Programa de Pós-Graduação em Filosofia - PPGFIL/IFCH
URI Permanente desta comunidadehttps://repositorio.ufpa.br/handle/2011/5862
O Programa de Pós-Graduação em Filosofia (PPGFIL) do Instituto de Filosofia e Ciências Humanas (IFCH) da Universidade Federal do Pará (UFPA). Foi criado em dezembro de 2010 e iniciou suas atividades efetivas em agosto de 2011, como curso de Mestrado em Filosofia, sendo o único na área em toda a Região Norte.
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Item Acesso aberto (Open Access) Antagonismos e proximades entre a filosofia de Nietzsche e a filosofia de Platão(Universidade Federal do Pará, 2016-11-09) ARAÚJO, Allan Diego de; BARROS, Roberto de Almeida Pereira de; http://lattes.cnpq.br/4521253027948817In spife of the existent antagonism between Nietzsche‘s and Plato‘s philosophies, it have familiarities among herselves. This dissetation search points of some kinship between Nietzsche‘s and Plato‘s. Nietzsche criticises the platonism (socrates dichotomies) in the Plato‘s dialogs, in objection from withim european methaphysics. This work demonstrates that plato‘s philosophy is a great and constant inspiration for Nietzsche‘s combat on the plebeian platonism in the ocidental tradition. The reason for this approach in the Nietzsche‘s criticism is a ―transvaluation of all values‖ wherein ―platonism inversion‖.Item Acesso aberto (Open Access) Arte e intuição intelectual em Schelling(Universidade Federal do Pará, 2015-11-03) CECIM, Arthur Martins; CORÔA, Pedro Paulo da Costa; http://lattes.cnpq.br/3785172545288511The aim of this dissertation is to investigate the relationship between art and intellectual intuition in Schelling from the perspective of his lectures on Philosophy of art and of the System of transcendental idealism. By the conception of philosophy of art as a construction of the absolute in the form of art, we intend to analyze the importance of the absoluteness of the symbolic exposition for the objectivity of the Ideias of Philosophy. Thus, on the side of this absolute way of exposing, art can really exhibit the archetypes of Philosophy through a concrete objet. On the side of intuition, as the sixth part of the System of transcendental idealism shows, this means that the production of the aesthetic intuition is the only form of objectification for the intellectual intuition, which remains doubtful in the theoretical and practical fields. For, there are no empirical objects that correspond to the intelligible objet of this intuition in these two fields.Item Acesso aberto (Open Access) Arte e natureza na teoria estética de Theodor W. Adorno(Universidade Federal do Pará, 2019-08-30) SANTOS, Carlos Henrique Hildebrando dos; BURNETT JUNIOR, Henry MartinThroughout the trajectory of the philosophical writings of Theodor W. Adorno becomes perceptible the different forms with a materialistic and dialectical reflection on nature. We highlight the conference: The idea of the natural history of 1932 and the book entitled Dialectic of enlightenment, written in the decade of 1940. On the other hand, in what would be his last written work and published posthumously in the early 1970s, aesthetic theory, these issues return as a way of thinking of nature as an aesthetic category indispensable for a theory of works of art, the refuge of mimetic behavior. In this way, our objective is inscribed in the perspective of analyzing the beautiful natural and its relation with the works of art, from its late work. Since he takes up not only discussions of his youthful phase but also the considerations of the beautiful natural present in the German aesthetic tradition from the turn of the eighteenth century to the nineteenth, we are drawn in the analysis of this tradition always taking as a starting point the position of Adorno. With this reading, we are enabled to understand how it resigns the beautiful in nature and thus we can launch ourselves in some literary works that the author has been attentive and in what way they enable us to understand the importance of this aesthetic category. Finally, we understand that he was able to give this conception of beauty a new and more important meaning, above all, to his philosophical project inserted in a critical theory of society.Item Acesso aberto (Open Access) Arthur Schopenhauer e o medo da morte(Universidade Federal do Pará, 2022-07-01) LOBATO, Milene Dayana Paes; DEBONA, Vilmar; http://lattes.cnpq.br/5992703653122811; https://orcid.org/0000-0002-0411-3358; PONTES, Ivan Risafi de; http://lattes.cnpq.br/8592244270861493All that is known in the phenomenal world are forms of objectification of the Will. The Will is treated by Schopenhauer as blind, arbitrary, tyrannical, and brutal, being responsible for all the suffering of life. Among the various existential fears and consternations, death is the greatest among them, the idea of finitude is what terrifies the human being the most. Knowing this, Arthur Schopenhauer developed a philosophical thought about death that provides a possible answer to the aforementioned common affliction of humanity. Death and life would be partitions of the same cycle in which there are two extremes of non-being: before life and after death. If life and death form a unity, what makes the individual fear death, but not fear life (in the same intensity)? Schopenhauerian thought shows that life should be equally feared since it can be even worse. Death for the subject is only a cessation of consciousness, which is solely the result of organic life and not the cause of it. The lack of awareness of death and the mere awareness of the present (nunc stans) results in the anguish and frustration of not being able to reach eternity. Therefore, the present work problematizes the “philosophy of death” in Schopenhauer and the relationship with the indestructibility of our being-in-itself. It seeks to indicate possibilities for alleviating the fear of death through two ways: that of self-knowledge as Will (metaphysical/knowledge) and that of the search for a more bearable and less unhappy life as possible (eudemonological). Thus, perceiving himself as a constituent of a being-in- itself that is impossible to be annihilated with death, or accepting the impossibility of a life without pain, Schopenhauer shows direct ways for the possibility of overcoming and alleviating the fear of dying – and various other existential fears.Item Acesso aberto (Open Access) A banalidade do mal e a faculdade de pensar: política e ética nas reflexões de Hanna Arendt(Universidade Federal do Pará, 2017-04-07) MOREIRA, Elzanira Rosa Mello; BARROS, Roberto de Almeida Pereira de; http://lattes.cnpq.br/4521253027948817This work presents Hannah Arendt's about of evil, and its connection to the thinking and judging college, which gained new impetus at the Nazi trial of Adolf Eichmann. From the reflections on the problem of evil, Arendt turns to the activities of the spirit, raising questions about the thought, related to the phenomenon of evil. In Arendt's analysis, thought has as its activity the search for meanings and its purpose is communication with itself. Moving away from the orthodoxy of the Kantian texts, in his investigations of the judgment, Arendt understands in the aesthetic judgment of Kant the political condition of the judgment. In constant dialogue with Kant's work, Arendt is occupied with several concepts contained in the Critique of the College of Judgment, a work that considers Kant's political philosophy. Hannah Arendt reinterprets the college of judgment to demonstrate its political function, which serves citizens to distinguish right from wrong. The Kantian work allows us to understand the perception and the interpretive movement of Arendt. Through the analysis of the reflections of Hannah Arendt we seek to understand the author's perception about the functioning of the college of thinking and judging the political facts.Item Acesso aberto (Open Access) Biopolítica em Michel Foucault: da individualização do sujeito à governamentalidade da população(Universidade Federal do Pará, 2019-08-29) FREITAS, Felipe Sampaio de; BARROS, Roberto de Almeida Pereira de; http://lattes.cnpq.br/4521253027948817Item Acesso aberto (Open Access) Os "bons europeus" e a "nova síntese" no pensamento nietzschiano(Universidade Federal do Pará, 2021-04-26) FEITOSA, Wesley Leite; CHAVES, Ernani Pinheiro; http://lattes.cnpq.br/5741253213910825; https://orcid.org/0000-0002-8988-1910This paper consists in a philological – hermeneutics analysis about the philosophical oustpread from Nietzsche’s concepts of “good european” as a fundamental question in his task of overcoming moral. The term “good- european” occurs in two specific parts in Nietzsche’s work. The first mention is in his intermediate texts (1876 – 1882), in which the author talks about culture, language and metaphysical issues. At this period the philosopher argues about subject formation and the cultural processes of coercion on the subject that condionate human thought and behavior. This approach evokes the necessity of a manner to elaborate a task in order to overcome the morality about the concept of free spirit. The concepts of “good european” and free spirit are associated as synonyms in his intermediate work phase, being the first term a manner to enphasize the necessity of overcoming and detaching the nations issue and talks about German nationalism in the 1900s. In his late work (1883-1889) the term “good european” is reintroduced in a new contexto through that the author develops his critics on moral and the overcoming an ethnocentric concept in modern european thought. Thus, Nietzsche stablishes hierarchic and overcome levels: 1. European; 2. Supraeuropean; 3. Asian; 4. Greek. Supraeuropean concept designates a perspective that the Europe itself must be exceed. In this perspective the being needs to be not only supranational but supraeuropean intending to overcome an european vision and the reach of a wider vision about the Western culture. Nietzsche tries to extinguish his western partiality and propounds an Asian perspective in Europe via the concept of Supraasiatic. The supraasiatic level represents a moral overcome in comparison to an european moral, relating this idea to the supraeuropean concept. This concept characterizes a radical objection to the Western and its values as a cultural consequence from Europe. Finally, the author highlightsa greek theoretical foundation as a model to the so called “Europeans from the future” in a denominated greek ideal. This ideal represents a higher view in comparison to the previous ideals and characterizes his cosmopolitan idea about europe culture, in terms of its cultural synthesis. From that perspective Nietzsche describes a non-stop process according to atavistic procedures and diferentiation processes in which a “new synthesis” of philological, linguistics and culture can be possible.Item Acesso aberto (Open Access) Ciência, religião e ilusão no discurso freudiano: uma leitura filosófica de O futuro de uma ilusão(Universidade Federal do Pará, 2014) OLIVEIRA, Lívia Maria Araújo Noronha de; SOUZA, Maurício Rodrigues de; http://lattes.cnpq.br/4730551301673902In his book of the 1927 "The Future of an Illusion" Freud tries in a broader manner, support the function of religious beliefs in the human psyche and demystify them as capable of apprehending reality. For him, the psychic origin of religious ideas is the illusion, which is deeply connected with the repression of human desires and the negation thereof, which occurs in civilization. Freud does not intend to examine the truth value of religious doctrines, but states that they, in their psychological nature, they are illusions. It is the adjustment of reality to promote the pursuit of happiness. Freud points out that religion is only one stage of the human evolutionary process. It is noted that Freud was largely influenced by the strong value that positivism had in his time, thus, he defended that the only way to get at the truth was through rationality. Our work aims therefore to analyze the Freudian scientist discourse, in its relation to religion understood as illusion, from a philosophical reading of " The Future of an Illusion " and always taking into account the influence of Enlightenment ideals on the thought Freud and his work.Item Acesso aberto (Open Access) O conceito Kantiano de paz perpétua sob a perspectiva cosmopolita contemporânea(Universidade Federal do Pará, 2019-03-15) SOUZA, Marcos Felipe Alonso de; MEIRELLES, Agostinho de Freitas; http://lattes.cnpq.br/7826494085324141In a context of moral uncertainties and international humanitarian crises that characterize so well our century, pursuing an understanding of the problems that haunt men becomes relevant, also seeking a solution that brings, not the eradication, but, at least, the mitigation of the pains that the crises bring as a consequence. Kant, in Perpetual Peace (Zum Ewigen Frieden), is thinking about a solution to the pacification of international conflicts, and brings us valuables lessons on political and human relations. Kant introduces to us two fundamental themes in the context of our contemporaneity: multilateralism and alterity. The first one, is based on the conception of a confederation of States for peace and the second conception, is based on the hospitality for the foreigner, an idea of a universal citizenship right. In this sense, the aim of this research is to analyze the concept of peace for Kant within the function of the State that he developed, relating it to the contemporary cosmopolitan [dis]order. Finally, we try to answer the problematic issue about the role of the State in Kant's thought for the construction of peace and figure it out if this concept still remains current in front of contemporary international conflicts. In fact, there is a possibility of achieving the peace from Kant’s lessons, as long as we pursue more cooperation between nations and respect the human identity differences, two fundamental points already developed by Kant when he discussed the definitive elements for the achievement of peace. It is a conception of peace that is inserted in his philosophy of law and his political thought, directly related to his critique of practical reason.Item Acesso aberto (Open Access) A crítica da modernidade em Nietzsche: o último homem e o tipo escravo(Universidade Federal do Pará, 2015-03-12) HEINEN, Isabella Vivianny Santana; BARROS, Roberto de Almeida Pereira de; http://lattes.cnpq.br/4521253027948817This research aims to develop a possibility of interpretation of modernity through the perspective of the last man from Nietzsche and its reverberation in the slave type. Considering that, according to the assimilation of Nietzsche modernity, this would translate the moment of uninterrupted relations established mainly through value judgments. Given the above, it puts into focus the motivation for this research: to investigate how the last man presented in This way spoke Zarathustra effectives a philosophical line that takes practice in a modern type and, therefore gregarious, taking full form of Nietzsche’s slave, in The genealogy of morals?. To this end, we intend to analyze the notion of modernity as a process of equalization (leveling) of man, from his major texts, namely Beyond good and evil, whose work Nietzsche seeks to show in detail the face of modernity and its decadent constitution. Similarly, in his book The genealogy of morals, he makes a study of the origin and the forces that influences the constitution of values. Thus, the search becomes important not only for developing a conceptual theoretical analysis of the author, which presents theoretical and philosophical elements that help to think about the issues of modernity, but also because it wants to learn from Nietzsche thinking is to exercise the criticism, as well as the creation of other interpretive positions about the world.Item Acesso aberto (Open Access) A “Cultura de Si” em Foucault(Universidade Federal do Pará, 2018-03-26) FREITAS, Frank Alexandre Rosa; CHAVES, Ernani Pinheiro; http://lattes.cnpq.br/5741253213910825Based on the recent works of Michel Foucault, we face a significant turning point in his philosophy, through the study of the Greek notion of care of the self. That notion, according to Pierre Hadot, would have been attracted by some aspects of his approach to ancient philosophy as spiritual exercises. From this new perspective Foucault thinks the subject who builds himself with exercises, practices and techniques of himself. Consequently, this dissertation aims to analyze “The Culture of the Self”, that is extensively worked and researched by Foucault, in his last works and mainly from The Hermeneutics of The Subject, a 1982 course; besides the History of Sexuality II and III, and other related texts to the aspects of old ethics. Thus, we start from the Foucault’s analysis of The Culture of the Self to the convergences and divergences critically undertaken by Hadot. Finally, we can arrive in chapter III of our dissertation, to understand how Foucault analyzes The Culture of the Self after the course of 1982. What changes in the later courses. What changes in the last two volumes of the History of Sexuality in relation to the Hermeneutics of the Subject. Also, the question of the actuality of The Culture of the Self and its relation to the current social practices for the possibility of an aesthetic of existence is another object of investigation. We then turn to the question of whether or not Foucault would propose to re-evaluate an ancient ethic, in order to reflect about the ways in which is possible to understand, through the look he has given to antiquity, an art of living.Item Acesso aberto (Open Access) Da epistemologia moderna à epistemologia complexa de Edgar Morin: repercussões sobre o humanismo(Universidade Federal do Pará, 2022-03-03) MONTEIRO NETO, Benedito da Conceição; NUNES, Antônio Sérgio da Costa; http://lattes.cnpq.br/2937593233363602; SOUZA, Luís Eduardo Ramos de; http://lattes.cnpq.br/7892900979434696Our objective, in the present work, is dedicated to demonstrating the main epistemological elements of the complexity elaborated by Edgar Morin in general contrast with the principles of the modern method of Descartes. We start from the following guiding questions: how does the passage from modern ordered knowledge to complex organized knowledge occur and how does this knowledge culminate in a conception of humanism? The hypothesis we defend is that Morin's principles of complexity are exposed as a critical dialogue about the limitations of the modern method, pointing out how the last one has an ambivalent impact on science and society under the name of degenerate humanism and a regenerated humanism. Methodologically, we discuss, firstly, the conception of science and method in modernity, starting with the arguments that precede and formulate the organization of a quantitative method of knowledge, having as a central axis the contributions of Descartes in his main works (1952). The second part of the text turns to the conception of science and method according to the contributions of the epistemology of complexity, proposed by Edgar Morin (1996, 2011, 2015, 2016), where we present the main intelligibilities of his theory: the dialogic principle, the recursive principle, the hologrammatic principle. In the third and last part of the text, we compare complex thinking and modernity based on the concept of humanism. Initially, we expose the reading of modernity by complexity, highlighting the category of rationalization. Then, we explain how the modern method has repercussions in contemporary times with the advent of the action ecology. Finally, we present a reconstruction of an alternative method and knowledge, capable of dealing with uncertainties, culminating in the proposal of a regeneration of humanism.Item Acesso aberto (Open Access) A dimensão fenomenológica da linguagem como possibilitadora do ser-aí historial(Universidade Federal do Pará, 2017-08-11) SOUSA, Fabrício Coelho de; SOUZA JÚNIOR, Nelson José de; http://lattes.cnpq.br/7150345624593204The question of language in the years 1932 to 1934 emerges as an urgent matter of foundation and, let alone, redirection of Heidegger's thought. The philosopher feels the need to base his phenomenology with a new methodological bias that allows a visualization of the context and assurance of the bases in which the being-there is, in a context of being already with one another. This context of already beingone-with-another will at no time is of secondary importance in relation to language, but it will have to be deployed in its details for the assumption of language itself as the driving force of Heidegger's thought in those years. For this, Heidegger, In the summer lecture of 1934 entitled "Logic as the Questioning of the Essence of Language”, begins by making an analysis of what is the essence of language and comes to the conclusion that we will not reach this essence if we understand language only as an exposition of the modus operandi of thought : Logic. The essence of language springs from the essence of the being of the human being as a historical being. Language arises as a measure of the innermost limits of the constitution of being-there while being-one-with-another, or to be even more in keeping with Heidegger's pretensions, the innermost limits of being-there history constituted as Volk. In this context, language is more than a mere instrument at the disposal of man. On the contrary, language is that which first disposes the being of man in the world, opening the possibility of being in the midst of beings, giving him an understanding of the relationships in which he is inserted. We must understand language not as a logical-grammatical device of articulation of words, but rather in the phenomenological sense as a primary organizer that makes sense of the relationships between beings and beings-there.Item Acesso aberto (Open Access) Entre sátiros e silenos: ou a dimensão trágica da filosofia no Banquete de Platão(Universidade Federal do Pará, 2017-06-01) PAMPLONA, Matheus Jorge do Couto Abreu; SOUZA, Jovelina Maria Ramos de; http://lattes.cnpq.br/0475424515288539This thesis aims at showing how philosophy, though negatively defined in the Symposium, brings with it a feature that is essentially tragic. Although in the athenian tragedy what we call tragic conflict was mainly set from the perspective of the difference between the human sphere and the divine, in Plato, on the contrary, such a conflict is so secularized that we can actually conceive through a philosophical process of education the possibility to overcome the contingencies of fate or whatever transcends human capacities. Otherwise, we may say that the failure of this task inevitably results in tragedy.Item Acesso aberto (Open Access) Ética do diálogo e o princípio político do comum(Universidade Federal do Pará, 2022-09-16) BRITO, Suellen Lima de; SANTIAGO, Maria Betânia do Nascimento; http://lattes.cnpq.br/2640094533229805; https://orcid.org/0000-0002-8822-1806; VERBICARO, Loiane Prado; http://lattes.cnpq.br/4100200759767576; https://orcid.org/0000-0002-3259-9906This study aims to analyze the dialogical ethics proposed by the Jewish philosopher Martin Buber (1923) and the political principle of the common, formulated by the authors Pierre Dardot and Christian Laval (2017) as an alternative to understanding the problem of relationships in contemporary neoliberal society. Buber, in his main work entitled I and Thou (1923), presents the two words-principles that underlie our existence and are inherent to the human condition, namely: the I-Thou and the I-It. The first presents itself as a dialogic relationship, an encounter between two beings mutually in an ontological character, and the second as a monogical relationship, based on experiences, use, and the use of individuals as mere objects, with an objectifying character. In this way, if the world of It predominates and guides the ways in which men relate to each other, this would lead them to perdition, as such men would be lost within themselves, that is, drastically disconnecting them from interhuman relationships in the circle of dialogic coexistence, causing a profound loss of the feeling of community, solidarity, with commodified and impersonal relationships. Considering this scenario, the political principle of the common appears as an alternative to the neoliberal system of control, as it is a political principle whose rationality is collective, anti-capitalist, and a common social sphere belonging to all, where there is no mischaracterization of the humanity of men. In this sense, the political principle of the common joins the Buberian in facing the challenges that are configured with the neoliberal system. From this diagnosis, our objective is to elucidate the need to rescue the dialogicity of relationships in contemporary times, seeking possible paths for a healthy and humanized society, proposing as an alternative the inspiration on the ethics of dialogue formulated by Martin Buber together with the political principle of the common, formulated by the authors Pierre Dardot and Christian Laval, as a new worldwide anti-capitalist rationality where the social imaginary is a reality of collective practices, opposing, therefore, the neoliberal rationality that maintains its system at the expense of a decharacterized experience in the name of the success of the capital, where it explores, instigates and legitimizes a feeling of competition to the detriment of solidarity and companionship, deepening the contemporary individualism. This study involves relating authors belonging to different philosophical traditions through exploratory, philosophical, and bibliographic analyzes to demonstrate that, unlike neoliberalism, the dialogical ethics and the political principle of the common aspire to a healthy and dialogic experience.Item Acesso aberto (Open Access) Filosofia da arte e estética em Hegel(Universidade Federal do Pará, 2016-12-15) PARENTE, Geovani Pantoja; CORÔA, Pedro Paulo da Costa; http://lattes.cnpq.br/3785172545288511Our major goal in this study is to indicate the place where it insert the questioning of art developed within the German Idealism, based, for this, on understanding of Hegel about this entire process and their position to the traditional discourse on art and attempts, in his time, to provide a solid background to the debates around this issue of the Beautiful and artistic ideal. An important feature in this process is the fact that it involved problems that affect not only the new fundamental philosophical content, but also the very nomenclature within which the object to be sought. Difficulty persists until nowadays, when is try determine what exactly is "aesthetic", and what comes to be also in the proper sense, "the philosophy of art." The fact is, lying in front of historical circumstances surrounding aesthetics of consolidation as a discipline, and as an autonomous part of the philosophy, the testimony of Hegel proves essential to the subject, therefore, the better guide on those issues in which he try to find criteria defining goals of your subject, which proposes to make in view of the objections at the time are made to the idea that a philosophical approach to art is possible.Item Acesso aberto (Open Access) Filosofia e drama em Platão: elementos das Bacantes no Banquete(Universidade Federal do Pará, 2017-07-03) SILVA, Camila de Souza da; SOUZA, Jovelina Maria Ramos de; http://lattes.cnpq.br/0475424515288539Item Desconhecido Foucault leitor de Kant: da antropologia à aufklärung(Universidade Federal do Pará, 2015-11-30) AUGUSTO, Ricardo Pontieri; CHAVES, Ernani Pinheiro; http://lattes.cnpq.br/5741253213910825We followed three stages of Foucault. readings of Kant's work. From 1961 to 1969 Foucault analyzes archaeologically the relationship between the Critical Project and the Anthropology of Kant, highlighting the emergence of the opening the possibility of confusion between the empirical and the transcendental fields, as occurred later with other thinkers. The opening would have emerged in the Kantian anthropological project when he presented the question "What is man?" With the confusion the man, that was a logical instance in critical project, became an empirical-transcendental double and explanatory principle. From 1970-1978 Foucault genealogically investigated the displacement and articulation between the Critical Project and Aufklärung carried out by Kant in response to "What is Aufklärung?" analyzing and defining his actuality as a new attitude of the man who seeks to become rationally autonomous. Foucault points out in Kant's answer a critical attitude conception that would be close to that he himself formulated starting from the research of resistance to transformations of power relations resulting from state governmentalization control processes, where the ancient right of life and death had been replaced by the government of the conduct of individuals in various fields. From the end of the 70s, and still investigating the Kant’s Aufklärung, Foucault proposes that have occurred in the thought of that philosopher the inauguration of two new philosophical traditions: - the Analytical Truth in the wake of the Critical Project and the Critical Ontology of ourselves in the wake of Aufklärung, to the last one he aligns. In the second tradition Kant, in conflict with the perspective of traditional ontology of being, has proposed a new critical ontology when shifted the epistemological-transcendental question "What do I know?" to "What is this happening?", and bringing to the philosophical-historical field new ontological questions about the present, the individual and the transformation processes of men's attitude. The new critical ontology, as Foucault denominated, is for him the foundation of ethical and political attitude of franking limits, unlike Kant tried to establish formal limits that men could not overcome by individual decision.Item Desconhecido Hacia una reflexion ontologica del arte moderno hondureño: una vision desde la filosofia de Arthur C. Danto(Universidade Federal do Pará, 2018-03-13) ZUNIGA MEJÍA, Rafael Antonio; SOUZA, Jovelina Maria Ramos de; http://lattes.cnpq.br/0475424515288539The work will seek to understand how were the origen of modern art in Honduras, analyzing the work of the most renowned artist. For this, the phylosophy and aesthetic visión of Arthur C Danto will be used in order to make and ontology of Honduras art that allows to establish how this has been developed. The objective is to reflecto n the type of lenguage used by contemporany artist in Honduras classifying the work of these artist temporally and identifying each of the proposedstyles from mimetic representation painting, abstract painting, installation and object art.Item Desconhecido Heidegger e a metafísica do Dasein: o acontecimento irruptivo da transcendência em meio ao ente na totalidade(Universidade Federal do Pará, 2014-12-04) SOUZA, Charleston Silva de; SOUZA JÚNIOR, Nelson José de; http://lattes.cnpq.br/7150345624593204The present study aims to delineate the moments in which the problem of transcendence gets a more precise characterization inside the thought of Martin Heidegger. The idea of surpassing of beings towards Being that continually follows the Dasein in its relations with the beings, that is, transcendence, does not serve to qualify what surpasses the man (God, for example), but really a surpassing of the man himself. When Heidegger, exposing his interpretation of Aristotle's concept of time, says that "time is what is beside-of, it is similarly gives an interpretation and meaning corresponding to the meaning of Being, that is, a transcendental characterization, where it is understood as a "besides". The analytical accompaniment of the concept of transcendence will be exposed in two central moments. First, it will be exposed how this problem appears by the light of the themes of temporality. Heidegger outlines a connection between temporality and transcendence, in that the being-in-the-world is the phenomenon in which originally it is announced how the Dasein is, in essence, besides themselves. Moreover, if we aim to show the rise of the metaphysics of Dasein inside Heidegger's philosophical project, it becomes necessary to understand that the protagonism of the problem of transcendence shows up as one of the keys of this project. In the end, it will be showed up how this "phenomenology of transcendence", finally, it is constituted through the ways of the problems of the foundation and the freedom, trying to show how the metaphysics is a fundamental event in the Dasein.