Dissertações em Artes (Mestrado) - PPGARTES/ICA

URI Permanente para esta coleçãohttps://repositorio.ufpa.br/handle/2011/6806

O Mestrado em Artes, em 2008 foi autorizado pela Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES) com funcionamento no Programa de Pós-Graduação em Artes (PPGARTES) do Instituto de Ciências da Arte (ICA) da Universidade Federal do Pará (UFPA).

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    Da casa de contato à dramaturgia do contato: experimentações e reflexões na casa Ribalta
    (Universidade Federal do Pará, 2012-03-01) FERREIRA, Mayrla Andrade; CAMARGO, Giselle Guilhon Antunes; http://lattes.cnpq.br/2551648142775344
    The research points to a path of artistic experimentation, unveiled in the very first my space contact with the dance: the "house of contact," object investigation of this research that establishes connections multiple and heterogeneous of performer-creator with life stories, which are raw material smain articulate for the recognition of principles and recurrences of a drama specific particular and local, the "dramaturgy of contact." to buy the basics of such a proposition, I use theoretical and methodological rhizome of Deleuze and Guattari (1995), in their percepts and affects (1992), brokered by the triad image-time-motion of Deleuze (1992), as a strategy of theoretical and practical cut across writing. Based on the notion of body subject of Merleau-Ponty (1999) and the dramaturgy of Eugenio Barba (2010) in fabric with the phenomenology of perception and contact-improvisation were the demonstrators elements that support the principles of dramaturgy Contact aroused by the life stories of those who practice, responding to the main objective of this Research Essay. We used the following methods of data collection: survey bibliographic documents that permeated the nature of the subject studied here and their interfaces with different areas knowledge, participant observation, interviews open and collecting individual and collective sense through letters, photographs, videos, songs, drawingsand relational objects that allowed reflection and analysis constructed by mapping a timeline of the School Ribalta dance, the dance company Ribalta and triad Marlene-Beth-Mayrla, lives that exist in the House Ribalta and give any sense of this writing. Aspects conclusive resulting from this research are involved directly with the degree of impairment o frese archer with the poetry of a life project, "The Home Contact and Dramaturgy of Contact ", marks singular trans-formations of paths in a plural human diversity.
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    Errare humanum est...micronarrativas na BR-316
    (Universidade Federal do Pará, 2012-03-30) NOVAES, Simone do Socorro Jares; PAIXÃO, Paulo Sérgio Soares da; http://lattes.cnpq.br/8982056178331331
    This study sets up as a poetic exercise generated from the walk, developed at km 03 of the BR-316, located in the municipality of Ananindeua, Metropolitan Region of Belém-PA. Search methodological subsidies in Drift Theory (IS) to highlight the city as a space of micro-resistance, contributing to the unveiling of other possible perception of urban space.
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