Teses em Artes (Doutorado) - PPGARTES/ICA
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Navegando Teses em Artes (Doutorado) - PPGARTES/ICA por Orientadores "SAMPAIO, Valzeli Figueira"
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Tese Acesso aberto (Open Access) DATUM - Interface eletrônica como meio de expressão da experiência(Universidade Federal do Pará, 2023-10-27) CARVALHO, Márcio Lins de; SAMPAIO, Valzeli Figueira; http://lattes.cnpq.br/6142863342585522This thesis addresses the experience of creating an experimental electronic game (game, for mobile devices, cell phones) called “DATUM” (work in process) developed from and during the doctorate period. These writings and their annexes address three different and complementary perspectives: the first on reflections on method and artistic creation in the academy; the second on the theoretical conceptions derived from the artistic creation of electronic games; the third on the sub-processes and hazards of game development; in addition to these, the thesis is also composed of the game itself. Taking these perspectives, the thesis proposes to experiment with the image, in the abstract sense, using a dynamic of building constellations to incite the projection of images by connecting stars; and the virtual with its interactive possibilities within a three-dimensional space.Tese Acesso aberto (Open Access) Experiência de existir na pesquisa em artes como ato poético: o ponto de dobra e a ativação artística, lamber a cidade.(Universidade Federal do Pará, 2023-11-27) BARBERY, Melissa; SAMPAIO, Valzeli Figueira; http://lattes.cnpq.br/6142863342585522This artistic-critical memorial is in the Research Line dedicated to the Artist Researcher and addresses the experience of existing in arts research as a poetic act. The journey undertaken by this experiment unfolds through the concept of Fold Point and the artistic activation of Licking the City. In the initial experiments, this videographic urban intervention was directly influenced by Vicente Cecim's text "Caught in the Act Against the Night / Cural Manifest" (1983) and the book/catalog "Uprisings" (Didi-Huberman, 2017). As a result of the path taken by the artist, it is believed that the presence of the artist-researcher in the university is a fundamental practice for a unique perspective on the relationship between art and society.Tese Acesso aberto (Open Access) INTERURBANO: a criação de uma exposição de arte e tecnologia em Belém-PA(Universidade Federal do Pará, 2022-01-11) OLIVEIRA NETO, Raymundo Firmino de; SAMPAIO, Valzeli Figueira; http://lattes.cnpq.br/6142863342585522This study addresses the process of creating three interactive installations about the space of the city of Belém in the field of Art and Technology. In the research, electronic modifications were made in analog industrial objects appropriated as symbols of larger structures that involve the city’s dynamics in artistic installations, with aesthetic messages about the urban, river and forest space of Belém. Among the installations, there is a telephone that simulates connections with distant birds; a tap, that spurts reports from city’s residents about their relationship with water; and, an umbrella that reproduces soundscapes as it moves through space. The memorial contains the work's triggering ideas and the lines that sew the network that connects academic concepts to practice, the outside of the city to the inside of the gallery, the past and the present, the analog and the digital, the aesthetic and the communicational, art and life. The research involved reflection about the poetic use of technologies for sensory experiences with augmented space in interactive interfaces. The project had the collaboration of several professionals from different areas for its realization, as well as the participation of residents of the city. In addition to the installations Telephone, Umbrella and Tap that were mounted in the Long-Distance Call exhibition, the memorial describes the work Sound Waves that was developed after the exhibition as an offshoot of the research.Tese Acesso aberto (Open Access) Saburo (三郎)(Universidade Federal do Pará, 2020-12-16) ONO, Ricardo Harada; SAMPAIO, Valzeli Figueira; http://lattes.cnpq.br/6142863342585522The present work is the result of a research in the line of Poetics and Processes of Performance in Arts, thus intending to be an artistic work. Substantiation of a creative act, it presents its genesis based on the intersection of different reference layers: history, memories, emotions and affections, technical and empirical knowledge, in short, different components of my cognitive universe. The result is divided into two volumes, the art-object itself, which is revealed through comics, and this memorial, which presents the mode of operation and concepts generated by the intersections of these plans / layers. The work, the result of the creative process, narrates a period of my grandfather’s life, from the years leading up to his arrival in the Amazon to his last days, having, as a background, the history of Japanese immigration, and the group to which he belonged. It narrates his motivations and the challenges faced in the face of adaptation in Brazil and, in parallel, what are the consequences on the history of his descendants.Tese Acesso aberto (Open Access) Território móvel: poéticas da criação a partir de memórias e cibermemórias(Universidade Federal do Pará, 2021-01-13) RABELLO, Rafaelle Ribeiro; SAMPAIO, Valzeli Figueira; http://lattes.cnpq.br/6142863342585522This work linked to the Research “Poetics and Processes of Performance in Arts” presents the various movements of a poetic experimentation, through the appropriation of photographic images of my own and an old family photo album, configuring the path of my creation process. The way process, mediated by a mobile device, comprised stages contaminated by memories, desires, complexity and a journey around the multiplicity of the image and resulted in the presentation of two photographic series. Throughout the memorial, the operational layers of construction of this research will be elucidated - what had been experienced, what had been materialized and what had been conceptualized. The outcome of these three instances delineates the plot of a Poetic Project configured by crossings such as the return, the rhizome and resonances directing me to what I call mobile territory