Teses em Comunicação, Cultura e Amazônia (Doutorado) - PPGCOM/ILC

URI Permanente para esta coleçãohttps://repositorio.ufpa.br/handle/2011/15151

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Agora exibindo 1 - 5 de 5

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Comunicação, neoconservadorismo e reconhecimento: tensões, contradições e disputas acerca das noções de família no Brasil em ambientes de visibilidade ampliada
(Universidade Federal do Pará, 2023-09-29) SEREJO, Elias Santos; LAGE, Danila Gentil Rodriguez Cal; http://lattes.cnpq.br/4593992869253877; https://orcid.org/0000-0003-3243-8368
The democratic crises and political ruptures marked by the 2016 coup, which polarized the public debate in Brazil, showed us that the notions of family have guided contemporary discussions, especially when tensioned from the advances in the struggles for recognition taken up by the LGBTQIA+ populations and of women, through the feminist gender debate. In different spaces, we were able to witness the mobilization of the concept of traditional, or nuclear, family, as a resource for coping with social changes arising from the visibility of other relationships and ways of being and living. At the same time, we also see in debate arenas the assertion that, as a historical-social construct, the family entity is mutable and diverse. In this context, we ask ourselves: what arguments are put forward in the public sphere to defend one or another way of dealing with the issue? And how do the media act in this context? These questions instigated this research. Our general objective in this work is to understand how the notions of family guide the contemporary political debate from the tensions arising from the action of social movements and the meanings produced about the family category in the media. Specifically, we want to a) Identify which senses/notions and arguments about family emerge in different communicational contexts; b) Identify which contemporary landmarks are decisive for the debate on families in the political agenda; c) Understand what notion of politics or democracy underlies discourses about families and what elements/characteristics/aspects of the family entity are in dispute; f) Understand how social movements from different political spectrums (conservatives and progressives) build their political agendas around the family category. For this, we focus on a theoretical framework to understand the elements that led to the rise of the extreme right in western democracies, the convenient partnership between neoconservatives and fundamentalist Christians, especially evangelicals, and the strength of neoliberalism operating as rationality in social relations. In addition, we seek to understand the role of the media in inserting themes for discussion in the public sphere and how social movements appropriate environments of increased visibility to reverberate their agendas. The corpus of analysis consists of texts published on the news portals O Globo and Estadão; and the content of progressive (ABRAFH and Aliança LGBTI+) and conservative (Instituto Plínio Corrêa Oliveira and Movimento de Defesa da Família) sites. To answer our questions, we developed a Content Analysis with technological support from the Iramuteq software, which helped us to systematize the data. For each dimension, we established categories based on the Descending Hierarchical Classification (CHD) derived from the Reinert Method, produced by the software. The categorization allowed us to understand the available arguments about families that deal with the defense of a rigid structure, which contributes to the maintenance of traditionality and an expanded notion of family.
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Entrelaces da resistência: comunicação e práticas emancipatórias de mulheres negras trançadeiras da Amazônia
(Universidade Federal do Pará, 2023-06-13) SOUSA, Raissa Lennon Nascimento; AMORIM, Célia Regina Trindade Chagas; http://lattes.cnpq.br/9650931755253248
This research focuses on the emancipatory practices of black women hair braiders living in Amazônia, in Belém Pará. We understand braiding activity as communicative experience of resistance, economic autonomy, and overcoming the oppressions that affect black Amazonian women. The braid, for black women and men, is not just a matter of aesthetics or vanity it represents an encounter with African ancestry and the affirmation of an historically relegated identity by a racist society. For Nilma Lino Gomes (2019), hair and body can be considered expressions of Brazilian black identity, since they are symbols of relations of violence and ethnic racial inequalities. The objective of this work is to understand, in light of communication and social sciences, the crossings that women hair braiders experience on issues concerned to racism, black identity, coloniality, ancestry, territoriality, and resistance. We understand that braiding culture in Amazônia enables singular forms of communication divergent from the logic of the capitalist and colonialist white patriarchal system. As methodological paths inspired by Kilomba (2019), we conducted an investigation focused on the individuals, through non-directive interviews (in depth) with black women hair braiders, who work in the city of Belém Pará. From the reports extracted from this dialogue, we interweave a decolonial and Afrodiasporic epistemology, in which the women's narratives are what show us the paths of research. We are supported by Muniz Sodré's (2014) notion of the organization of the bond and the “common”, Paulo Freire's (2018) critical theory, Grada Kilomba's (2019), bell hooks' (2017) and Nilma Lino Gomes' (2019) reflections on race and gender, and Zélia Amador de Deus' (2019) and Vicente Salles' (1971) perspective on blackness in Amazônia, among others. The emancipatory practices of women hair braiders happen through overcoming economic difficulties, in solidarity, in the valorization of a black, feminist, and Amazonian identity, and above all, in the communicative relationship of black ancestry promoted by braiding.
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Espetáculos Culturais Amazônicos: a festa como resistência e experiência estética
(Universidade Federal do Pará, 2023-03-24) LIMA, Nair Santos; AMARAL FILHO, Otacílio; http://lattes.cnpq.br/2605877670235703; https://orcid.org/0000-0001-5467-8528
The thesis deals with the Amazonian cultural festivals with an emphasis on cultural shows, which, over time, have been re-signified from their traditional places. The visibility of these events occurs through mediatization, a process obtained by the technological means of communication and enhanced by a model of globalization, which naturalizes them as a marketing product. In conducting the research, the difference between "Amazonian festivals", which are cultural manifestations within the scope of the Brazilian territory (Legal Amazon), and "Amazonian cultural festivals" - culminating with the "Amazonian cultural shows", which are those constituted of the aesthetic experience of the imaginary of these populations and, therefore, typical of the riverside or caboclo culture. It was noticed, even though the term “caboclo” has been reconfigured since the knowledge of these peoples revealed a unique importance in the cultural context and inserted in the academic spaces of the various sciences, consubstantiated, above all, in the idea of a specific Amazonian culture, of intrinsic characteristics of the Amazonian being, as well as the understanding of Amazonian researchers on the subject. The locus of enunciation takes place in the cities of Juruti and Santarém, in the state of Pará and in the city of Parintins, in Amazonas, whose corpus of analysis are the festival of the tribes, the festival of Sairé, and the folkloric festival of Parintins. Bibliographical research was the procedure that conducted all phases of this study and the analysis of the phenomenon is theoretically and methodologically based on semiotic conversion – mental activity of a symbolic nature produced by human thought and which acts in the production of new meanings. The corpus is based on three documentaries contemplated by the Aldir Blanc law referring to the three parties, however, other audiovisuals about the environment of the parties posted on YouTube, and selected by criteria of relevance, representativeness and participation of the organizers and/or “party makers”. served as support for the analysis. From this perspective, it is understood that the Amazonian cultural shows are means of expressiveness and resistance of a culture that operates as a form of communication, and that through the YouTube platform and languages of digital or mediatized communication, the place is transposed, gains visibility, profit and produces new meanings, whether through the re-establishment of belonging ties with the local culture or the ways of celebrating and being- together.
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Estratégias discursivas e relações de poder na Imprensa de Vigia, Pará, no século XIX: O Liberal da Vigia, O Espelho e Cidade da Vigia
(Universidade Federal do Pará, 2023-11-02) SANTA BRÍGIDA, Jessé Andrade; SEIXAS, Netília Silva dos Anjos; http://lattes.cnpq.br/2301685130625189
This research focuses on the analysis of the expansion of the press in the Amazon region during the 19th century, with a particular emphasis on the city of Vigia in Pará. The newspapers O Liberal da Vigia, O Espelho, and Cidade da Vigia serve as empirical objects for investigation. The research formulated the central problem of how these periodicals became spaces for the circulation of power relations in the city of Vigia during the 19th century, through the discursive strategies they adopted in their presentations to readers. The general objectives included identifying the discursive strategies and political and social ideals promoted by the newspapers of Vigia, analyzing the role of these periodicals in the establishment and maintenance of the press in the city, investigating the circulation of discourses in the city, and evaluating the importance of newspapers as means of communication and discursive subjects. The methodology used involved the analysis of French-oriented discourse in the periodicals, with an emphasis on identifying discursive strategies related to editorial presentation and the political and social meanings proposed by the newspapers in the 83 editions available in archives. Additionally, the research used documentary and bibliographic analysis to contextualize the period under study and the relevance of the periodicals of that time. The results revealed that the newspapers were simple, often with between two and five columns of text, with creative layout, considering resource limitations. The content of the periodicals varied, with a focus on political issues in O Liberal da Vigia and O Espelho, aligned with the Liberal Party, which emphasized education and literacy issues. Cidade da Vigia, linked to the Republican Party, presented administrative content due to the limited number of available editions, but still reflected important political stances. The discursive strategies adopted by the publications were associated with politics and religion, reflecting the relationship of the inhabitants of Vigia with Catholic issues and proposing the idea of civility that did not ignore religion as a fundamental part of the social group's identity. O Espelho used a peculiar strategy, alternating prose and verse texts to elevate political debate to the realm of ideas, while O Liberal da Vigia and Cidade da Vigia highlighted their affiliation with political parties as a means to legitimize their proposals. Although we did not find a unified defense of the press as an institution in the city, the newspapers played important roles in the circulation of political and social discourses, contributing to the consolidation of political power in the city. The results indicate the need for the preservation and study of these periodicals, highlighting their role in the history of the Amazon and Brazil. This research represents a first step for future studies on newspapers in other cities in Pará during the 19th and 20th centuries."
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Os moradores de Belém e suas relações com a cidade: tessitura de uma cartografia comunicativa
(Universidade Federal do Pará, 2023-04-12) KABUENGE, Nathan Nguangu; COSTA, Alda Cristina Silva da; http://lattes.cnpq.br/2403055637349630
A present thesis analyzed the narrative constructions that the residentes of Belém create about themselves, the other and Belém. Considering the imaginary constructions that are established among the residents of the capital of Pará, fear constitutes one of the tensions in the fabric of the narratives. The question was asked in the analysis: How does the cartography of Belém allow us to observe the communicative processes of constructing the self, the other and the city? The question instigated the search to find out how the residents of Belém understand themselves in a relationship between the self and the other. In contemporary times, understanding this I-Thou relationship is justified because this relationship has been configured as calculating, to the extent that it makes the other an It, and not the externalized self that is decisive in understanding human action. As a methodological approach, a communicative cartography was developed in order to weave together the meanings attributed by individuals to themselves and to others, as well as to the spaces they experience. Cartography was understood as a relationship of power, tensions and force in the negotiation of meanings and the control of space as a product of social practices and relationships. In this construction, 15 narrative interviews were conducted with residents of 14 neighborhoods in Belém, from January to October 2022. The analyzes of such interviews were inspired by the theoretical-methodological openings: Ricoeur's narrative-hermeneutics, and his explanations of the unfolding of mimesis I, II and III; Deleuze and Guattari's cartography; Buber's ontological dimension of the I-Thou relationship; and Lévinas' ethical dimension of the faceto-face relationship. From the interlocutors' stories about and from Belém, we identified how a general frame was formed, called the "affective frame", with ramifications in other frames: urban, socio-cultural and security. In the affective frame, residents map the city of Belém in an affective and personal way. In all the frames, Communicative experiences emerged that were categorized into three dimensions: a) in the city center - a strong relationship of communication as possibility or miscommunication; b) in the periphery, communication as dialogue; and c) in Belém as a whole - communication as a relationship of otherness. The results of the research pointed to a cartography of the relationships, affections, intensities, conflicts, disputes over meanings, resistance, territoriality, deterritoriality and reterritoriality, which the residentes of Belém live create daily to make the city a place of possibility, as this same place holds, at the same time, a feeling of security and danger, where there is wealth and poverty. Despite these problems, the residentes of Belém strive, through cultural manifestations, to vibrate together around the city.

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