Teses em Letras (Doutorado) - PPGL/ILC

URI Permanente para esta coleçãohttps://repositorio.ufpa.br/handle/2011/6713

O Doutorado Acadêmico iniciou-se em 2012 e pertence ao Programa de Pós-Graduação em Letras (PPGL) do Instituto de Letras e Comunicação (ILC) da Universidade Federal do Pará (UFPA).

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Acesso aberto (Open Access)
Apropriar-se: o acontecimento poético em contos de Clarice Lispector: (...à beira do abismo, estamos)
(Universidade Federal do Pará, 2019-09-04) ATAÍDE, Luciana de Barros; FERRAZ, Antônio Máximo von Sohsten Gomes; http://lattes.cnpq.br/5982898787473373
The present research intends to identify the relationship between Being, language and thought in narratives of Clarice Lispector, having as reference, mainly, stories that the writer produced throughout the life, from the "First stories" - narratives produced in the decade of 1940 - until the "Last Stories" - produced in the 1970s. In all, twenty one narratives will be studied in which the Being is in force as a matter. However, excerpts from other narratives will also be present, since the approach will be permeated by the search for the appropriative poetic event (Ereignis) through the problematization of the notions of writing and thinking, technique and art, being-alone and being-with, finitude and singularization, I and World. The intention is to show the intertwining ser-man-language-truth under the labyrinth of the question of origin. In Clarice's narratives emerges the investigative project that aims to unfold the essence of man that happens as language - since it is the home of Being and in his dwelling man lives - being a work of listening, understanding and interpretation of the Inherent Questions to the human condition. Thus, starting from the phenomenological-hermeneutic contribution, it will be possible to establish a relationship between Clarice Lispector's literature with thinkers such as Martin Heidegger (especially), Merleau-Ponty, Gaston Bachelard and Manuel Antônio de Castro, among others of great relevance for this study. Another reference of great importance that will support this study is the work The second sex (1980) of the thinker Simone de Beauvoir within the line of 'becoming' with regard to the human condition in possibilities and also with regard to the relation asymmetric gender that tends to reduce female freedom within society. Clarice not only worked as the word, but also with the thought that provides the perception of the velar and unveiling of the man, enabling him to the appropriation of himself, since it is a poetic saying that shows itself as the founding dimension of the condition human, revealed by overwhelming force for engendering a new worldview that lies beyond everyday superficiality. It is, therefore, in this study, narratives (tales) that expose Clarice's artistic-literary work in which poetry dwells in the proximity of thought by constructing a saying that evokes the essence of language.
Acesso aberto (Open Access)
Tornar-se: uma apredizagem poética pelos romances de Clarice Lispector
(Universidade Federal do Pará, 2021-09-14) DOLZANE, Harley Farias; FERRAZ, Antônio Máximo von Sohsten Gomes; http://lattes.cnpq.br/5982898787473373
"The most pressing need for a human being was to become a human being." The observation that is found in Uma aprendizagem ou O livro dos prazeres (1969), brings us to the question that guides this dialogue with Clarice Lispector's novel: the need to “become a human being”. It is possible to interpret this need to become what one is as the search that moves the entire gesture of the Brazilian author's writing. In that search, there is tension and the texture weaving of an original dialogue that the entirety of Lispector's work, especially through her novels, establishes with the roots of Western and Eastern thought. It is from this dialogue that the present work is designed, intending to interpret each of Clarice Lispector's novels as a manifestation of Poetic Learning, that is, as a possible path that the reader has at his or her disposal to understand himself ou herself into the question of the meaning of being. In this way, the work articulates an ontology that sets itself the search for the meaning of being as a creative movement that enables openings from/to other possibilities of achievement. At the same time, in the rehearsal of a hermeneutic and fictional plot that permeates each of the author's novels, the perception of the way in which such dynamic is intended for each human being (reader) is provided as an invitation to self-realization searches through language (logos).
Acesso aberto (Open Access)
Viajar e existir em Primeiras Estórias, de João Guimarães Rosa
(Universidade Federal do Pará, 2022-01-10) CARVALHO, Taís Salbé; FERRAZ, Antônio Máximo von Sohsten Gomes; http://lattes.cnpq.br/5982898787473373
Traveling and existing are original issues that launch us in search of ourselves, and manifest themselves as a demand for the word in search of knowing ourselves while in between. These questions are in dialogue with one of João Guimarães Rosa's most original and original works, Primeiras Estórias, in which he expresses the primary questions in which human beings inhabit, and which prevail as a language through plot-question, characters-question , question-images that lead the reader to ask himself about the meaning of being and life, in crossing, as poetic learning, towards unraveling the mystery-question of the book: “Did you come to exist? This study was born with the aim of researching how the issues of travel and existence are manifested in First Stories, having as hypothesis that, through the dialogue with the literary work, in which a narrative is perceived that projects the reader into and through the search of its being, we are launched on the crossing to seek a poetic education that leads us to the clearing of questioning, in which the mystery between all knowing and not knowing dwells, in search of what is our own — our humanity, and, for that reason , do we come to exist? The method — méta (between) hodós (path) — to be followed while choosing the theoretical paths to be taken is unveiled along the way. A possible route for this learning to happen was the poetic education that makes use of hermeneutic circularity as a reading-listening process of the literary work in which, when dialoguing with the work and questioning it, the reader becomes questioned by it, trying to fulfill his destiny: to become human in crossing: to exist. This research trip is justified, considering that in all of the search, there is a dialogue between the tension — a fold between being and non-being — and the texture — in force in a specific way in which the questions are unveiled in the being that is intended for each human — from an original dialogue that the work of Guimarães Rosa establishes with the roots of Western thought, in which, in its narratives, the travel-reading manifests itself in existing, and vice-versa, as a process ontological by which each human being is taken beyond the limits, inhabiting the dialectic between being-and-thinking. In "Porto de Arriving", I welcome the trip and welcome myself as a poetic experience of crossing, realizing that it is through the loving reading of First Stories that we show the ascension path of the human as a poetic-existential project of this grandiose work by Guimarães Rosa: our poetic learning that leads us to exist.