Jurunas, Marambaia, who have been practicing for more than 18 (eighteen) in order to perceive the manifestations of the imaginary of the city. The corpus of the research makes it possible to observe in the two narratives, certain regularities of (de) construction of Belém, which is fundamental for the analysis. So, We could observe that talking about the city usually refers to the problematic of urbanization, but in this research, our view is again to understand the relation of the producers of the urban (city) and the communicative processes.
Acesso aberto (Open Access)
O indígena na telenovela brasileira: discursos e acontecimentos
(Universidade Federal do Pará, 2015-07-07) CARVALHO, Vivian de Nazareth Santos; MALCHER, Maria Ataide; http://lattes.cnpq.br/5418062253829906; NEVES, Ivânia dos Santos; http://lattes.cnpq.br/2648132192179863
This thesis analyzes the discourses that circulate in Brazilian telenovelas on indigenous societies. For this, we appropriate the proposed formulations by Michel Foucault in "The Archaeology of Knowledge", in order to investigate the regularities and dispersions in the discourse on indigenous peoples present in these television serial fictions. We start mainly from the analysis of scenes from telenovelas "Aritana" (1978), "Uga Uga" (2000) and "Alma Gêmea" (2005). We show how these productions, which have different plots and were exhibited at different times, have regularities in building their indigenous protagonists. In a Foucaultian perspective, try to understand how indigenous characters are constructed in such television narratives, which statements related to them appear in these productions and the memories which networks they are affiliated. We take the analytical category intericonicidade proposed by Jean-Jacques Courtine (2013), in order to understand the construction of the images of indigenous characters present in these telenovelas. To analyze historical moments in which the discourse on indigenous peoples won highlights in Brazilian telenovelas, performed in the period from February to July 2014, an extensive survey of telenovelas that were shown over 50 years, the main television stations. From this survey, we got three big enough overlapping events with productions that have brought indigenous characters in leading roles: the demarcation in 1978, the Xingu Park, the celebration, in 2000, 500 of the arrival of Europeans to Brazil and the present moment, in which we follow the discussions on the construction of the hydroelectric plant of Belo Monte.