Teatro da fragilidade: uma cartografia respiratória com o bando de atores independentes e seu espetáculo três

Abstract

In the following text, I ppropose a respiratory cartography created with three sections lines: the first building a methodological way with theoretical support in Deleuze-Guattari as perspective to the second section, which is the expression in fragments of memory, a sacred ritual on the construction process of the show Três, the band of independent actors, exercising Teatro da Fragilidade. In the last section, I present the mysteries that make theater, which differ form principles because the Teatro da Fragilidade is not connected to a source, a layer that understands and explains, but a theatrical doing more likely a body without organs, touted by of artists. The methodological path was not constructed, the path takes paired with me, - path and walker mix if shuffle – memory, a sacred ritual Mnemosyne, for the expression of the show Três construction process. The relevance from of the research is to report and understand the mysteries of Teatro da Fragilidade from band rehearsals processes of independent actors, to build a show, and nominat that doing theater in the city of Belém, Pará, Brazil, from the application of the concepts of rhizome of Deleuze-Guattari a linking of dissertation writing whith a rhizomatic writing.