Navegando por Assunto "Feminismo"

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A atriz da diáspora: um estudo sobre a poética-política de Zélia Amador de Deus
(Universidade Federal do Pará, 2020-08-28) BANDEIRA, Maria Ceci Leal; BRITO, Maria dos Remédios de; http://lattes.cnpq.br/6896268801860211
The following work aims to analyze, using as basis the concept of diaspora of black people's performative body, by Zélia do Amador de Deus, the actress and director's artistic path and her poetic-politic character. The research was divided, aiming to make it possible to analyze its three main characters: Catirina, character from the work Coronel de Macambira, by Joaquim Cardozo (1998); Suely, character from the play Quarto de Empregada, by Roberto Freire (1993); and a nameless character, presented in the work Theastai Theatron. The reflexion that leads the research is done based in feminism as perspective of critical and theoretical analysis for the categories of stratum, genre, ethnicity, as stabilised theoretically by the philosopher Angela Davis (2016) and the battle against epistemicide, line of thinking relocated by the philosopher Sueli Carneiro (2005). By tracing Zélia Amador de Deus' artistic path, it is possible to find a new way to perceive the diaspora of black people's performative body and their descendants by the performative bias that represents the political-socio-cultural crossings that still continue to differentiate this body. Considering that it is a subject that begins in the body and does not detach itself from it, the analysis departs from the body and its main three characters, in order to demonstrate not only the artistic evolution of the actress, but mainly the political and existential development of a black woman in Amazon.
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Caça às bruxas: a criminalização do aborto e as implicações para as mulheres na atualidade
(Universidade Federal da Bahia, 2019-04) ZAHLUTH, Carolina Messeder; LIMA, Maria Lúcia Chaves; DIAS, Bárbara Lou da Costa Veloso
The article aims to discuss the similarities between the current debate on the criminalization of abortion and the historical witch hunt in the Late Middle Ages and in Modernity Age, seeking to punctuate the effects that this relationship causes on women's bodies and experiences. For this, is made a brief contextualization of the history of the witch-hunt as an essential event for the diffusion of capitalism and expropriation of the bodies and reproductive functions of women, as well as to contextualize the current abortion debate in Brazil as a tension between the feminist movements and the conversational and religious groups. Three main similarities have been identified between witch hunts and the current criminalization of abortion: domination and expropriation of women's bodies and reproductive functions; the two periods persecute, kill and make black, poor and peripheral women vulnerable; and both create and perpetuate a misogynist culture that incites violence and hate crimes against women.
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Estudos culturais, genêro e feminismo latino-americano
(Universidade Federal do Pará, 2013-04) RIBEIRO, Joyce Otânia Seixas
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Feminismo do Extremo Norte: trajetórias e reivindicações do Departamento Paraense pelo Progresso Feminino (Belém/PA, 1931-1937)
(Universidade Federal do Pará, 2023-12-15) REDRIGUES, Bárbara Leal; CAMPOS, Ipojucan Dia; http://lattes.cnpq.br/0380400211532063
The dissertation aims to analyze the trajectories and demands of the Paraense Department for Female Progress (DPPF), in Belém, between 1931 and 1937. Specifically, its central argument is the formation and characterization of an extreme-northern feminism, based on diversity and the particularities of the group and its members. Understand it in its complexity, based on the strategies employed, the challenges faced and the internal diversities, in addition to problematizing the themes propagated and the rights claimed. State branch in Pará of the Brazilian Federation for Female Progress (FBPF), a feminist organization from Rio de Janeiro, the group from Pará presented similar characteristics to the parent institution and local singularities, in accordance with the experiences and opportunities experienced, defining an Extreme Feminism North. The period marks the years of greatest activity and publicity of the Department, from its foundation in 1931 until the political restructuring with the installation of the New State, in 1937, which caused the weakening and emptying of national feminist mobilizations. In this way, the movements of the DPPF at multiple levels, national/local and individual/collective, are put into perspective. With this in mind, the research seeks to undertake a political micro-history of Belenese feminists, represented in the Paraense Department, by analyzing the socio-political configurations, choices and ambiguities in the experiences and perceptions of DPPF members. Based on the critical cross-referencing of documents, mainly newspapers and correspondence, the group’s participation in national campaigns was identified, with emphasis on the moments of legislative reformulation, the expansion and consolidation of women’s rights: the Electoral Code (1932) and the National Constituent Assembly (1933/1934). At the same time, with their local activities and demands, in the consolidation and propagation of feminism in the capital of Pará, the individuality of the members is highlighted, through their feminist, political and professional writings and actions. These issues become intrinsic to the collective, as they demand the triad of feminism – voting, education and work – linked to their demands and other axes pleaded; demonstrating the feminist diversity in the composition of its members, the themes demanded and the conflicts experienced.
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Gênero e serviço social análise dos trabalhos apresentados nos encontros nacionais de pesquisadores em serviço social no período de 2000 a 2012
(Universidade Federal do Pará, 2015-03-09) PORTO, Tainã de Sá; NASCIMENTO, Maria Antônia Cardoso; http://lattes.cnpq.br/2918467728101022
The purpose of this dissertation is to identify the place occupied by genre discussion within the production of knowledge in the Brazilian Social Service during the last twelve years. This is a review study of the production of social work, where work research was characterized by the review of paper published in the Annals of the ENPESS, in poster and oral communication modalities, from 2000 to 2012. As a methodological procedure, there were reading the abstracts and keywords, followed by the classification of work in thematic areas. In the communications analysis considered two aspects: the treatment of the woman theme and the category of gender and the theoretical perspective adopted at work. It was found that the 3 508 works submitted, 267 were identified with a gender perspective and 154 jobs with the approach of studies on women. Moreover, the themes that most articulate Women and Gender violence are, work, social work and family. In conclusion, most of the communications, women and gender appear as synonyms and the majority refers to the contributions of "Marxist feminism".
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Klitores Kaos e o grito das mulheres: o Punk/HC desemboca numa cena musical feminista em Belém do Pará
(Universidade Federal do Pará, 2023-03-20) MONTEIRO, Keila Michelle Silva; COHEN, Líliam Cristina Barros; http://lattes.cnpq.br/0286644614789784
This research focuses on the punk/hc music scene, a subgenre of rock, in Belém do Pará, made up of women as a necessary musical practice in combating existing prejudices among people who perform or frequent environments of this genre, in which predominates , still, the male sex, because rock and its aspects, despite representing transgression and going against oppression and violence from the State and society, sometimes make female production invisible and its actors still practice machismo, misogyny, among other attitudes that offend women. In this ethnography, I approach the trajectory of punk/hc in Belém do Pará, emphasizing female/feminist musical production, making it necessary to value this production and emphasize the need to respect women in this scenario, because, according to Rosa and Nogueira, “poetry and music are born of the ruptures and the pain they transform. It is a creative process in the broadest sense where, by creating artistic paths and producing our own knowledge, we also reinvent ourselves as people” (2015, p. 27). I will analyze the trajectory, performance, aesthetics and musical compositions of the band Klitores Kaos, which works to claim rights and empower women, in a dialogue with Chada (2011), Béhague (1992, 1999), Blacking (1973) and Merriam (1964) to deal with socioeconomic factors present in the songs; O´Hara (2005) and Caiafa (1985) to address the context of the punk rock genre. In addition to the studied bibliography, I used media files and field research material before the pandemic. According to the analysis of the band's performance and aesthetics, its trajectory and mainly the musical analysis in this research, the data point to a production of protest, a 'cry' to combat femicide, sexism, misogyny and racism with women taking up spaces and the growing respect for the female gender in the punk/hc scene, which is often confused with the private lives of these women.
Acesso aberto (Open Access)
A literatura infantil: (menor)idade e desterritorializações
(Universidade Federal do Pará, 2018-06) SANTOS, Aline Rodrigues dos; COITO, Roselene de Fátima
Thinking the place of children's literature and of the child in society as a place of a possibility to say, to the saying and to say itself, the research proposed here is based on the childish, feminine and feminist mirages that are project from a character of the children literature. Thus, our aim is to discuss how understand children literature as a minor literature, based on the Deleuze and Guattari’s philosophy, having as corpus the text “Procurando Firme”, 1984, by Ruth Rocha, proceeding with discursive analyzes, by the Foucaultian perspective, of mirages feminine, feminist, and childish, which constitute linguistically in the narrative. We could perceive the children literature, even marginalized by the canon, the academy and the traditional literary discourse, constituting its minority as a machine of revolution, a machine of collective expression and deterritorialization of child servitude to the word of the adult and the servitude of the feminine gender to the word of the "majoritarian" gender, showing that the condition of a minor literute, makes it transgressive art that opens to becoming
Acesso aberto (Open Access)
A moda como objeto de informação: o caso do Movimento Feminista Punk Riot Grrrl
(Universidade Federal do Pará, 2015-09) CASTRO, Kedma Lima de; CASTRO, Jetur Lima de; OLIVEIRA, Alessandra Nunes de
Introduction: In considering the issue of fashion as an object of information, the study aims to present the behavior and attire characteristics of the punk feminist movement Riot Grrrrl as constituents of a singular language and discourse space and, therefore, subject to further investigations by the area of Library and Information Science. Method: This is an exploratory research of bibliographic and documentary base. Results: it presents the historical scene of punk feminist movement Riot Grrrrl within the punk background, analyzing the theme of feminism, the discussion of gender and its relationship with the overall fashion context. It was revealed that the Riot Grrrrls’ behavior and attire act as way of gender and political dissent. Conclusion: the visual reinterpretation of a punk feminist movement supported in their radical ideologies and their impact on the fashion world shows the representative nature of attire and behavior as emancipatory forms in the social, configured as discourse spaces and, therefore, as an information attribute.
Acesso aberto (Open Access)
Planejamento familiar: um estudo sobre a experiência da Fundação Santa Casa de Misericórdia do Pará
(Universidade Federal do Pará, 2015-09-01) SERRÃO, Ana Márcia Farias; NASCIMENTO, Maria Antônia Cardoso; http://lattes.cnpq.br/2918467728101022
This dissertation entitled "FAMILY PLANNING: a study on experience in the hospital" aims to analyze the applicability of Law No. 9,263 / 96, which addresses the objectives of the National Family Planning Program. It also seeks to deepen knowledge on the subject of women and feminist movements in the context of reproductive rights and health policy. To facilitate the study, there was bibliographical and documentary research, interviews with women and men users of the searched service. The study's findings indicate that despite the legal advances in institutional practice there are many existing boundaries to enable a family planning that meets consistently the demands of feminist movements.
Acesso aberto (Open Access)
Tereza Batista cansada de guerra: a resistência à violência e à opressão feminina
(Universidade Federal do Pará, 2009-12-17) REGO, Francisca Magnólia de Oliveira; FURTADO, Marli Tereza; http://lattes.cnpq.br/2382303554607592
It is known that, working as a mirror reflecting relations in society, the literature has perpetuated over the years, profiles of women stereotyped according to the precepts of patriarchal society that frame the model of submission, walling and silence. Whereas in the twentieth century, especially in the 60s and 70s, the feminist movement brought about the emancipation of women, this dissertation aimed to investigate how gender issues are portrayed in the fiction of Jorge Amado, whose centerpiece is the woman in this case particular, the work Tereza Batista Tired of War. Therefore, it was essential to support the theories that address the study of females and their representations, as well as in texts dedicated to the critical work of Jorge Amado. Along the way, started with a literature search on the author and his literary creations and representations of women in Brazilian literature, the data were put together in order to get the nuances that are important to building the profile of Tereza Batista, in intended to reveal the extent to which the literary text busted and highlights social situations as a way to denounce the violence and oppression against women.