Dissertações em Letras (Mestrado) - PPGL/ILC

URI Permanente para esta coleçãohttps://repositorio.ufpa.br/handle/2011/2311

O Mestrado Acadêmico iniciou-se em 1987 e pertence ao Programa de Pós-Graduação em Letras (PPGL) do Instituto de Letras e Comunicação (ILC) da Universidade Federal do Pará (UFPA).

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Acesso aberto (Open Access)
1952: a poesia de O Estranho de Max Martins
(Universidade Federal do Pará, 2011-08-31) ALENCAR, Melissa da Costa; CHAVES, Lília Silvestre; http://lattes.cnpq.br/4273510661737259
This dissertation studies the poetry of the book O Estranho, 1952, the poet from Para Max Martin and his knot with modern poetry. For this, we consider the poetry of Max dialogues with the texts of Brazilian poets of national renown and universal. According to Haroldo de Campos, a poetic relationship with the literary tradition and the project that requires the artistic text is a meeting between codes, in a rare ability to transfer the ephemeris even closer to the horizon of doing in the creation, fighting hand to hand with the word. This struggle with the verb is a fundamental part in the game poetic Max Martins. O Estranho, by questioning the place of poetry in his own time, the poet breaksdown the text and reveals the man and writing in the margins. The poetry of the stranger – the gauche drummondiano term suggests – is a “dialect” perhaps uninteligible to some. As the poem suggests that initial work, the language can even be incomprehensible, hence the word “stranger” (the title of the book and the first poem), in other words, a language shock, which is strange with reality, however, is whatever the poet, the transmutation of everyday reality in poetry. In this paper, we draw the relevant aspects of modern lyricism from a study on the concepts of Modern, Modernity and Modernism, passing quickly through modernism in Brazil, for to get to Pará modernism, and specifically the generation of Max. Finally, we propose an interpretation of the poems from the book (especially analyzing them in light of critical and reflective reading Benedito Nunes, the first critic of poems by Max Martins). Was also made publishing history of the poems before and after the publication of O Estranho. With this, we intend to contribute to literary studies regarding talk more al lenght about the important aspects of the poetry of Max Martins, especially about his initiation into the poetic world.
Acesso aberto (Open Access)
De "O Avarento" de Molière a "O Mão de vaca" dos Palhaços Trovadores: o texto teatral em processo
(Universidade Federal do Pará, 2011-06-17) CORRÊA, Suani Trindade; CHAVES, Lília Silvestre; http://lattes.cnpq.br/4273510661737259
Acesso aberto (Open Access)
Fanfictions na Internet - um clique na construção do leitor-autor
(Universidade Federal do Pará, 2011-05-31) REIS, Fabíola do Socorro Figueiredo dos; CHAVES, Lília Silvestre; http://lattes.cnpq.br/4273510661737259
This study focuses on the presence of the reader-writer of stories created and published on the Internet, more specifically, an author who was once a reader of an original story, and decides to continue it (from the moment which its first original writer finished) or modify it in order to please yourself and/or any other readers, because, as Roland Barthes once said (2004), the writer will always be an imitator of his writings prior to that time, but never original. In the stories created by fans-authors (as the authors committed in the writing of this kind of story are called), we study the modification of the concept of authorship nowadays, because the author loses has a new personality as he/she uses some form of information technology - and now handles with something called hybrid genres: texts that are not just pure, but haven‟t a feature to be defined only by common concepts either. Thus it is difficult to define what is, after all, the author in the era of digital genres. At a time when every day people worldwide increase their number of hours browsing, digital genres represent a new relationship between humans and semiotic instrument, with several aspects to be observed.
Acesso aberto (Open Access)
O hibridismo de gêneros nos contos de Maria Lúcia Medeiros
(Universidade Federal do Pará, 2011) ALCÂNTARA, Lídia Carla Holanda; CHAVES, Lília Silvestre; http://lattes.cnpq.br/4273510661737259
The idea of the present work came from a study of Maria Lúcia Medeiros‟ short stories (two of them, precisely: “Miss Doris” and “Mentiras e Verdades no Mesmo Chão”). We believe that Maria Lúcia is a writer of a time when the literary genres‟ characteristics have overcome limits and rules: her short stories are multi-characterized, written in a type of lyric prose or even dramatic-lyric prose. Therefore, we intend, with this work, to do primarily a historic of the literary genres, studying their evolution as a theoretical concept since the first studies about literary texts – since Plato, Aristotle, Horatio, Victor Hugo – until those from the contemporary historical context – such as Käte Hamburger, Northrop Frye, Emil Staiger. We will approach the genres‟ role in the study of (non-traditional) short-stories, such as the ones written by Maria Lúcia Medeiros. We raised, therefore, some question that guided this work: what is understood by literary genres hybridism? Are Maria Lúcia Medeiros‟ short stories hybrid? In what way this hybridism happens? What is a short-story? How are Maria Lúcia‟s short stories built? We understand that this writer‟s short stories are hybrid, because they share diverse literary genres‟ characteristics in addition to dialoguing with others literary texts and with other arts. We will do, in this work, a reading of two Maria Lúcia‟s short stories – besides small readings of three of her books (Zeus ou a menina e os óculos, Velas. Por quem? and Céu Caótico). It is valid to point out that besides existing for many decades, the subject in matter here (the literary genres) cannot be considered concluded. Because there still is a lot of discussion surrounding this them, it is pertinent to develop a study about it, especially in the texts of a priceless writer: Maria Lúcia Medeiros.
Acesso aberto (Open Access)
Ler e escrever blogs literários: a narrativa hipertextual na configuração da webliteratura
(Universidade Federal do Pará, 2011-12-19) CARNEIRO, Jéssica de Souza; CHAVES, Lília Silvestre; http://lattes.cnpq.br/4273510661737259
Digital technologies have brought new settings for the communication as a whole, and for literature in particular. One of the oldest existing technologies, the writing, is redesigned, according to the technical characteristics of new technologies. This search proposes a discussion about the cultural effects of contemporary times in the trend of making literature, focusing analysis of the virtual dimension offered by new media technologies, especially the Internet (SANTAELLA, 2007). From the analysis of the new formats of circulation and expression offered by cyberspace (LEVY, 1999), like blogs, discuss how the field of contemporary media interferes with the current narrative-literary practices (MARCUSCHI, 2010), changing the forms of interaction writer/literature, writer/reader and reader/literature, by engendering a mediation function which, in turn, creates new cultural process of remodeling of patterns of perception of the world, individuals and social reality (MARTIN-BARBERO, 2003). We intend to investigate the languages of hypertextual narrative, originated by the effective exploitation of resources by bloggers of hypermedia for setting up own expressive shapes the environment in question, from what is called text webliterary.
Acesso aberto (Open Access)
Maria Lúcia Medeiros, entreatos, o fato e a ficção
(Universidade Federal do Pará, 2011-09-09) AMADOR, Maria de Fátima Corrêa; CHAVES, Lília Silvestre; http://lattes.cnpq.br/4273510661737259