Dissertações em Estudos Antrópicos na Amazônia (Mestrado) - PPGEAA/Castanhal
URI Permanente para esta coleçãohttps://repositorio.ufpa.br/handle/2011/12385
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Item Acesso aberto (Open Access) “No meu sangue corre as águas desse mar”: o movimento do bloco Pretinhos do Mangue, Curuçá-PA, Amazônia(Universidade Federal do Pará, 2020-06-07) FERREIRA, Marcus dos Reis; FURTADO, Lourdes de Fátima Gonçalves; http://lattes.cnpq.br/1828475659148260; https://orcid.org/0000-0002-5243-4607; VILLACORTA, Gisela Macambira; http://lattes.cnpq.br/4673875521234184This research seeks to discuss about the idea of nature produced by the playful people from the “Pretinhos do Mangue” block, in Curuçá County-Region of the Salgado Paraense. To carry out this discussion, I start with the theoretical guidelines of Environmental History (ARNOLD, 2000; PÁDUA, 2010; WORSTER, 2015) and Anthropology (CSORDAS, 2008; INGOLD, 2015). And, in this perspective, ethnography was used as a way to experience the ways of dwell in the environment, which are present in the block parade, at Carnival (FABIAN, 2013; SALDI; WAGNER, 2013; PEIRANO, 2014; INGOLD, 2015). During this period, the interlocutors aim to present the main non-humans who inhabit the city environment, and, as well, to enunciate the day by day of the artisanal fisherman. And these perceptual experiences of the “salgado” from Pará are materialized through their allegories: the “Caranguejo”, the “Guará”, the “Ostra” and the “Barraca do Avoado”. However, it is the use of “mud” (“tijuco” and “tabatinga”) that has attracted the most attention from the “playful”, because for them the mud-in-body manifests the “ecological” experience and the idea of “nature preservation". In this context, the media began to publicize this experience with the mangrove swamp, which started to promote more and more tourists to participate in the block. With that, it is noticed that the playful-curuçaenses seek to take the life of the "salgado" paraense to their parade, in order to "show" this experience to "all" who visit the Curuçá Carnival. Thus, the mud of the mangrove swamp and the allegories are not simply accessories used by the playful-curuçaenses, since they present their ideas of nature, at the “Pretinhos do Mangue” parade.Item Acesso aberto (Open Access) O ofício de benzer como produção de conhecimento: etnografando práticas de benzeção do município de Tracuateua – PA – Amazônia – Brasil(Universidade Federal do Pará, 2020-08-31) CASTRO, Rita de Cássia de Quadros; VILLACORTA, Gisela Macambira; http://lattes.cnpq.br/4673875521234184The craft of blessing consists of a cultural practice of popular knowledge in the Municipality of Tracuateua/ PA related to religious healing. Besides its intrinsic spiritual aspects, blessing is an important source of knowledge production for that community, despite the devaluation of its practice in relation to scientific knowledge. On regard to this theme, this work aimed, through an ethnographic study, to analyze the epistemology of blessing, from popular knowledge and healing practices, based on the concept of education of attention proposed by Tim Ingold. We seek to report the impacts of the overlapping of scientific knowledge over other knowledge, to identify the reasons for the devaluation of blessing practices and to signal the importance of dialogues between knowledges and the valorization of knowledge, regardless of its origin. From this epistemological analysis, we aim to subsidize public policies for the valorization of knowledge and cultural practices.Item Acesso aberto (Open Access) “A TEUCY é uma nação própria”?: transnação e malha ritual no culto as folhas na tenda espírita de umbanda cabocla Yacira – Ananindeua-PA(Universidade Federal do Pará, 2019-06-06) RIBEIRO, Rafael Santos; VILLACORTA, Gisela Macambira; http://lattes.cnpq.br/4673875521234184