Teses em História (Doutorado) - PPHIST/IFCH
URI Permanente para esta coleçãohttps://repositorio.ufpa.br/handle/2011/6869
O Doutorado Acadêmico iniciou-se em 2010 e pertence ao Programa de Pós-Graduação em História (PPHIST) do Instituto de Filosofia e Ciências Humanas (IFCH) da Universidade Federal do Pará (UFPA).
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Navegando Teses em História (Doutorado) - PPHIST/IFCH por Orientadores "COSTA, Antonio Maurício Dias da"
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Item Acesso aberto (Open Access) "Football suburbano e festivais esportivos": lazer e sociabilidade nos clubes de subúrbio em Belém do Pará (1920-1952)(Universidade Federal do Pará, 2016-04-29) GAUDÊNCIO, Itamar Rogério Pereira; COSTA, Antonio Maurício Dias da; http://lattes.cnpq.br/2563255308649361This study deals with the analysis of the practice and popularization of football from the suburb of clubs in the city of Belém do Pará, during the years 1920 to 1952. Thus, we map the metropolis from these football clubs in their various neighborhoods in order to analyze the dynamics of sports who built a process of popularization of football. A fact that has its foundations by the amount of football clubs and the experience of individuals who actively participated in the construction of leisure and sports activities in this urban space. The increase in the number of festivals along with the work of the sports press, circulation of various social groups, has provided over the years to build a football popularization process in the city strengthened the sport around the Clube do Remo and Paysandu . However, to raise journalistic sources, I managed to realize that despite the speeches are inherent in the practice of those who write in the newspapers, there was a point in common, which was the practice of football in various places of the city. There were indications that subjects of popular neighborhoods like Jurunas, Sacramenta, Quarry and Telegraph participated even indirectly matches held in the Largo de Sao Braz or Praca Batista Campos. The idea of the thesis involves the study of football that became popular from a set of factors that was also combined with experience of subjects in the clubs of the districts presented by the press during the historical context of the time, as popular or suburban, not only the double Re x Pa.Item Acesso aberto (Open Access) Jazzes e Banguês: um estudo sobre a música e a sociedade do Baixo Tocantins (1940 – 1970)(Universidade Federal do Pará, 2025-01-17) SINIMBÚ, Renato Pinheiro; COSTA, Antonio Maurício Dias da; http://lattes.cnpq.br/2563255308649361; https://orcid.org/0000-0002-0223-9264The research aims to explore the interaction between music, culture and society in the region of Baixo Tocantins, Pará, between 1940 and 1970. To this end, it focuses on two local musical formations: Jazz, with a cosmopolitan influence and linked to modernity, and Banguês , marked by rural and community tradition. The study seeks to demonstrate how these musical practices coexisted and interacted in a context of social and economic transformations, including the advent of radio. Jazzes, originating from North American influences, represented modern entertainment and were associated with local elites. The Banguês incorporated artisanal instruments and rhythms, related to religious festivities and Afro-descendant tradition. However, despite having contrasting characteristics, both contributed to the construction of a unique musical identity, reflecting tensions between modernity and tradition. Using oral history, documentary and comparative analysis, this thesis also seeks to discuss the role of music in the formation of social hierarchies, in leisure spaces and in the inclusion of black musicians in local society. Finally, it emphasizes that music was a link between rural and urban areas capable of promoting cultural negotiations and identity transformations that characterized the social history of the region.Item Acesso aberto (Open Access) Pela margem da cidade: lazer, sociabilidades e controle social no subúrbio belenense em meados do século XX(Universidade Federal do Pará, 2024-02-23) GOMES, Elielton Benedito Castro; COSTA, Antonio Maurício Dias da; http://lattes.cnpq.br/2563255308649361; https://orcid.org/0000-0002-0223-9264This research is focused on social history in the Amazon. It deals with leisure experiences and sociability of residents from suburban neighborhoods from Belém do Pará, in the middle of 20th century, specifically in the districts of Guamá, Condor and Jurunas, the three nearby the Guamá riverside. In addition to the interest on practices and perceptions from residents related to leisure and sociability, is also of interest the activity of public security officers dedicated to the control and repression of practices from local residents related to leisure events and entertainment. The historical sources accessed are newspaper clippings – available in libraries and public archives in Belém – chronicles and memory novels, that yield a version about the city in the past, as well as oral stories of men and women that used to live in the paraense capital in the middle of 20th century and have experienced the effervescence of the urban life in religious feasts, cabarets, Saint John‟s festivities, carnival associations, dance houses, among others.Item Acesso aberto (Open Access) Vanguardismos e modernidades: cenas teatrais em Belém do Pará (1941-1968)(Universidade Federal do Pará, 2016-03-03) BEZERRA, José Denis de Oliveira; AMORIM, Ana Karine Jansen de; http://lattes.cnpq.br/5875820201443540; COSTA, Antonio Maurício Dias da; http://lattes.cnpq.br/2563255308649361This thesis aims at the analysis of the theatrical cultural practices in Belém do Pará, state of Pará, Brazil, from 1941 to 1968, by considering amateur and student´s theatre ideologies and movement, whose fundamental project was the transformation of local theatre practices. The materials for this research were collected in private and public institutions archives and in Brazilian scholars´ bibiographical production. From these materials, we have investigated how performances (“poetic products”) have created a dialogue with the sociopolitical environment in Brazil and in Pará during those years. Artists and intelectuals aesthetic principles in this cultural movement revealed important modernizing and avant garde actions and perceptions on culture and art. On account of that the production proposed by the groups Teatro do Estudante do Pará (1941-1951), the Norte Teatro Escola do Pará (1957-1962) and the Serviço de Teatro at the University of Pará (1962-1967) have confronted others theatre forms – specially the ones related to commercial and popular theatre practices – that represented what we define as a tradition. In the final analysis we conclude that cultural production have been articulated and grounded under erudition principals proposed by those traditional groups during three decades in Pará´s 20th century theater. The government arts funding, formal art education and arts renewing potency, among other reasons, have motivated the “avant garde artists” to think and to make theatre as an important artistic and intelectual mobilization field in Para´s society.