Teses em Artes (Doutorado) - PPGARTES/ICA
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Navegando Teses em Artes (Doutorado) - PPGARTES/ICA por Orientadores "SANTA BRÍGIDA JÚNIOR, Miguel de"
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Tese Acesso aberto (Open Access) O Auto do Santo Preto e a bênção das três fomes: a carnavalização-afeto das festividades jurunenses de São Benedito em Belém do Pará(Universidade Federal do Pará, 2020-11-06) CHAGAS, Eduardo Wagner Nunes; SANTA BRÍGIDA JÚNIOR, Miguel de; http://lattes.cnpq.br/6889411521648199This work reflects the immersion of the last ten years of my life in the steps of the many processions, parties, litanies, dawns that are part of the complex of events that make up the festivities dedicated to São Benedito, held annually in the Jurunas neighborhood, in Belém do Pará, between the end of July and the beginning of August. Immersion lived in the flesh of a carnival-ethno-devotee, through which I perceive these festivities as spectacular cultural practices, possessing an exquisite symbolic vocabulary having the function of a line that borders and unites memories, belonging, identities, identifications, singularities, in a single banner, circumventing social tensions; actions supported by what I call carnavalizationaffection, a concept formulated in the light of understandings of carnivalization, party and affections, from Mikhail Bakhtin, Émile Durkheim, Michel Maffesoli and Davi Le Breton. In its epistemological horizon, the work is built on the glimpse of the world as a text, through the vision of Paul Ricouer, of interpretive anthropology, of Clifford Geertz, of the comprehensive and orgiastic sociologies, of Michel Maffesoli, and of the anthropology of emotions, of Davi Le Breton. In its methodological perspective, added to its epistemological horizon, the work is an ethnocenological product, bringing the experience of the researcher as a tool of the gaze, from which emerges the concept of spectacularity and the glimpse of these parties as Spectacular Organized Human Practices and Behaviors. Finally, the work translates into the burlesque reading of the samba schools' carnival, guiding the research of Benedictine processions through the spectacular look of a samba school plot, bringing together, in the same embroidery, research, artistic life and affects that emanate from me and me.Tese Acesso aberto (Open Access) Dançaeira : O Corpo Feminino Afro-amazônico nas Malandragens e Vadiagens da Capoeira para a decolonização em Dança Contemporânea(Universidade Federal do Pará, 2023-11-13) SILVA, Andreza Barroso da.; SANTA BRÍGIDA JÚNIOR, Miguel de; http://lattes.cnpq.br/6889411521648199The artistic-cultural paths and journeys along the Icoaraci-Belém and Belém-Icoaraci transits enabled the Afro-Amazonian female body, immersed in relationships with dance and capoeira, to build the epistemological praxis Dançaeira. On these paths, memories were triggered from childhood in backyards, streets, schools, artistic-cultural experiences with dance and capoeira, following a trajectory of girl-woman-mother-educator-teacher-researcher, revealing the “living ancestry” that is present from the ancestral women who live in me. I call on three sisters who wield the berimbau together with me and decolonize power in dance in the Amazon with their poetics of “RE-existence”. I present possibilities for decolonial theoretical-methodological paths in contemporary dance, following na autoethnographic flux, by Fortin, sustained by the NOS-NÓS in which the “ties bind” with the world around us, with the doings, knowledges and powers are realized from the perspective of malandragem. Capoeira songs, poetry and authorial poetry-songs, photo images and video prints of immersions during the research, authorial drawings emanate reflections of the process and the striking presence of the berimbau, which impels the voice of the female body with its sounds and touches, endorse the methodological path of the research. The interplay of the dançaeirantes dialogues took in contributions from Freire, the pedagogical Praxis; Santos and Menezes, the Epistemologies of the South and; Costa, Torres and Grosfoguel, Decoloniality, which substantiate the non-hierarchical methodology that reveals the symbolism and meanings of the seven elements of the Dançaeira in order to awaken them in you, from the Amazon to the world.Tese Acesso aberto (Open Access) A encruzilhada de Zé Pelintra com três Mestres-Salas paraenses: por uma ancestralidade artística(Universidade Federal do Pará, 2024-02-26) GONÇALVES, Arianne Roberta Pimentel; SANTA BRÍGIDA JÚNIOR, Miguel de; http://lattes.cnpq.br/6889411521648199This research deals with the poetic establishment of the notion of Ancestralidade Artística based on the crossed dimensions between Zé Pelintra – the great streetwise ancestor of Umbanda – and the Mestre-sala, an emblematic artist of the Brazilian carnival of the samba school, in the mythical, sacred and artistic relationship of the ancestral spectacularity of samba. It is a crossroads-research of Afrocentric epistemological construction and decolonial guerrilla that proposes deconstructions of framed and hierarchical perspectives established to the body. Exu is the great epistemological ancestor, a transgressive and moving force, the crossroads as a motive power for the crossings and the streetwiseness as a philosophy and poetics of the researched streetwise-men. Zé Pelintra and Mestre-sala are enchanted bodies, men of the street, from the terreiro and samba, so called by the observation of the diverse and deep relationships of these spaces-territories in their poetics. The research presents its own iconography, with specific symbols and meanings linked to the fundamentals of Umbanda's Sacred Writing, the riscado signs, and the danced riscado of the mestres-salas Nando Elegância, Bené Brito and Fábio de Cássio, three “entities”, black, afro-religious, famous masters of the carnival of Pará, subjects protagonists of the research that evidence the spectacularity of the riscado in the Amazon. The Ethno-Crossed-Methodology is an authorial creation of the research, based on the process of sensitive listening to the phenomenon, supported by Ethnocenology as the main theoretical-methodological basis and by the ancestral immersions and artistic creations of the exuistic researcher as a woman, mother-artist-flag bearer.Tese Acesso aberto (Open Access) Saudades, Reencontros e Manicuera: espetacularidades entrecruzadas de afeto na Iluminação dos Mortos em Curuçá-PA(Universidade Federal do Pará, 2022-01-28) SALES, Valéria Fernanda Sousa; SANTA BRÍGIDA JÚNIOR, Miguel de; http://lattes.cnpq.br/6889411521648199This study understands the otherness I experienced at the São Bonifácio and Bosque da Igualdade cemeteries with biscateiros, bereaved families, sellers of manicuera, tapioca sweets, flower wreaths and with practitioners of Illumination of the Dead in Curuçá-PA in 2017, 2018, 2019, 2020 and 2021. Experience that brought to light the body of the research in its economic, social, symbolic and belonging dimensions as an important step towards the solution of mourning and peace between the living and the dead. With the epistemological dip in Ethnocenology, as an Ethnocenologist of Funeral Rites, the discussions about Spectacularities presenting the cemetery-body, territoriality inhabited by the dead who have tomb neighbors, tomb caretakers biscateiros (exclusive workers for construction, painting, cleaning and identification of tomb-houses) – the phenomenon's own nomenclature, which I understand as a social role within Organized Spectacular Human Practices and Behaviors (Armindo Bião). In Illumination of the Dead, tombs are decorated with wreaths of flowers, candles are lit and prayers are performed by participants who parade their chosen styles for that occasion in a true Fashion Cemetery, with personalized shirts honoring the dead family, being the body, the temple of affection (Miguel Santa Brigida) to honor his ancestors. To unearth the conceptions that surround the change of mentality about the death of oneself to the death of the other (Philippe Àries), by the displacement of the geographic space from the church-cemetery to the cemetery-secular, in the secularization of death (Cláudia Rodrigues) in Curuçá -PA, I moved my studies to the historic Church of the Third Order of Carmo in Sabará – MG, as it still conserves signs of a church-cemetery. Thus, I present as an epistemological contribution the Moving Field, a notion that allows the researcher to move their studies to another field/body that houses historical, territorial, symbolic end/or belonging similarities for the understanding of the studied phenomenon. In the trajectory of this research, I faced the death of my father in 2019, I went through the understanding of mourning, I accompanied the people of Curuça who reconnected to their loved ones with prayers and lit candles in backyards and cruises in the municipality during the Covid-19 Pandemi.