Teses em Letras (Doutorado) - PPGL/ILC

URI Permanente para esta coleçãohttps://repositorio.ufpa.br/handle/2011/6713

O Doutorado Acadêmico iniciou-se em 2012 e pertence ao Programa de Pós-Graduação em Letras (PPGL) do Instituto de Letras e Comunicação (ILC) da Universidade Federal do Pará (UFPA).

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Acesso aberto (Open Access)
Bruno de Menezes, Dalcídio Jurandir e De Campos Ribeiro e as territorializações afro-amazônicas urbanas (da belle époque à década de trinta)
(Universidade Federal do Pará, 2019-11-22) SANTOS, Josiclei de Souza; FURTADO, Marli Tereza; http://lattes.cnpq.br/2382303554607592
The present paper makes a reading of the profane and sacred Afro-Amazonian territorializations in the city of Belém from the nineteenth to the twentieth century, and in the first decades of it, from the works Gostosa Belém de Outrora (1965), by José de Campos Ribeiro, Belém do Grão Pará (1960), by Dalcídio Jurandir, and Batuque (1939), by Bruno de Menezes, observing how the mentioned authors, through their experiences and research, got to create works that reinserted Afro-American minority groups in the narrative of the city. Amazonian communities that had been concealed by the narrative of the majority groups of the Amazon belle époque period, which took place during the gomiferous economic cycle, and these communities were hidden from the conformation narrative of the city. In this cycle there was an enunciative agency of Euro-indigenous essentiality, fed through an artistic production committed to the State apparatus. It is interesting for this paper what the referred works have of Minor Literature, working with the signs of Afro-Amazonian territorializations in the city of Belém, erasing the origin genealogies that generate racisms and hierarchies, which diminished the African descent participation in the Amazonian history. As tools for reading the studied works will be used Comparative Studies, as well as Cultural Studies, in a transdisciplinary perspective.
Acesso aberto (Open Access)
Dalcídio Jurandir: leitor e criador de personagens-leitores no ciclo do extremo Norte
(Universidade Federal do Pará, 2019-08-30) COSTA, Regina Barbosa da; FURTADO, Marli Tereza; http://lattes.cnpq.br/2382303554607592; https://orcid.org/0000-0001-7597-7834
Acesso aberto (Open Access)
A figuração da mulher em Dalcídio Jurandir: entre o desamparo, a opressão e a transgressão
(Universidade Federal do Pará, 2018-05-24) SANTOS, Alinnie Oliveira Andrade; FURTADO, Marli Tereza; http://lattes.cnpq.br/2382303554607592
Dalcídio Jurandir (1909-1979), Brazilian writer, published eleven novels, ten of which make it part of the called Ciclo do Extremo Norte: Chove nos campos de Cachoeira (1941), Marajó (1947), Três casas e um rio (1958), Belém do Grão Pará (1960), Passagem dos Inocentes (1963), Primeira manhã (1967), Ponte do Galo (1971), Os Habitantes (1976), Chão dos Lobos (1976) and Ribanceira (1978) that thematize about man and the Amazon region customs. Even though in these novels men occupy the position of protagonists, it impresses the great number of female characters that collaborate for the development of the narratives, contributing in a hard way to the construction of the plots and the dramas present in the work. This thesis, therefore, it aims to analyze the female characters of the called Cycle, grouping them according to the social situation in which they are. Futhermore, we create the following categories of analysis: helplessness, oppression and transgression, which are not mutually exclusive, but we argue in this work that the characters pass between these three categories. For that, we used as reference the works of BRAIT (2006), ROSENFELD (2011), CANDIDO (2011), WOOD (2011), REIS (2015) to reflect on the fictional character; CASTELO BRANCO and BRANDÃO (1989), BRANDÃO (2006), ZOLIN (2009) and ZINANI (2013), thinking about the relation between woman and literature and the studies of RAGO (2011), SAFFIOTI (2013), ALAMBERT (2004), LENIN (1979), BEAUVOIR (2009), which enabled us to understand the issues of women as well as gender relations. From the sixteen women characters analyzed, six, predominantly, are in the category of helplessness, of which they stand out: Orminda, D. Inacia and Lucíola; three are in oppression, and Felicia and seven of them are in the transgression, of which stand out: Alaíde, D. Amélia and Isaura.Investigating, therefore, the female character of the novels produced by Dalcídio Jurandir, which have a strong social denunciation aspect, helps us to care for Brazilian society at the beginning of the last century, as well as how this society was portrayed in Brazilian literature.
Acesso aberto (Open Access)
A infância desvalida em Dalcídio Jurandir: um bulício de crianças, picado de risos e gritos
(Universidade Federal do Pará, 2019-02-27) VELOSO, Ivone dos Santos; FURTADO, Marli Tereza; http://lattes.cnpq.br/2382303554607592; https://orcid.org/0000-0001-7597-7834
The thesis proposes an analytic–interpretative reading that aims to demonstrate that the childhoood category has a prominet role in the literary proction of Dalcídio Jurandir and especially, in the ethical and aesthetic dimension of the construction of his literary project that became known as the Extreme - North. This study, with a qualitative bibliographical approach, focuses mainly on the first five novels of the Dalcidian cycle, namely: Chove nos Campos de Cachoeira (1941), Marajó (1947), Três casas e um rio (1958), Belém do Grão-Pará (1960) e Passagem dos Inocentes (1963). The analytic-interpretative approach is based on the thematic and discursive technique, which allows us to observe the ideological formations of the discursive construction of the marajoara writer, and the way in which the figuration of childhood and the child collaborate with the social tone of his aesthetic project. From this point of view, the fundamental axes that guide this reading are the relations between Literature and Society and Literature and Memory so that we revise authors that fall within this theoretical scope, as well as those that give treatment to the theme of childhood and the Dalcidian work. The research has shown, among other things, that the childhood universe that emerges from the Dalcidian narratives is not restricted to the presence of children's characters, or that they recall this stage of life, but also comes to light through the representation of the child's imagination, and, by insertion into the narrative structure itself, through the incorporation and often re-elaboration of fairy tales, myths, or other signs of popular and erudite culture that somehow approach the world of childishness. These strategies, in turn, are aligned with the ethical and aesthetic commitment of Dalcídio Jurandir, whose novels combine social commitment and awareness of literary work.
Acesso aberto (Open Access)
Narradores do extremo norte: o ciclo romanesco de Dalcídio Jurandir
(Universidade Federal do Pará, 2021-04-18) MOREIRA, Alex Santos; FURTADO, Marli Tereza; http://lattes.cnpq.br/2382303554607592
The main objective of this thesis is to study the narrator and the narrative focus in the novels Chove no Campos de Cachoeira (1941), Marajó (1947), Passagem dos inocentes (1963), Primeira Manhã (1967) and Ribanceira (1978). These works are part of the fictional saga of the Extreme North cycle created by the novelista from Pará, Dalcídio Jurandir (1909-1979). The cycle, entirely composed of ten books, chronicles the life of women, men, children and the elderly from the countryside of the Brazilian Amazon at the beginning of the 20th century, featuring young Alfredo as the main character (except in Marajó), whose life trajectory connects to the social and personal dramas of the other characters. As for its narrative construction, the Jurandir saga presents a recurring oscillation in the focus of the narrated events manifesting, that way, different levels of narrative focus and narration. In order to analyze the constitution of this category in the works mentioned above, the main theories relevant to the point of view in fiction were used. Therefore, we opted for the use of the narrative typology proposed by Norman Friedman (1967 [2002]) correlating it with the studies of Pedro Maligo (1992), Marlí Tereza Furtado (2002 [2010]), Benedito Nunes (2004) and other fiction researchers of Dalcídio Jurandir. In addition, in order to better understand the perspective (s) endowed in Jurandir's narrative process, the novels that make up the corpus of this study were separated into three narrative cores: the marajoara, the narrated events occur on the island of Marajó ; the Belenense, the action is predominantly concentrated in the city of Belém and the Amazonian-Paraense, composed only by Ribanceira, the last book of the cycle that shows a third phase of Alfredo's life. The Dalcidian saga is woven by an omniscient third-person global narrator, who alternates his stance between neutrality, intrusion and the use of multiple points of view, causing the narrative to collapse. When this resource is overexploited, the central narrator distances itself significantly from the narrated matter, giving other characters the status of narrator, thus creating the categories of character-narrators. This category is divided into two types: the first, type I, assumes the status of narrator giving progression to the narrated matter, the second, type II, tells stories embedded in the main plot, also presenting a subdivision of popular narrators who tell , orally, narratives permeated by elements of the Amazonian imaginary. Thus, the mediation between the reader and the narrated story is eliminated, because not only the focus but the narrative enunciation itself becomes the responsibility of these characters-narrators. It is considered that when giving voice to women, fishermen, cowboys, farmers and other characters, Dalcidian fiction denounces the tragic forms of violence (social, political, economic and mythical-regilitary) perpetrated in the extreme north of Brazil.
Acesso aberto (Open Access)
A presença da mulher na música do Pará: o texto na canção de autoria feminina, da Belle Époque até a primeira metade do século XX
(Universidade Federal do Pará, 2020-08-25) SOUZA, Dione Colares de; FURTADO, Marli Tereza; http://lattes.cnpq.br/2382303554607592; https://orcid.org/0000-0001-7597-7834
This research seeks to verify the woman presence in the artistic and musical production at the city of Belém, located in Pará- Brazil, from the Belle Époque until the first half of the 20th century. It is based on the song`s lyrics written by women composers who were born or lived in Pará. Thus, it is an interdisciplinary research that strives for understanding the female authorship musical production, from a historiographical, sociological and gender perspective, which will also allow revealing the processes of woman insertion in cultural practices of that period, as well as understanding the relationship between song`s lyrics and the musical language. Therefore, the following questions are elucidated: What are the songs written by women in the investigated period? Were there criticism, reception and circulation of the song written by women in the Belle Époque period in Pará until the middle of the 20th century? What is the relationship of these musical representations with the social thought, the cultural actuality and the aesthetic ideas of that time? Within the cultural experience of the Belle Époque, does the song written by women have Amazonian peculiarities in their literary and musical strata or does it project a power relationship or standard socio-ideological discourse of that time? The documentary set was collected from the investigation of primary and oral sources. Thus, this set of information assumes a scientific character for the analyses of the song`s lyrics written by women, whose historical and social facts will be aligned with the aesthetic components described in the analyzed works. In addition, the theoretical field was delimited based on the literature review in the area of literary studies, seeking foundations in the guidelines of Candido (1973, 1996, 2010, 2012), as well as in Oliveira (2002), Murray Schaffer (2001), in the interdisciplinary area, Vieira (2001, 2009, 2012, 2013), Salles (1980, 2007, 2012, 2016), Bourdieu (1974, 2007, 2017), and Citron (2000), in the field of social history, cultural and gender studies. Therefore, the following are pointed out as results: the female presence in the Belle Époque artistic and musical scene in Pará until the first half of the 20th century, although her compositions remained without visibility; women not only acted in teaching and performance of music but also composed lyrics and songs; the predominant themes in women`s songs are Sacred, Sentimental, Festive and Regional, and they are related to the social practices of the surveyed women; the piano marks this period as a symbolic element of Europeanization of customs, as well as ideological as a female legacy and a means of social distinction; the historical obscuration of the researched women composers and their works is due to gender issues and social and cultural practices of their time.