Mulheres em mim: trajetória dançada do corpo metafenômeno

Abstract

This writing reports the theoretical-practical investigation of the creative process called "Women in me". The study is born within the scope of dance and seeks to understand how the body, understood as a pulsating organism of the researcher, can be modified in its psychophysical state during the accomplishment of methodological artifices useful to laboratorial experiences of creation, being called for this body metaphenomic research, According to the meaning applied to the term by José Gil. The material presented in the memorial, based on occurrences insurged during the investigation, covers contents that refer, above all, to the progression of the artistic work developed, addressing themes derived from the composition of poetic routes, the operationally applied methodological procedures, the relation of the body to the Space and body preparation. To this end, authors such as Brazilian linguist Cecília Salles, Mozambican philosopher José Gil, Brazilian actor and theoretician Renato Ferracini, Polish director Jerzy Grotowski, dance researchers, Patrícia Leal and Ana Flávia Mendes, among other scholars, To subsidize such speeches. The exploration intends to indicate, instead of adopting, imposition or imposition of paradigms directed towards the ways of achieving a creative process in dance, considering the place where the researcher speaks, the interpreter-creator.