Teses em Comunicação, Cultura e Amazônia (Doutorado) - PPGCOM/ILC

URI Permanente para esta coleçãohttps://repositorio.ufpa.br/handle/2011/15151

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O cárcere e o relato de si: abjeção e normas regulatórias na experiência de mulheres sobreviventes ao centro de reeducação feminino
(Universidade Federal do Pará, 2014-10-02) FONSECA, Nathália de Sousa; LAGE, Leandro Rodrigues; http://lattes.cnpq.br/2396184188116499; https://orcid.org/0000-0002-6814-9640
In this work, we investigate how relationships are woven between regulatory norms, intersectional systems of inequalities, and abjection as verbalized by our interlocutors in their self-reports. By investigating the experience of women who have been incarcerated, selfreports are the materialization of ethical violence – which can be subjective – in the lives of the research interlocutors. This form of violence is affected by regulatory norms, intersectionality and abjection - which are configured as moral grammars that are mobilized to organize intelligibility before and within prison. Through this problem, we seek to understand the fabric of the relationship between regulatory norms, intersectional systems of inequalities and abjection through self-reports of women who have been inmates at the Women's Reeducation Center (Belém-PA). To this end, we propose to investigate whether or in what way the movement of self-reporting by the women concerned is marked by a denial of humanity, the imposition of gendered norms and practices that traverse social markers of differences (gender, race, class and sexuality), or even their questioning. Methodologically, the central concepts that animate the work are used as analytical categories, and they have proven fruitful in the analysis. Among the results, we have the imposition of the scene of interpellation that deals with the moment of arrest as the first self-report of the interlocutors, the “woman not to be” in the understanding of how the regulatory norms of gender configure that women are incarcerated women, the intersection that unfolds in the “patent” of wealth and the privileges that intertwine with it; operating in intersectional systems and in abjection we have the reality of women who were incarcerated due to their homeless condition, to these, abjection challenges them in such a way that they are denied the status of subject, framed as dirty, and even in intersectional systems of inequalities they reflect the other side of the “patent”, devoid of respect among incarcerated women.
Acesso aberto (Open Access)
Geração 60+ na internet : relações tecnológicas, tensões e produção de sentidos na pandemia de Covid-19
(Universidade Federal do Pará, 2023-02-14) SIMÕES, Camila de Andrade; CUNHA, Elaide Martins da; http://lattes.cnpq.br/3778190981135428; https://orcid.org/0000-0001-7723-7055
The study is interested in the relationships of people aged 60 or over with everyday technologies, especially during the Covid-19 pandemic. The reference years (2020 and 2021) are marked by a health crisis experienced worldwide, of undulating administration, with regard to Nation-States and, also, internally. In Brazil, physical distancing measures and hygiene guidelines have become a central issue and, in this context, digital communication technologies have taken on a previously unseen centrality. When considering groups of people who may have shown more evident distancing from connected screens, the research focuses on the experience of the elderly, as a starting point. This qualitative research departs from a communicational context to encompass the phenomenon of expanded social doing. Some of the theoretical fronts activated during the argument are in the field of aging (chronological and social), identities (generations), material culture, and power relations, starting from a set of meanings produced by the interlocutors of the research. As collection methods, the digital form and focus groups were used. With that, the Thematic Analysis (TA) showed a path of interest, with the necessary flexibility, in the search for speech patterns, paths of meanings, and senses produced by the investigated. To help with the task, the Iramuteq software was used on the fronts of statistical analyses, similarity, descending hierarchical classification, and presentation of word clouds. By opening up the range of findings, the initial concern about the heterogeneity of the experiences of older people is reinforced. Life, health, economic, and family conditions, for instance, will directly influence the so-called independence (more connected to physical issues) and the desired autonomy (decision-making; self-government). The main screen used was the cell phone to talk to family and friends. Among those who maintained active professional relationships during the verified period, it was possible to perceive a smaller field of friction. In general, the meanings that emerged from these relationships are paradoxical – they contain, roughly speaking, positive and negative points – and translated into technologies seen as access, a door to new learning and possibilities, at the same time as a set of spaces of danger, insecurity, and mystery, especially among those who used the term fear to refer to digital experiences.
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O movimento da Zwanga African fashion: comunicação e moda ativista como prática decolonial na Amazônia-amapaense
(Universidade Federal do Pará, 2024-12-20) NEVES, Lúcio Dias das; AMARAL FILHO, Otacílio; http://lattes.cnpq.br/2605877670235703; https://orcid.org/0000-0001-5467-8528
The thesis analyzed the understanding of the communicative experience of women who participated in the fashion shows proposed by Zwanga in the 2020, 2022 and 2023 editions, as well as a small sample of men who participated in the 2023 edition. Studying Zwanga as a locus of doctoral research transcends fashion, as it articulates the creative economy, entrepreneurship, and the restoration of the self-esteem of Afro-Brazilians. The theoretical foundation was based on the works of researchers from the Amazon como Amaral Filho (2016), tendo suas idéias reforçadas em autores como Tarcízio Silva (2020), Joaze Bernardino-Costa, Nelson Maldonado-Torres e Ramón Grosfoguel (2018) e Molefi Kete Asante (2009) who strengthen the ideas about decoloniality based on local culture, racism,maraçá, quilombismo and other manifestations of Afro-Amapaense culture and an important approach to Zwanga and other cultural manifestations of Amapá . Communication research is basic in nature, using as a case study the means for investigating the Afro-Amazonian traditions and heritages that permeate the Zwanga movement. Under this approach, we opted for an explanatory and participatory type of research – since the author is part of and knows himself in this process, to study specific phenomena, in an analytical and critical way, referring to the universe of Afro-entrepreneurial fashion in Amapá – the experience of Zwanga. For data collection and analysis, several open interviews were used with the Afroentrepreneur and semi-structured interviews with women and men who participated in Zwanga's fashion and social events between the period 2020–2023.
Acesso aberto (Open Access)
As mulheres da resistência e megaprojetos na Amazônia: comunicação, território e luta em Barcarena (PA)
(Universidade Federal do Pará, 2024-04-24) SILVA, Leonardo de Souza; COSTA, Vânia Maria Torres; http://lattes.cnpq.br/7517564393392394; https://orcid.org/0000-0002-0493-8763
The ideology of modernity present in Latin America is an ontology created by European governments, whose pillars were built on racism and patriarchy. This legacy has entered through our veins and is present in the Brazilian Amazon through mega-mining projects, the main contemporary examples of modernity planned by Westerners, experts in the commercialization of nature. Based on the absence of dialogue and in line with history, the activity promotes inequality among minorities such as women. Mega-projects have implications on women's lives, and considering this scenario, we propose to investigate and reach narratives of women who are part of this reality. Based on ethnographies and themed-content analysis, we researched the life stories, the impacts of mining, and the fights of three female leaders from Barcarena (PA) against the mega-projects. We analyze their memories and narratives on the mineralization of the territory, their knowledge, and the paths adopted to resist. We also highlight the use of WhatsApp as the main interactive device for organization and mobilization of the fights. This research aims to resonate the narratives of these historically invisibilized characters, judged and presented as devoid of political agency in the mineralized territory, but who use their voices, body, unity, and hope to resist, denying what is established and fighting for rights.
Acesso aberto (Open Access)
Tensões interseccionais e giro decolonial no fazer poético da escritora paraense Roberta Tavares
(Universidade Federal do Pará, 2025-02-22) VIDAL, Claudia Valeria França; LAGE, Leandro Rodrigues; http://lattes.cnpq.br/2396184188116499; https://orcid.org/0000-0002-6814-9640
The present thesis defends that Brazilian literature written by women is a space saturated with intersectional forces due to being transversed by social differences inherited from the violent European colonial process on the Americas. This is because as social agents interact, they engage in relations in which they seek to reach their interests exerting pressure on each other, that is, generating forces of power that take different forms in each society that can superpose enhancing one the other (Foucault, 1995). Although power is not a substance that may be retained and power relations also generate resistance movements, historical processes of domination breed forms of oppression that are more stable because they are historically prolonged and naturalized in a society, but in certain spaces the intensity they act intersectionally make them more evident (Collins 2022). Thus, the main goal of this research is to investigate the reverberation of gender, racialization and social class intersectional tensions in Roberta Tavares’s poetic practice considering her specificity as a woman and black person and quilombola living and producing literature in the state of Pará in the XXI century. To this purpose, we discuss colonial origins of gender, racialization and class oppression present in Brazilian social space constitution affecting above all racialized women such as the writer. Furthermore, we outline a diachronic panorama of the field of literature of female authorship from Pará with the aim of understanding the current context conditions that contribute to embrace or hinder the emergence of her production. Moreover, we think about Tavares’s works considering her mentioned specificity. The justification for this research in the scope of Communication studies is the perspective of literary text as an enunciative unity that integrates a communication process in dialogue with others as proposed by Gadamer (1999), Ricoeur (2010) and Bakhtin (2010). The decision to focus the investigation on Roberta Tavares’s works is due to her representativity in the scope established from an unprecedent survey conducted in the present research between 2021 and 2022 which catalogued 136 active female writers from Pará from the researcher’s pre-existing collection. The investigation was guided by a combination of the with affections (Moriceau, 2020) and intersectional research approaches and accomplished combining documental and bibliographical methodologies. Five axes of analysis were adopted, the first one concerning the materiality of the writer’s three individual books and the other focusing the poems of the artisanal book “Mulheres de Fogo”. Besides the mentioned studies, the theoretical framework was mainly composed of authors who discuss Brazilian literary historiography and gender, such as Gotlib (1998), Duarte (2004 and 2018) and Dalcastagnè (2018), coloniality and decoloniality in Latin America, such as Quijano (2005), Mignolo (2017), Maldonado-Torres (2019) and Carneiro (2023), and feminisms of decolonial orientation, such as Gonzalez (2018), Lugones (2014) e Ribeiro (2019). We conclude that Tavares poetic writing aligns to ‘escrevivências’ (Evaristo, 2020) and is disruptive in relation to the hegemonic tradition and that Para’s current context is more propitious to its emergence in comparison to previous historical periods.
Acesso aberto (Open Access)
Territorialidades de enunciações: as Amazônias na tetralogia Amazônica, de Benedicto Monteiro
(Universidade Federal do Pará, 2024-09-24) OLIVEIRA, Airton Souza de; CASTRO, Fábio Fonseca de; : http://lattes.cnpq.br/5700042332015787; http://orcid.org/0000-0002-8083-1415

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