Programa de Pós-Graduação em Artes - PPGARTES/ICA

URI Permanente desta comunidadehttps://repositorio.ufpa.br/handle/2011/6805

O Programa de Pós-Graduação em Artes (PPGARTES) é um programa do Instituto de Ciências da Arte (ICA) da Universidade Federal do Pará (UFPA) e em nível de Mestrado acadêmico teve a sua primeira turma constituída no ano de 2009 e o primeiro Processo Seletivo para o Doutorado acadêmico se deu no primeiro semestre de 2016.

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Arte-Educação em psicologia: a educação musical no tratamento de depressão e/ou ansiedade
(Universidade Federal do Pará, 2020-11-20) SOUSA, Maria Jucilene Silva Guida de; FREITAS JÚNIOR, Áureo Déo de; http://lattes.cnpq.br/9902320223569217
The purpose of this work starts from the idea-strength that Art-education and Psychology can be combined in the psychotherapeutic process of certain phenomena related to human behavior. It has the assertive that when they are used, both do not lose their importance front to the object of study, that is, without either being mischaracterized, subjugated or objectified in function of the other, nor subjected to a mere functionality. The general objective of the research is to analyze how Music Education can help in the quality of life of patients with depression and / or anxiety. Therefore, the problem that guided the research is described as follows: how can Music Education help in the treatment of people with Depression and / or Anxiety Disorders? Facing this problem, it is possible to understand that the exercise of Art Education by Music Education is not only a task of Music Educators, inside the classrooms, but it can also be of Psychopedagogues and Psychologists, who work in the Health area and who seek to qualify in the area of Music Education, to apply it in psychopedagogical and psychotherapeutic contexts, through clear and defined objectives in the promotion of individual and collective health. The study demonstrates how it is possible to apply Art-education in Psychology, in an interdependent and dialogical process, without losing its essence, since they all prioritize the subject in its differences. To such achievement, it uses the Phenomenological method that seeks to understand a phenomenon and not necessarily explain it. As a type of research, this thesis is qualitative and carried out theoretical-applied research, through Participatory Observation in an experimentation laboratory at the Psychology and Psychopedagogy Service of the State University of Maranhão, in São Luís-MA for two groups of patients with depression and or anxiety disorder: one for intervention with activities in Music Education and another for comparative testing of results. As a result, it was found that the group of patients who had Musical Education activities in the process of psychological and psycho-pedagogical intervention achieved 100% behavioral improvement, according to the tests and retest applied and the opinion of the multidisciplinary monitoring team , while the group of patients who did not have activities in Music Education achieved only 20% improvement. It concludes, therefore, that the initial hypothesis that music education contributes to minimizing depressive and / or anxiety disorders has been confirmed
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Avaliação do aprendizado musical de crianças com transtorno do espectro do autismo em aulas de percussão
(Universidade Federal do Pará, 2015-06-23) OLIVEIRA, Glaucia Freire de; FREITAS JÚNIOR, Áureo Déo de; http://lattes.cnpq.br/9902320223569217
It is known that music education makes possible the development of several skills, such as perception, rhythm and improvisation. With regard to music education for children with disabilities or disorders, especially in this research, Autism Spectrum Disorder (ASD), music education goes beyond the formal content. This work aimed to analyze the musical learning of children with ASD in percussion lessons. To reach the released purpose, there was a theoretical and practical training course for graduate students in order to introduce them to scientific research and to enable them to act as monitors. It was passed on the structure of the intervention and the form of management with children. Participated in this intervention 20 children aged six and nine years and eight with autism and 12 typical (without the disorder). Each parent or guardian signed a free informed consent form, which contained the objectives of this research and filled out the report that outlined the behavioral profile of each child. Data collection was carried out at the School of Music of the Federal University of Pará. Each intervention lasted one hour and took place once a week for three months, with ten musical exercises grounded in the methods of Carl Orff and Zoltán Kodály. In order to evaluate the musical learning of these students, we used the Learning Assessment Scale-Musical Percussion, organized by Oliveira, Pantoja, DeFreitas Jr., Espírito Santo and Nascimento (2011), from the adaptation of Learning Verification Scale Music in Cello Instrument (DeFreitas Jr., 2007), which is composed of instructions and illustrations for better understanding of the evaluator. We observed with this research the development of musical skills of students with ASD and meaningful improvements in their behavior and learning.
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Caminhos de formação em música de estudantes com transtorno do espectro do autismo em uma escola técnica em música
(Universidade Federal do Pará, 2014-06-26) RODRIGUES, Jessika Castro; FREITAS JÚNIOR, Áureo Déo de; http://lattes.cnpq.br/9902320223569217
The approach in this research relates aspects which point the look to the trajectory in the technical course of music of Autism Spectrum Disorder (ASD) people to acquire a degree in music. This is a case study of the process of training in the musical technical course of ASD people, for that, the School of Music of the Federal University of Pará (EMUFPA) was selected for being a technical school in music that has graduated students with ASD. The research has the overall objective to understand the process of music training of students with ASD in the technical course EMUFPA. Focusing specifically on identifying the role of "Programa Cordas da Amazônia (PCA)” (Strings of the Amazon Program) on the integration of people with ASD to music learning; describing the action of the "Núcleo de Atendimento a Pessoas com Necessidades Específicas (NAPNE)" (Assistance Center for People with Special Needs) of EMUFPA related to students with ASD; and analyzing the process of music training for ASD students at EMUFPA technical course. To achieve the proposed objective qualitative approach was adopted and as a technique for data collection, semi-structured interviews and document analysis were used. The research partners were: the director of the PCA, the coordinator of the NAPNE/EMUFPA, the director of EMUFPA, two (n=2) students with ASD graduated in the EMUFPA technical course and their caregivers. The data obtained from the semi-structured interviews were literally transcribed, categorized and analyzed along with the documents mentioned in the survey. The investigator of this research points to the PCA as an effective action on the integration of ASD people in learning and in the musical activity; difficulty in deploying the Napne in EMUFPA by the lack of material human educational structural financial resources, as well as the lack of definition of the roles between the DIS and Napne and school support; it was also demonstrated the different paths taken by students with ASD, however highlighted the interest, opportunity, barriers, achievements and continuity as relevant parts of the training process. The contribution of this research goes beyond the particular cases of the actors involved, emerging in the development of proposals in musical education of ASD people, related to their training and their effects may also refer to various specific needs.
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Do cinema à educação: trânsitos musicais na concepção de videoaulas
(Universidade Federal do Pará, 2016-06-16) SAMPAIO, Nilze de Sá; SOUZA, Erasmo Borges de; http://lattes.cnpq.br/5387951750537371; FREITAS JÚNIOR, Áureo Déo de; http://lattes.cnpq.br/9902320223569217
This research aims to study the musical conception of video lessons from the musical movie uses, using as main reference the knowledge of Michel Chion , through the works "The audiovision" (2011) and "La music en el cine" (2014). Also underlie this study, with regard to: the structure of film language, Martin (2013) e Mascelli (2010); the discursive semiotics, Barros (2005) e Souza (2015, 2008, 2006); the art and education, Duarte (2000); the distance education, Litto (2010), Santos, Fassbender e Evangelista (2015) e Moran (2002); the video lesson, Santos, Fassbender e Evangelista (2015), Moran (1995, 2009, 2015), Anderson e Dron (2011, tradução 2012), Mattar (2014), Filatro (2009), Silva (2015), Spanhol e Spanhol (2009), Vargas, Rocha e Freire (2007). This research may be justified by the change that occurred in education, strongly influenced and energized by information and communication technologies, and also the need to unite the aesthetic education in search of teaching- learning processes that consider the human particularities, including the size of the feeling within this process. For the analysis, the researcher used the generative course of meaning, as the discursive semiotics, and two instruments created by the researcher, the sound / musical map and synthetic list of musical uses. In general, the sound`s/music`s Map sought to identify its discourse and educational issues. In a specific way, musical aspects such as the question of sound dominant, the musical uses and points of use, and synchronization of music in the production of meaning. In the synthetic list of musical uses, the investigator presented musical uses second Chion, the description and their exemplification, including referral links on the internet. Also, the investigator aided in the analysis a set of video classes typology, where similarities were identified in the video classes of structures available on the internet, coming to the following classification: informative video lesson/instructional, educational video lesson classroom model and educational video lesson with post- production capabilities. Through this knowledge we sought to clarify the issue of "How music can be used in the design of video classes, from its uses in the movies”? After the analysis, the investigator noticed that the presence of music varies according to the type of video lesson and its time of use. Thus, in the video classes with greater variety of discursive resources, such as the types video lesson informative/instructive and educational video lesson with post-production resources, the investigator noticed a greater presence of music for the materialization of speech. Conversely, the video classes with less variety of these resources, there have been a minor musical presence, as the educational video lesson type classroom model. In general, when the music is designed in the design of video lesson, there ia also a greater possibility of use than when worked into video lesson already recorded. These are working processes differences, but that should be directed to the use of music for reiteration and materialization of speech. The most common musical uses were: continuity e movie streaming; symbolic representation; continuity and discontinuity of sound plans; synchronization; temporality of the image; coestruturação and coirrigação; and moving images. Given the above, the investigator concluded that music is an educational resource. Also, a discursive feature video lesson that can be used for its coestruturação and fundamental audiovisual issues, providing an aesthetic education.
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EDEUCAÇÃO MUSICAL PARA CRIANÇAS COM AUTISMO: compondo caminhos à prática docente em Castanhal-PA
(Universidade Federal do Pará, 2022-02-14) ZIMMER, Paulyane Nascimento; FREITAS JÚNIOR, Áureo Déo de; http://lattes.cnpq.br/9902320223569217
The quality of music education in the early grades and the challenges of inclusion reveal the importance of providing training opportunities. This study aimed to build a training proposal for Music teachers to teach students with Autism Spectrum Disorder (ASD) in Early (Childhood Education and, to this end: (a) to format a training proposal for Music teachers with a focus on Teaching Music for children with ASD in Eariy Childhood Education; (b) apply training for musie teachers working in Castanhal/PA; and, (c) evaluate its impact on the course participants' practice during the rescarch. This is an experimental study with a Technical-scientific basis, cross-sectional and with a theoretical-practical focus, within the methodological parameters of action rescarch. The sample obtained by the non-parametric sampling technique includes 3 teacher trainers and 13 course participants, Five modules were formatied (Autism Spectrum Disorder and human development in childhood; MUSICAL EDUCATION AND AUTISM: materials and techniques for teaching music and inclusion; Edwin Gordon's Music Leaming Theory applied to Autism; MUSICAL EDUCATION AND INCLUSION: Planning and cvaluation; and, Superviscd Practice in Teaching Music to Chiláren with ASD). À website and six protocols were developed for data collection: Socio- demographic questionnaire and survey of the students knowledge; Structural assessment of the MusiTEA training modules; Questionnaire for validation of the MusiTEA website; Form for evaluating and adjustment of the MusiTEA training modutes; Lesson plan evaluation sheet (Supervised Practice); and, Supervised Practice Assessment Sheet (MusiTEA) - Recorded MLT Activity. The modules, protocols and website were validated by pairs of independent judges until obtaining a minimum of 80% agreement. The collected data on the use of exploratory analysis, descriptive analysis, as well as the Wilcoxon Test with null and attemative hypothes: HO-0.5 and 0.5 and 0.5 and 0.5, a = 0 05 (adopted 5%) and significance level of 95%. The Excel program was used for descriptive statistics, creation of tables, graphs and data cleaning, The good performance of the course participants was observed between the application of modules 1 and 2 (T * = 46.5 > Títabled) = S, rejects HO). However, there were mo improvements between modules | and 3 (T * = 17.5 > T(tabled) = 0, does not reject HO); registering a “fall” between the application of modules 2 and 3 (T * = 10 > Títable) = 2, does mot reject HO). In comparison with modules 1 and 4, the latter showed better performance (T * = 37 > Títabled) = 8, rejects HO). The performance oscillations support that HO should not be rejected in favor of HI, and it cannot be said that the course improved the course participants' performance, although the descriptive data reveal the substantial scope of the training. The retum of participants to teach classes in a hybrid format during the occurrence of module 3 proved to be one of the impacts of the Pandemic scenario. It s suggested to replicate the study 'with a larger n and review the modules.
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Educação Musical e Autismo : Análise da Educação Musical como recurso de inclusão social presente no programa Violino em Grupo em Belém do Pará
(Universidade Federal do Pará, 2021-09-03) BATISTA, Antônio de Pádua Araújo; FREITAS JÚNIOR, Áureo Déo de; http://lattes.cnpq.br/9902320223569217
Working with music education in an inclusive perspective means making commitments to people, their families and the society in which they live, where making music becomes a social act, whose action can influence and provoke transformations. The “inclusion” theme has occupied a privileged place of debate on the agenda of major national and international conferences, with regard to the democratization of access for people with disabilities (PCDs) to education, leading to the creation of laws aimed at their specificities. With this, strengthened by the demands and pressures of various social groups that defend the recognition of this equality of access, important legal documents have been prepared, the Declaration of the Rights of Persons with Disabilities (1975), the World Action Program for Persons with Disabilities ( 1982), the Declaration of Cartagena (1992), the Declaration of Salamanca (1994), the Charter for the Third Millennium (1999), Law No. 12764 (2012), which determines that people with Autistic Spectrum Disorder (ASD) are considered people with disabilities, the Diagnostic and Statistical Manual of Mental Disorders - DSM-5 (2014) and Law No. 13,146 (2015), which institutes Social Inclusion and Citizenship of Persons with Disabilities (Statute of Persons with Disabilities). This study is justified by addressing a recurrent theme at national and international level, as the access of students with ASD to educational spaces is evident as an undeniable right, whether in regular education institutions, arts education or in the sporting environment, in character formal or informal. The study aimed to investigate Music Education, as a resource for social inclusion of children with ASD, present in the program "Violin in Group: interdisciplinarity and language innovation in children with Autistic Spectrum Disorder", developed in the Graduate Program in Arts of UFPA – PPGARTES. Its deployment takes place in three specific objectives: 1) Describe, based on previous works, audiovisual recordings and reports, the pedagogical actions, strategies and teaching resources applied in the Violin Group Extension Program laboratory; 2) Verify the musical learning of students with Autistic Spectrum Disorder (ASD), program participants, based on the collected data and, 3) Analyze the contributions of Music Education, as a resource for the social inclusion of children with ASD, through the Violin Group Program. To carry out this study, a bibliographic research was carried out, through a review of national and international literature, with a Quantitative approach and a Quasi-Experimental design, having as source the data collected through audiovisual and photographic records, reports, interviews and production academic, originated from the pedagogical practices developed in the program. The research revealed that students with ASD, when placed in a common teaching environment, can learn to play a musical instrument at a level similar to typical Neuro. It also revealed that the Music Education proposed by the Program fulfilled its role of social inclusion for PCD's students. It is expected that, through the registration of pedagogical resources and teaching material collected through this research, it will add to the professionals and institutions that promote Inclusive Music Education.
Acesso aberto (Open Access)
Educação musical e inclusão: a experiência do Programa Cordas da Amazônia
(Universidade Federal do Pará, 2013-06-27) ALBUQUERQUE, Tássila Crystiane Freitas; FREITAS JÚNIOR, Áureo Déo de; http://lattes.cnpq.br/9902320223569217
This research aimed to understand the dynamics of inclusion of students with Developmental Disorders and Learning Disabilities in Music Education Program Strings Amazon (PCA) Music’s School of the Federal University of Pará - EMUFPA, and described the process of inclusion of this Program the type known and developed in the same inclusion. Was substantiated with theoretical assumptions about inclusion, on music education, on music education inclusive, Disorders of Human Development and Learning Difficulties. It was performed a systematic review of the researchers who have published on the Strings Program Amazon as well as the Brazilian and international legal provisions on ensuring rights and inclusion of people with special educational needs. It was a qualitative, descriptive study. Data were collected through literature, documentary and semi-structured interviews were conducted with (a) PCA coordinator, (b) a technician, and (c) a student selected from established criteria. The results were computerized, organized and described in charts for descriptive analysis. The results showed that the steps that students spend, ensuring access for all to education as predisposing legislation. The PCA promotes inclusive music education with students diagnosed with Attention Deficit Disorder and Hyperactivity Disorder, Autism, Down Syndrome, Dyslexia and Learning Disabilities.
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Educação musical e o ensino de violino para crianças autistas: Uma vivência com o método de Edgar Willems.
(Universidade Federal do Pará, 2024-07-10) PINHO, Vivian Ferreira.; FREITAS JÚNIOR, Áureo Déo de; http://lattes.cnpq.br/9902320223569217
In the legislative sphere, Law No. 12,764, of December 27, 2012, is in force, which establishes the National Policy for the Protection of the Rights of Persons with Autism Spectrum Disorder (ASD) and in its article 3 establishes that access to education and vocational training are its rights. From this perspective, teachers need to be prepared to take on the challenges of teaching to this audience. This study aims to contribute to this issue by addressing methodological strategies for music education and violin teaching to autistic children, inspired by the pedagogical-musical proposal of Edgar Willems and consequently provides guidelines for teachers who intend to specialize in the field of music education for inclusive classes with autistic children. The general objective of this research is to investigate the contributions of the Edgar Willems method to the process of musicalization and teaching of the violin in inclusive classes with autistic children. This objective unfolds specifically in two, which are: to propose musical activities, through literature review, based on the Willems method; and to verify the musical learning of autistic students achieved through an evaluation scale. To this end, a literature review was carried out in articles, dissertations, theses and books in Portuguese and Spanish, available on online platforms, to identify what the literature deals with music education, from the perspective of inclusive education directed to people with ASD, involving themes such as inclusive legislation, inclusive music education, autism, relations between music education and psychomotricity in the inclusive perspective, music education and violin teaching and music education for Edgar Willems. This is action research, with a qualitative approach and has an exploratory character. The participants of this research come from the Research Group on Developmental Disorders and Learning Disabilities (GP-TDDA), in activity at the Federal University of Pará (UFPA), as a collection technique the participant observation was carried out and an evaluative scale was structured based on the pillars of the pedagogical musical proposal of Edgar Willems, they are: the song, the rhythm, the sound movement (pitch of the sound) and the hearing. There were 11 classes and 3 evaluations, the classes were previously planned and based on the pillars of the method revealed in the literature review. The learning results of the autistic children collected in the evaluations were expressed in graphs and the description was carried out through the participatory research of the musical advances and the behavior of all the participants. The study revealed that the class, both autistic and typical students, evolved. The autistic children demonstrated resourcefulness and understanding of musical practices, experimented with musical elements and autonomously transferred this knowledge to the study of the violin.
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Educação musical no Programa Cordas da Amazônia: descrição analítica dos procedimentos metodológicos das turmas de violoncelo
(Universidade Federal do Pará, 2013-06-27) PAIVA, Adriana Catarina de Carvalho de; FREITAS JÚNIOR, Áureo Déo de; http://lattes.cnpq.br/9902320223569217
The researcher of this study intended to define how is the musical education of children and adolescents of the Amazon Strings Program through Cello teaching (ASP). The teaching of the cello performed in PCA directed to people in this age group also reaches students with developmental disorders (autism, ADHD, dyslexia, Down syndrome), and others with learning difficulties (considering financial, social and transport difficulties) who normally do not would continue the study of a musical instrument, which makes the program one of the few to offer free music education for students with developmental disorders and learning difficulties. The research aimed therefore check how is the cello music education of children and adolescents with and without developmental disorders by applying these methodological procedures of the ASP; systematize its genesis and structure, finding this information through research that took as central discussion at this Program; detect the theoretical musical teaching that support such procedures identifying the curriculum and modus operandi of its members, and finally analyze the resulting learning outcome. Thus, we used research tools such as interviews and application of a rating scale that verifies the use of learning. Thus, we used research tools such as interviews and application of a rating scale that verifies the use of learning. Indeed, the results achieved concerning the learning of students with developmental disorders corroborate what the specialized literature recommends: the possibility of learning music for these public is possible and real, and there should be continuity and musical stimulus for these students in an effort to overcome the limitations imposed by the conditions. Regarding the genesis and structure of the program, the sources of theoretical studies ever conducted on the ASP allowed an outline of information to meet the objective. Given these positive findings already developed and verified in the learning environment of the PCA, it is expected to contribute to strengthening the practices of this Program, and more broadly, contribute to the guidance of more effective educational public policies.
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Ensino coletivo de cordas friccionadas: uma análise da Proposta Metodológica de Ensino Coletivo de Violino e Viola do Programa Cordas da Amazônia
(Universidade Federal do Pará, 2012-02-13) RODRIGUES, Társilla Castro; FREITAS JÚNIOR, Áureo Déo de; http://lattes.cnpq.br/9902320223569217
Studies on the teaching collective rubbed strings are increasingly in evidence in the context of music education in Brazil, but show that this is an aspect still in the exploratory phase. This research aims at analyzing the Proposed Methodology for Teaching Collective Violin and Viola Strings Program of the Amazon. And specific objectives describe the Proposed Methodology for Teaching Collective rubbed Strings Strings Program of the Amazon, to investigate the process of teaching and learning instruments violin and viola through the application of the Proposed Methodology for Teaching Collective Violin and Viola of that program and identified in the Proposed Methodology for Teaching Collective Violin and Viola Strings Program Amazon features that characterize the teaching collective. The study was a qualitative, descriptive study of such a Methodological Proposal and used as instruments of data collection the bibliographical research, documental analysis, the Rating Scale Learning Musical instruments Violin and Viola Strings Program of the Amazon and the semi-structured interview. The data obtained with the Scale of Assessment of Learning Musical Violin and Viola in the implementation of the Proposed Methodology was organized and analyzed from the statistical program Microsoft Office Excel, were computed and described in graphic form for the descriptive analysis. The results found in this study from the descriptive analysis showed the value of collective learning to expand the reach of teaching stringed instruments rubbed, understanding that the gain of the group study extends the life and learning the instrument can make a beginning of a promising musical career. It also indicates possibilities and opportunities for development of actions in order to mobilize public policies for enabling quality music education in schools in Brazil.
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Formação continuada de professores de música : Uma proposta de ensino-aprendizagem por intermédio da pesquisa e prática docente
(Universidade Federal do Pará, 2023-03-15) COSTA, Lucian José de Souza Costa e; FREITAS JÚNIOR, Áureo Déo de; http://lattes.cnpq.br/9902320223569217
This doctoral research, developed in the Graduate Program in Arts at the Federal University of Pará, presents the continuing education of Arts/Music teachers with great relevance in contemporary reality, especially in Virtual Learning Environments (VLE) with reflections on Continuing Education training for Arts/Music teachers, which specifically includes professionals from the municipal network of Belém do Pará through the Municipal Secretariat of Education and Culture (SEMEC). The first motivations for proposing this research find shelter in the performance of the teacher researcher in a public school in the state of Pará, which reflects his trajectory in the area of music. Since 2012, when he entered the university, the trajectory of the teacher-researcher in the field of music has been going through paths of initial training and later the “continued” training of Arts/Music teachers at a professional and academic level. Therefore, the researcher aims to investigate the continuing education of Arts/Music teachers in basic education in the city of Belém based on the improvement of contents and the elaboration of methodological strategies for the area of music, based on the profile of professionals and the reality of schools in which they work. This objective unfolds specifically in two, namely: (a) Compare, together with education professionals, didactic-pedagogical alternatives for music teaching, considering the training profile and the reality of the educational context in which they work; (b) Apply theoretical-practical training in the use of virtual tools for teaching music in basic education schools in the municipality of Belém. To achieve the objectives, Bibliographic Research and Experimental Research were adopted. From this context on continuing education of Arts/Music teachers, this research brings dialogues between the main authors: IMBERNÓN (2010), SAVIANI (2009), NÓVOA (1991), TANURI (2000), FUSARI (1994), COSTA (2019), COSTA; DEFREITAS JÚNIOR (2020), JARDIM (2019), LIMA (2019), PENNA (2007), among others. The research sample consisted of 15 participating Arts/Music teachers from the municipal network, being carried out in the city of Belém from May to June 2022. The study was based on an exploratory analysis, where the significance level was α = 0 .05 and the 95% confidence interval. The sample was obtained by non-parametric sampling, where the Wilcoxon test was used. In general, it is noted, in the responses, that before the course, 31.25% of the participants evaluated that they Totally agree that the FOCO course in Music provides an environment of continuing education, even in the teaching of EaD, after the course this percentage increased for 75%, demonstrating even more that the course had a positive impact so that participants consider it even more important that the FOCO course in Music provides an environment of continuing education, even in distance learning. The results achieved in the FOCO Course in Music reveal the learning potential that each participant acquired, allowing changes and dialogues in their exercise as an Arts/Music teacher.
Acesso aberto (Open Access)
Formação inicial e continuada de professores de artes/música na educação básica: um estudo na USE 11 de Icoaraci em Belém/PA
(Universidade Federal do Pará, 2019-06-27) COSTA, Lucian José de Souza Costa e; FREITAS JÚNIOR, Áureo Déo de; http://lattes.cnpq.br/9902320223569217
This work consists of a research based on the case study about the initial and continuous training of Arts / music teachers in basic education, a study carried out in USE 11 (SEDUC Unit in School) in the District of Icoaraci in the city of Belém. Teacher training in Arts / Music should be carefully considered, starting with his experiences in the area of music education both in his initial training and in continuing education. The objective was to investigate how the initial and continued formation of the teachers of Arts / music in Basic Education in Use 11. The specific objectives are: Verify how the initial formation of the teachers of arts / music occurs in the schools of basic education in the Use 11; To find out how the continuous formation of teachers occurs in the schools of basic education in Use 11; To describe strategies and methodologies used by teachers in basic education schools in Use 11. Data collection was done through a 5-point Likert scale questionnaire to elementary and middle school teachers of arts / music in order to collect the survey data. The statistical technique exploratory data analysis was used to describe the characteristics of initial musical training, continuing education and the methodology currently used in the classroom by music / music teachers. In addition, the non-parametric statistical test called the signal test was used. It was verified that the methodologies and strategies currently used in the classroom are influenced by the initial musical training and the continuing education of the arts / music teachers. According to the main results obtained through the exploratory data analysis, it was verified that the majority of music / music teachers began their musical formation through the church and participation in social projects, most of the teachers affirm that the learning in theory or musical writing positively influences initial musical training as a teacher. All the teachers participated in musical groups, either in the initial musical formation and / or in the continuous musical formation, and also all the professors affirmed that the disciplines studied during their formation in the licenciatura in music are collaborating with its teaching in the classroom. After applying the signal test, it was verified that, according to the data collected, it is not possible to state that methodologies and strategies currently used in classrooms are influenced by the initial musical training and the continued musical training, at the level of significance of 5%. In the theoretical basis for the formation of music teachers some authors were welcomed: Wazlawick et al (2013); Marinho and Queiroz (2006); Machado (2003); Oliveira (2007) and Beineke (2004), among others. From this research, it is concluded that there are "gaps" to be overcome by teachers in the arts area, because they do not have a consistent and consistent public policy in our country, so this work contributes to reflection in the professional field and all that is being manifested in relation to initial and continuing training in elementary schools. Keywords:
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Inclusão em educação musical: uma proposta de adaptação metodológica para disléxicos
(Universidade Federal do Pará, 2015-06-23) SILVA, Letícia Silva; FREITAS JÚNIOR, Áureo Déo de; http://lattes.cnpq.br/9902320223569217
The learning of the language involves multiple variables, consisting of a complex process that relates neurological, sensorial, psychological, sociocultural, socioeconomic and educational aspects. Deficiencies in one of these aspects can reflect a deficit in the learning process. The dyslexia is the learning deficit that is characterized for specific difficulties in the accomplishment of reading and writing. The importance of music education for individuals with dyslexia as a form of educational practice can enable an important helper component in the process of learning of writing and reading, allowing the development of self-esteem and interaction with each other. After a systematic review of the literature with reference to the importance of music education with Dyslexia in the databases SciELO, BIREME PsicInfo, MEDLINE and LILACS. The aim of this study was to investigate methodological adaptations necessary to musical learning and development of dyslexic language. Participating in this study were 12 children and / or adolescents aged between 09 and 14 years old. Assessments in the Musical Learning Assessment Scale (EAAM) covered the apprehension of theoretical and practical knowledge, measured from a protocol of observation and were carried out individually. Whereas for Theoretical and Musical Assessments I and II (ATM I and II ATM) encompassed the learning of reading and writing music, being held respectively after each application of the EAAM. As for the ATM I, these occurred collectively with everyone present in the room. In the ATM II, the class was divided into two groups of 6 students each for application. The results of both evaluations cited above were analyzed, categorized and displayed on graphs to demonstrate the performance of the musical learning of students with dyslexia. The study of the researcher in question marks the PCA as an enabler in helping the development of reading and writing for dyslexics through musical learning, highlighting the importance and contributions that it has to provide the adaptation of methodologies with multidisciplinary support teams to assist with the needs of students with dyslexia, as well as in the training of the professionals interested in inclusive music education.
Acesso aberto (Open Access)
Motivação para aprender música: um estudo com alunos do ensino médio
(Universidade Federal do Pará, 2017-07-07) SILVA, Silene Trópico e; FREITAS JÚNIOR, Áureo Déo de; http://lattes.cnpq.br/9902320223569217; HENDERSON FILHO, José Ruy; http://lattes.cnpq.br/1843981362271021
In this research, an exploratory study was conducted with the purpose of knowing the empirical directions applied in the area of the musical education and others applied in accordance with the Theory of Self-Determination (TSD) possible for this study. It was important to reveal status of student motivation and to describe student behavior according to internal and external influences, to predict the motivational orientation for learning music in high school. Deci and Ryan (1985), theorizing about self-determined feeling, approached the sociocognitive perspective of motivation and the humanistic view of needs and the application of the self-determined concept favored the subject to interact with himself and his world dialectically and organismic. The subject identifying himself as well as personally endorsing the information received from the context as his own, has become able to control and direct his learning to the achievement of his future goals and objectives. With the use of the survey for 64 high school students, the objective was to understand the contributions of motivation to musical learning and to know the state and style of motivation, in order to: (a) explain the internal and external influences that motivate student involvement in musical practices; (B) to verify through the literature the basic psychological mechanisms that motivate the student to learn music; (C) describe how educational and sociocultural factors influence the understanding of content; and (d) ascertain the nature (intrinsic and extrinsic) that gives rise to the motivation to learn musical contents. When it comes to the motivation of the high school student, it is considered to apply qualitative evaluation of the learning. In the attempt to know the quality of students' conceptual learning was the research survey, was a very valid alternative, to deepen this question and design the factors that motivated the sample of regular high school music students to learn music in school. As these issues were addressed in high school, it is believed that the actions undertaken in this researched, make a difference to improve the quality of teaching. With the development of survey research the quantitative analysis of data, we verified the state and motivational style oriented to controlled motivation in the introjected stage of self-regulation, with external causal locus. The contribution of the motivation to learn music was determined by the perception of basic psychological needs, evaluated by the students, in a moderately low degree and close to 45% of the total scale index, and the needs basic frustration in this scale stayed, close to 55% of the scale's total frustration index. Feelings of autonomy approached on the Likert scale from the 32% level indicated in the scale, the feeling of competence at the 37% level and the relationship at the 31% level of care. It was confirmed that in the study it is the satisfaction of the basic psychological needs an innate characteristic of the people, whose contribution increases the conceptual learning, improves the school discipline, reducing the cadres of school dropout and repetition that in its motivational unfolding modifies and modifies the behavior of the subject positively, being, therefore, an increment to the musical learning that corroborates with the conduction of future researches and with the musical education.
Acesso aberto (Open Access)
MOVE: um facilitador da pesquisa em música para estudantes com privações sensoriais, intelectuais e motoras
(Universidade Federal do Pará, 2020-06-22) RODRIGUES, Jessika Castro; FREITAS JÚNIOR, Áureo Déo de; http://lattes.cnpq.br/9902320223569217
Contemporaneity indicates the need to promote innovative and relevant technological support to improve conditions of autonomy and independence of students with sensory, intellectual and motor deprivations. Therefore, the researcher aims to investigate how assistive technology can facilitate the research process of music students with sensory, intellectual and motor deprivations. This objective unfolds specifically in two, which are: a) Create a prototype as a strategic visualization tool of the research movement to assist music students with sensory, intellectual and motor deprivations in the development of a research project; b) Test and evaluate the strategic visualization technology of the research movement to assist music students with sensory, intellectual and motor deprivations in the development of research project. In order to achieve the proposed objectives, the Bibliographical Research and the Experimental Research were adopted. The Experimental are the procedures for the creation, testing and evaluations of the prototype device. A pilot project was carried out - with students of the Specialization Course in High School of Music of the Federal University of Pará, as well as there was an intervention with undergraduate students in Full Degree in Music at the State University of Pará and the Federal University of Pará. The participants were students with sensory, intellectual and/or motor deprivation and without deprivation. The application of the Tests focused on the use of the strategic visualization tool of the MOVE research movement for the construction of the research project by the participants. The tests took place in six meetings and the evaluation proceeded in two ways: (a) the first was by the participating students who answered a questionnaire using the 10-point likert scale, presenting three justifications and suggestions to evaluate the functionality of the device; (b) and the second was the evaluation of peer-reviewed research projects by independent judges who followed the scale for evaluation of academic projects, notably on the scale from 0 to 10 for each item evaluated. The collected data were quantitatively analyzed, and their representations were expressed by tables and graphs, which were compared with documentary analysis and served as visual support to project the results and raise reflections and contributions. In general, it can be seen from the answers that more than 85% of the participants totally agree with the music research facilitator for students with sensory, intellectual and/or motor deprivations. The study revealed the fundamental importance of the multidisciplinary team to obtain efficient results. It was observed that the facilitation promoted by the MOVE tool was usually related to the difficulty presented in the profile of each student. The research confirmed that the MOVE tool does not exclude the need for a counselor, but offers autonomy and independence for the student to organize their ideas in order to maintain coherence and not escape the theme.
Acesso aberto (Open Access)
Música e Síndrome de Down: uma compreensão sobre a aprendizagem no ensino de violino em grupo
(Universidade Federal do Pará, 2018-06-29) SOUZA, Elissuam do Nascimento Barros de; FREITAS JÚNIOR, Áureo Déo de; http://lattes.cnpq.br/9902320223569217
The present study one is about an understanding on the process of education and learning of music of children with Syndrome of Down, aiming at to understand the expectations, necessities and particularitities of learning of these. The central objective of this research is to understand as the musical learning of children with Syndrome of Down in a group with neurotípicas children (without upheavals of the development that involves significant riots in the psychic functioning) through the education of violin in group developed for the Program occurs Ropes of the Amazônia - PCA of the Program of After-Graduation in Arts of the Federal University of Pará - PPGARTES. For this, a case study was carried through, with the collection of data carried through by means of participant comment, in which notations in a notebook of field had been collected and also by means of photographic and audiovisuals registers. To evaluate the learning of the violin students, Scale of Evaluation of the Musical Learning of the Violin was used. With respect to the results of the research of participants B and C with SD, it can be said that they had reached excellent levels of learnings in the violin lessons. They had demonstrated agreement of the given commands, answered to the questions carried through for the professors, observed the professors and they imitated them in the execution of the activities, some times observed the colleagues and copied the gestures carried through for these. The results, still designate, that the technique of the pizzicato called for the professors of the project as “duck peak” very was well assimilated by the great majority of the pupils. It was observed that participants SD had memorized the songs well that determined the beginning and the end of the activities with the retention of short and long stated periods of learning and assimilation of the functions of each melody (entrance music/music to raise arm/e farewell music). How much to the terms of the learning technique in the instrument, they had presented effectiveness in the activities of shelter, thick motor coordination in the heating dances and relaxation. A valid strategy of education very used by the project, and that it deserves to be detached, was the use of visual resources (figure 9) to facilitate to the learning of all the group. One perceives that the collective education of violin practised for the project promotes the integration and socialization of the children, beyond facilitating the learnings of all, mainly of children SD. Reflecting on these questions, one searched to evidence the specificities of the carriers of the SD contributing with information for the area of the musical education guaranteeing the right of the pupil in inclusion situation to receive education from quality. We consider that still it has very if to contribute for the formation of professors, pedagogical strategies, practical methodologies and for the people with Syndrome of Down.
Acesso aberto (Open Access)
A música na educação de pessoas com deficiência visual: uma experiência na Unidade Educacional Especializada José Álvares de Azevedo
(Universidade Federal do Pará, 2012-02-13) BERNARDO, Sérgio Figueiredo; FREITAS JÚNIOR, Áureo Déo de; http://lattes.cnpq.br/9902320223569217
The purpose of this study is to understand the dynamics of music education in the Educational Unit Specialized Jose Alvares de Azevedo (EUS - JAA), placing the music and its creative dimension in Specialized Educational Services (SES) in the trainig of teachers and students with Visual Disabilities, the perspective of inclusive education. The EUS - JAA located in Pará State, a reference in the SES of students with Visual Disabilities. According to official figures from the State Department of Education in 2009, this institution has served about 347 students coming from the metropolitan area of Belém. Teachers and technicians of the unit acted in several actions: (a) in serving students with Visual Disabilities, (b) training of educators in the State Schools, and (c) the organization of society involving Pedagogical Workshops for discussion of topics related to art. Referring to the art, include the song as an important element in the teaching-learning in their students. While these practices initially appears to work with music, it seems there is a gap in the field of systematic and scientific production of these practices, given the wealth of experiences and specificities of their activities. Concerning the search of the creative processes of students with Visual Disabilities through the music, it is noticed that the unit offers many possibilities for study and production of knowledge. Considering the complex perception of the phenomena being studied, the researcher used a qualitative approach, structured around a case study. As a research technique, the researcher used na indirect documentation through bibliographical research and documentary research. The direct documentation was based on (a) direct observation through intensive observation techniques and (b) script semi-structured interview. Data analysis revealed that: (a) The EUS - JAA has been undergoing a process of change in its form of organization in an attempt to fit the normalization process of the SES. This change in progress, is the center of the conception of perspective inclusion in which the concept of social inclusion has a significant role and school inclusion is presented in the development process and increasing demand that its consolidation overcoming challenges still present in the dynamics institutions, especially in relation to mainstream education, (b) The Coral Cantarte as a field of musical performance, it is stated as part of the set of activities offered to students with Visual Impairment, expressing a specific educational organization that seeks to consider the needs of special education students, valuing approaches to multi sensory processes of memorization and repetition and repertoire of low technical complexity as the guiding principles of teaching-learning process, (c) The creative dimension of music, through composition, improvisation and of musical innovation manifests itself differently in practice teaching music, composing a general framework for absences and presences, possibilities and perspectives. In this sense, the establishment do not compose the musical range of educational objectives proposed for the Choir, and the creative nature of the music the main triggering agent of her shy expression. Thus, it produces knowledge of an educational experience that contributes to the enrichment of the relationship of music with the construction process of inclusion of students with Visual Impairment.
Acesso aberto (Open Access)
Políticas públicas educacionais para o ensino de música na educação básica: Múltiplas vozes sobre o ensino de música na rede municipal de educação de Belém do Pará.
(Universidade Federal do Pará, 2025-06-16) SILVA, Társilla Castro Rodrigues da; SILVA, Jessika Rodrigues da; http://lattes.cnpq.br/7731127373088878; FREITAS JÚNIOR, Áureo Déo de; http://lattes.cnpq.br/9902320223569217
Public educational policies, responsible for ensuring that more people have access to education and promoting measures to correct social distortions, can ensure quality education in a country with continental dimensions, but this is no easy task. Music teaching in regular public schools has been on a path of discovery in the face of new realities that arise in the ongoing educational scenario. In view of the above, there is still an effervescence of thoughts about how to tread a “new” path of music education, what directions are being taken in music education at school and how we, researchers, intend to contribute to the direction of this teaching. The thesis defended is that there are multiple interpretations about the teaching of music in school, which affect the practice and hinder possibilities of public policies to make the rights to music teaching a reality, specifically in Belém do Pará. Therefore, the general objective of this research is to analyze the insertion of music in the public schools of the municipal education network in Belém do Pará, from the conceptions of the multiple voices, agents of music teaching. The theoretical framework used to support the discussions in this research covered: a) The analysis of educational policies in the light of the Policy Cycle Approach of Bowe et al. (1992) and Ball (1994) proposed by Mainardes (2006); and b) The educational policies of current Brazilian legislation on music teaching in basic education schools. This is an exploratory study with a quantitative-qualitative approach, using a case study research procedure. As for the place of performance, it was a field research in which data was collected and documentary analysis, semi-structured interview and questionnaire. As a data analysis technique, content analysis and Exploratory Data Analysis statistics, also known as Basic Descriptive, were applied. The results addressed the conceptions of the Municipal Department of Education, NACE and the Art Teachers of the Belém Municipal Education Network, which were analyzed together with the cycle of educational policies. The analysis of music teaching in Belém do Pará's public schools revealed both advances and challenges. SEMEC's Curriculum Guidelines seek to qualify and diversify music education, with effective teachers from the network and musical projects in the after-hours, in addition to workshops with traditional teachers. However, the lack of adequate infrastructure, material resources and more teachers, limit the full implementation of the subject. The creation of the Municipal School of Arts of Belém (EMAB) faces political difficulties, and many teachers act in a multipurpose way, which goes against the curricular guidelines. Therefore, it is considered that the lack of institutional appreciation and the discontinuity of public policies hinder the consolidation of music teaching in schools. The research suggests that to overcome these challenges, it is necessary to ensure robust initial and continuing training, value local cultural traditions, and adapt the curriculum to the regional context. The teaching of music must be treated as an essential tool for the critical and cultural development of students, besides the urgency of regularizing public exams and promoting more consistent public educational policies.
Acesso aberto (Open Access)
Práticas psicopedagógicas na educação musical de alunos com transtorno do déficit de atenção e hiperatividade (TDAH)
(Universidade Federal do Pará, 2015-06-23) SIQUEIRA, Danihellen Prince Dias; FREITAS JÚNIOR, Áureo Déo de; http://lattes.cnpq.br/9902320223569217
This paper deals with the importance of psycho-pedagogical practice in music education of students with Attention Deficit Disorder and Hyperactivity Disorder (ADHD) inserted in the Amazon Ropes Program (PCA) of the School of Music of the Federal University of Pará (EMUFPA). It is based from two areas of knowledge of the social sciences: Psychology and Music Education addressed theoretical dialogue with the PCA as Vygotsky, Piaget and Suzuky. It has descriptive qualitative approach using as a method the case study and aims to investigate existing practices of educational psychology in cello workshops through the case study applied to students with ADHD entered into the Project Disorders and Learning Disabilities. Besides the research also aims to describe what these psycho-pedagogical elements; give the reasons why the Amazon Strings Program developed this practice; analyze whether they are appropriate to the purpose of the cello workshops and finally demonstrate through empirical results the musical learning content of these students. Data collection will be conducted in the laboratory of EMUFPA and will be attended by 24 students in the age range of 8 to 14 years divided into two classes each with 8 students and 4 with typical disorder of which two will be selected peer groups. In this research will be used for and Informed Consent (IC) for appropriate legal uses of the information and records extracted during data collection. For the workshops the PCA involves a multidisciplinary team of professionals from different fields with the predominant psychologists, teachers, graduate teachers in music, as well as undergraduate and graduate students of these respective areas. In this study will be adopted to semi-structured interviews and documentary analysis; the interlocutors of the research are: the director of the PCA who is also the NAPNE coordinator at EMUFPA, four students diagnosed with ADHD along with their caregivers. Assessment tools will be interviews and analyzes as well as Learning Assessment Scale Musical PCA.