Teses em Comunicação, Cultura e Amazônia (Doutorado) - PPGCOM/ILC

URI Permanente para esta coleçãohttps://repositorio.ufpa.br/handle/2011/15151

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Espetáculos Culturais Amazônicos: a festa como resistência e experiência estética
(Universidade Federal do Pará, 2023-03-24) LIMA, Nair Santos; AMARAL FILHO, Otacílio; http://lattes.cnpq.br/2605877670235703; https://orcid.org/0000-0001-5467-8528
The thesis deals with the Amazonian cultural festivals with an emphasis on cultural shows, which, over time, have been re-signified from their traditional places. The visibility of these events occurs through mediatization, a process obtained by the technological means of communication and enhanced by a model of globalization, which naturalizes them as a marketing product. In conducting the research, the difference between "Amazonian festivals", which are cultural manifestations within the scope of the Brazilian territory (Legal Amazon), and "Amazonian cultural festivals" - culminating with the "Amazonian cultural shows", which are those constituted of the aesthetic experience of the imaginary of these populations and, therefore, typical of the riverside or caboclo culture. It was noticed, even though the term “caboclo” has been reconfigured since the knowledge of these peoples revealed a unique importance in the cultural context and inserted in the academic spaces of the various sciences, consubstantiated, above all, in the idea of a specific Amazonian culture, of intrinsic characteristics of the Amazonian being, as well as the understanding of Amazonian researchers on the subject. The locus of enunciation takes place in the cities of Juruti and Santarém, in the state of Pará and in the city of Parintins, in Amazonas, whose corpus of analysis are the festival of the tribes, the festival of Sairé, and the folkloric festival of Parintins. Bibliographical research was the procedure that conducted all phases of this study and the analysis of the phenomenon is theoretically and methodologically based on semiotic conversion – mental activity of a symbolic nature produced by human thought and which acts in the production of new meanings. The corpus is based on three documentaries contemplated by the Aldir Blanc law referring to the three parties, however, other audiovisuals about the environment of the parties posted on YouTube, and selected by criteria of relevance, representativeness and participation of the organizers and/or “party makers”. served as support for the analysis. From this perspective, it is understood that the Amazonian cultural shows are means of expressiveness and resistance of a culture that operates as a form of communication, and that through the YouTube platform and languages of digital or mediatized communication, the place is transposed, gains visibility, profit and produces new meanings, whether through the re-establishment of belonging ties with the local culture or the ways of celebrating and being- together.
Acesso aberto (Open Access)
Geração 60+ na internet : relações tecnológicas, tensões e produção de sentidos na pandemia de Covid-19
(Universidade Federal do Pará, 2023-02-14) SIMÕES, Camila de Andrade; CUNHA, Elaide Martins da; http://lattes.cnpq.br/3778190981135428; https://orcid.org/0000-0001-7723-7055
The study is interested in the relationships of people aged 60 or over with everyday technologies, especially during the Covid-19 pandemic. The reference years (2020 and 2021) are marked by a health crisis experienced worldwide, of undulating administration, with regard to Nation-States and, also, internally. In Brazil, physical distancing measures and hygiene guidelines have become a central issue and, in this context, digital communication technologies have taken on a previously unseen centrality. When considering groups of people who may have shown more evident distancing from connected screens, the research focuses on the experience of the elderly, as a starting point. This qualitative research departs from a communicational context to encompass the phenomenon of expanded social doing. Some of the theoretical fronts activated during the argument are in the field of aging (chronological and social), identities (generations), material culture, and power relations, starting from a set of meanings produced by the interlocutors of the research. As collection methods, the digital form and focus groups were used. With that, the Thematic Analysis (TA) showed a path of interest, with the necessary flexibility, in the search for speech patterns, paths of meanings, and senses produced by the investigated. To help with the task, the Iramuteq software was used on the fronts of statistical analyses, similarity, descending hierarchical classification, and presentation of word clouds. By opening up the range of findings, the initial concern about the heterogeneity of the experiences of older people is reinforced. Life, health, economic, and family conditions, for instance, will directly influence the so-called independence (more connected to physical issues) and the desired autonomy (decision-making; self-government). The main screen used was the cell phone to talk to family and friends. Among those who maintained active professional relationships during the verified period, it was possible to perceive a smaller field of friction. In general, the meanings that emerged from these relationships are paradoxical – they contain, roughly speaking, positive and negative points – and translated into technologies seen as access, a door to new learning and possibilities, at the same time as a set of spaces of danger, insecurity, and mystery, especially among those who used the term fear to refer to digital experiences.

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