Teses em Artes (Doutorado) - PPGARTES/ICA

URI Permanente para esta coleçãohttps://repositorio.ufpa.br/handle/2011/11380

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Agora exibindo 1 - 2 de 2

Acesso aberto (Open Access)
A Existência das obras performáticas de Berna Reale e Lúcia Gomes nas coleções de Jorge Alex Athias e no Fundo Z - Casa das Onze Janelas em Belém do Pará
(Universidade Federal do Pará, 2024-03-08) CABRAL, Marcela Guedes; LEÃO, Ana Cláudia do Amaral; http://lattes.cnpq.br/3091200390689592
This research aims to understand how collecting occurs, specifically, the preservation of information and the poetics of performance art, through the acquisition and production of documentation of these works, which allows the existence of the work in several modes, allowing it to be included in public and private collections. Specific objectives: verify the representation of the intrinsic and extrinsic information of these artistic processes adopted by the artists and in the two collections developed; understand how the acquisition of scientific works occurred and the impact of this procedure on the preservation of information from these works, investigate how documentation, or its lack, allowed or not the preservation of artistic works of an ephemeral nature, and verify the perspectives from the collector and representatives of the institution about the presence of performances in the collection. For empirical observation, the research focuses on the work of two artists from Pará who expressively produce works of performance art and on two collections, in the city of Belém-PA, one public and the other private - where the works of the two artists were exhibited, namely, Berna Reale and Lúcia Gomes in the Fundo Z Collection of Casa das Onze Janelas, public, and in the Jorge Alex Athias Art Collection, private. Considering that contemporary works of art of a performative nature, such as performance and happenings, challenge museum professionals in their preservation actions through the documentation of information and poetics developed by artists, we understand that it is necessary to investigate the prospects for this type of preservation, with the support of art discourse enunciators and institutions that produce discourses about art. Therefore, this research is configured as an associative analysis with a qualitative approach. It adopts a theoretical-empirical and associative perspective between the process of musealization of work performance art of two artists in two collections, one public and the other private. It also involves on-site observation of the documented process of the artists in the Collections, as well as analysis of the documentation, intrinsic and extrinsic information, and the discourses about and by the artists. Semi-structured interviews are also used with the artists, the collector and the professionals at Casa das Onze Janelas.
Acesso aberto (Open Access)
A poética das encruzilhadas de Arthur Leandro/Tata Kinamboji: Atos de fazer Güera
(Universidade Federal do Pará, 2023-08-16) BARROS, Bruna Suelen Silva; LEÃO, Ana Cláudia do Amaral; http://lattes.cnpq.br/3091200390689592
Inside of the line of research theories and epistemic interfaces in arts, fromthe GraduateProgram in Art at UFPA, I propose a cartography that covers part of the life experienceofArthur Leandro/Tata Kinamboji. This is an affirmative work, which brings Exuinfront toopen paths, with the intention of producing knowledge in which I present a conceptual andmethodological proposition that defends the poetics of this man as a crossroads, openinggapsbetween art, political activism in Traditions of African Matrix and the teaching of theartsinthe universities where he taught. I defend the idea of the fight for memory against oblivionabout who Arthur Leandro/Tata Kinamboji was with his poetic crossroads, as a politicizationof the same to mark a place of importance for this person for Culture and the Arts inthecityof Belém, and even in the Amazon . I listen to those who lived with Arthur and whonarratehis way of making art and I look for open possibilities of writing that intersect Arthur'slifeexperience and his Poetics of the crossroads, to say the concept created by himof Art-Güera,as an attitude of resistance to everything that diminishes and conditions life andart intooppression, so I will list four of these acts in the course of the text. At the same time, I evoketheorists who have already thought of the genocide of the black people as a project, relatingthe issue of the whitening of Brazilian culture to the needs of confronting and overcomingtheerasures generated by this attempt, such as Abdias do Nascimento, Luiz Rufino, LuizSimas,Zélia Amador de Deus, Muniz Sodré, among others – mostly black people, of course, tostrengthen an anti-racist way of knowing, with regard to the protagonismof knowledgeproduction by those who experience the hardships of this project firsthand. I connect thisbibliography to my travels, my traffic through the poetic practices of Arthur Leandro, narratednot only by me, not only with my gaze, but with everyone I could find crossing our paths. Ipropose, in addition to my writing, two poetic maps, one visual and one withreports, toencompass the other voices that cross these paths, within the cartographic methodthat thisresearch proposes. Here there is a glimpse of a life and yes, it is epistemology, becauseit isthe production of knowledge, it is poetics and it is a policy of valuing the Afro-Amazoniancultural heritage

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