Os espaços de representação na produção do espaço urbano em Belém: um olhar sobre o Punk e o Hardcore

Abstract

The present research aims to understand how resistance to the hegemonic production of space through Punk and Hardcore in Belém is based on Henri Lefebvre 's conception of space production. The cultural manifestations of Punk and Hardcore studied here are understood as a musical and social movement that has as characteristics fast songs, direct with content of revolt and contestation against the system. In this work we have as a methodological approach an analysis based on neomarxism. The methodological procedures developed here consisted in bibliographical surveys of works and articles in periodicals relevant to the theme for the construction of a qualitative analysis between what was raised as references and the semistructured interviews that were applied to 14 people, of whom 11 were involved in the production of events and / or played bands and 3 were public. In the midst of these 11 interviews we have 4 which we classify as the oldest of the scene (more than 20 years in the scene) and 7 as new ones in the scene (less than 20 years in the scene). Our study in Belém pointed out that the production of space under the neoliberal logic influenced the production of the public space which becomes less and less accessible to various cultural manifestations. Through this context, Punk and Hardcore end up being directed to the private space and there creating a strategy of survival, while the measure I occupy the pubic space create spaces of resistance and hope, just as it keeps existing and contesting the mode of production and their way of producing space. Although he is currently more in the private space, Punk and Hardcore are returning to occupy public spaces in Belém.