Teses em Artes (Doutorado) - PPGARTES/ICA
URI Permanente para esta coleçãohttps://repositorio.ufpa.br/handle/2011/11380
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Navegando Teses em Artes (Doutorado) - PPGARTES/ICA por Orientadores "MENDES, Ana Flávia de Mello"
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Tese Acesso aberto (Open Access) Encantaria-corpo: processos de criação e poéticas em dança(Universidade Federal do Pará, 2022-01-17) SOUZA, Luiza Monteiro e; MENDES, Ana Flávia de Mello; http://lattes.cnpq.br/6144243746546776This research-creation is affiliated with the line of research Poetics and Processes of performance in Arts of the Graduate Program in Arts at the Federal University of Pará (PPGARTES/ICA/UFPA). Its main objective is to carry out immersion and emergence experiences (EIEs) based on the encounter between immanent dance (Mendes, 2010), “encantarias” (Loureiro, 2008) and the notion of poetry (Cotê, 2015). Proposing to underline theoretical-artistic interactions emerging from the creation process, the EIEs are the research methodology from which the procedures of experimentation, creation, reflection, as well as poetics in dance, are born. The processes of artistic creation take as inspiration the magical worlds submerged in Amazonian rivers: the “encantarias’, a kind of transcendental dimension where the enchanted beings who poetize the existence of these rivers live. The idea of an enchanted depth in the river is found in this research with the immanent dance, establishing as the main theoretical-practical proposition the notion of “encantaria of the body”, which had been applied together with the Companhia Moderno de Dança collective, aiming to stimulate creative processes. The research results are the scenic work Na Beira, the videodances Poesia Submersa, Vamos falar de poesia?, Nas águas do invisível, Onde estará o além das coisas?, Dar-se em Vertigem, Ecos das Entranhas e Seres de Si and this memorial text.Tese Acesso aberto (Open Access) Escritos Vagalumeantes: Mo(vi)mento de Etá em processo de transcriação vagalumeante(Universidade Federal do Pará, 2021-12-21) SOUZA, Ercy Araújo de; MENDES, Ana Flávia de Mello; http://lattes.cnpq.br/6144243746546776A fireflying written. The following actions are my experiences-memories-creations from the childhood to present times. Read it as you look at a firefly flying in the darkness nearby the Xingu River, at Altamira, city in the state of Pará, Brazil. From this standpoint arises a trigger to think about the transcreation and interpretations of what can be light, dark, path, enchant, mystery, frustration, mo(ve)ment, imagination and (trans)creation in my artistic practice, in my dance. For this purpose, the current time cross this process because the world is researching for a cure for COVID-19 virus as long as we are all looking cure for mental diseases both individually and collectively. I believe that actions and thoughts about cure can be enabled through artistic perspectives, yet, paradoxically, we are going through a moment of even greater devaluation, socially and individually, of art. I would even say by us artists, who often do not see the artistic relevance in the healing, historically recognized in humanity. As we are blind to seeking survival by means that they put us in a state that is alien to the artistic body and trapped in a biological body, and so we seek to survive and heal ourselves by other means than making-thinking the Art of/for/in the body. Not accepting the changes, differences and collective movements in the face of a disease, sickens us as much as contamination by a virus in the blood. A fireflying written is a mo(ve)ment and an observation. This is the perception of infinite lights and darks amongst the chaos of uncertainty presented in a living process such as mine. All of this with an artistic group called Companhia Moderno de Dança, establishes itself in the embodiment of a collective practice in its making-thinking of a multiple and uniqueness body named Etá, metaphorically created for this research crossed by media and affective possibilities. The results were generated by the memorial composed of six booklets and a poetics called Vagalumear (to firefly), which consisted of four videos.Tese Acesso aberto (Open Access) Hilda Híbrida Outro Eu: Filme Ensaio(Universidade Federal do Pará, 2022-02-09) GALVÃO, Galvanda; MENDES, Ana Flávia de Mello; http://lattes.cnpq.br/6144243746546776Tese Acesso aberto (Open Access) Poéticas paridas: a dança como política de aparecimento(Universidade Federal do Pará, 2022-11-24) CASTELO, Caroline de Cássia Sousa; MENDES, Ana Flávia de Mello; http://lattes.cnpq.br/6144243746546776This memorial thesis, divided into a poetic-series, aimed to understand dance as a policy of appearance from the processes of dialectical creation (thesis, antithesis and synthesis): Cinderela (2018), Nas Brenhas (2020) and Subterrânea ( 2021). The first two deliveries were poetic births from the life stories of the Grupo de Mulheres Prostitutas do Estado do Pará, a pioneer association in the human rights militancy of prostitutes in Brazil, which has been active since 1990. The creation of the works : Cinderela, Nas Brenhas and Subterrânea reveal narratives about Love, motherhood, violence, militancy, work, about orgasms and displeasures within the prostitute. Through the metodological paths and veins. I assume myself as a creator- intabitant (FERREIRA, 2012) in walkability (SPECK, 2013), immersing myself as a creator of life/dance with the street, finding on street corners and crossoroads authors such a Judith Butler (2018), André Lepecki (2012), Di Monteiro (2016), Bia Medeiros e Natasha de Albuquerque (2016), Thereza Rocha e Márcia Tiburi (2012), Juliana Moraes (2013), among so many others Who helped me to think of the street and dance as a policy of apperance of a disappearing people. To immerse yourself is also to immerse yourself in the uterus, in the intimate, in th secrets of the lives os those Who live there, of processes thar are created in the anxiety of what is lived, moved to “make it appear”