O testemunho Arbiter, o auricular caminho da memória: o ouvir e reproduzir em maus de art Spiegelman e em I was a child of holocaust survivors de Bernice e Eisenstein

Abstract

World War II ended and the liberation of prisoners to concentration camps, the people with trauma, the survivors talked about their own experiences in the camps whatever were a direct testimony of these historical events. Nevertheless, the post generations do not stop talking about practical experiences linked with the shoah to demonstrate this research uses Maus by Art Spiegelman, and I was a child of holocaust survivors by Bernice Eisenstein they did not participate in concentration camps as their parents, but the author has been using the listening experience. It links with the arbiter theory of testimonies and will be analyzed in both because these works have a relationship with listened memory of shoah. This is bibliographical research and uses the author of memory, testimony, and representation as Le Goff (1996), Assman (2011), Agamben (2008), Sarmento-Pantoja (2019), Benveniste (2016), and many others. This research demonstrates how the arbiter testimony features that had demonstrated in both books, the literary genres, and the relations to talk. Finally, we discussed the importance of listening to witnesses in testimony theory.