Teses em Letras (Doutorado) - PPGL/ILC

URI Permanente para esta coleçãohttps://repositorio.ufpa.br/handle/2011/6713

O Doutorado Acadêmico iniciou-se em 2012 e pertence ao Programa de Pós-Graduação em Letras (PPGL) do Instituto de Letras e Comunicação (ILC) da Universidade Federal do Pará (UFPA).

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Desamparo e insulamento nas obras literárias a "Ilha da Ira", de João de Jesus Paes Loureiro e "Órfãos do Eldorado, de Milton Hatoum
(Universidade Federal do Pará, 2018-09-12) FERREIRA, Lourdes Nazaré Sousa; SARMENTO-PANTOJA, Tânia Maria Pereira; http://lattes.cnpq.br/3707451019100958
The present thesis sought to analyze two contemporary literary works, the novel Orphans do Eldorado de Milton Hatoum (2008), and the play The Island of Wrath, by João de Jesus Paes Loureiro, present in the book "Collected works: theaters and essays" (1976). The discursive voices that resonate with the characters in the narratives were important to answer the argument that this thesis is based on: the concept of helplessness as understood throughout the centuries proves sufficient to account for the anguished and traumatized experiences erected in the literary text . And since it is always necessary to construct meanings to represent psychic aspects, this study was based on the observation of all the expressive theoretical procedures for textual composition. It becomes fundamental to clarify, in view of the proposition that was exposed and evaluated in this work, the terms insulation and helplessness. Therefore, the objective of this work was to perform a comparative reading of the two works, verifying through the discourses of the characters how the helplessness is revealed in a literary production from the twentieth century. Through this bias, the developed reflection focused on visions undertaken through a theoretical-investigative study based mainly on a transdisciplinary theoretical framework with Freudian psychoanalysis, in order to broaden the view on helplessness as it emerges from the literary space. These discussions found their main theoretical support in the books Inhibitions, Symptoms and Anguish, by Sigmund Freud (1996), Birman (1999), Camon (1990), Maffesoli (1987), Michaud (2001), among other theorists whose contribution was thorough relevance as a way of presenting the arguments, their contexts and the relations they have with the core of the research. The research allowed to identify in the works of the corpus, the existence, as a metaphorical arsenal of sensations and affections that are manifested with immense force representative of universalizing behaviors and conflicts, such as loneliness, anguish, violence, abandonment, lack. For this reason, the abandonment will be understood, in this study, that in erecting contemporary literary productions will present itself as an aggregator of affections and senses being pertinent to take it as a paradigm or analytical tool for the understanding of other similar fictional texts.
Acesso aberto (Open Access)
Entre cabeças, olhos e boca: transitanto por Moqueca de maridos e História do olho
(Universidade Federal do Pará, 2020-12-22) FERNANDEZ, Rafaella Dias; LEAL, Izabela Guimarães Guerra; http://lattes.cnpq.br/2507019514021007
This thesis begins with a reflection on the reading of the myth of creation and the destruction of the world for the Tupinambá people. From this narrative, a fundamental element emerges for this people: the land without evil. After a reflection on the importance of this land to the Tupinambá, it is observed that revenge and anthropophagy are vectors of strength and help to build the memory of this indigenous people. These two components, so primordial to the Tupinambá, also emerge as essential elements to understand the narratives present in anthropologist Betty Mindlin's book, Barbecued Husbands – and other stories from the amazon. Written by the anthropologist and indigenous narrators of six ethnic groups: Makurap, Tupari, Wajuru, Djeoromitxí, Arikapú and Aruá. It is worth pointing that the six indigenous peoples who build the records of the myths in the book derive from the Tupi trunk, just like Tupinambá’s. After the reading, there was a constant presence of revenge, murders, torture, eroticism and anthropophagy. Hence, it is proposed to analyze the symbolic meaning of each vector present in the indigenous narratives and its probable correlation with the novel Story of the Eye, by Georges Bataille. These two readings, far from being conflicting, catch the intrinsic connection between two fields considered distinct: indigenous myths and Western literature. After an investigative analysis, it was found that there are points where both seem to resonate one another. Thus, in what sense is it possible to think of convergences between myths and the bataillian novel? What is the symbolic meaning of violence, eroticism and anthropophagy in both? Thus, the central objective of this thesis is to propose a comparative analysis between the works and problematize the metaphorical sense of eroticism, anthropophagy and violence in each of the works. The convergence between French literature and indigenous erotic myths was thought by Eliane Robert Moraes, a scholar of eroticism in Brazil. The author places a brief correspondence between the two by stating that the indigenous imaginary seems quite familiar to those who know modern erotic literature. To accomplish this work, we are based mainly on the studies of Georges Bataille, Eroticism (2013) and Literature and evil (2015), by Georges Didi-Huberman, La Ressemblance Informe ou le Gai Savoir Visual selon Georges Bataille (2015), and the anthropologist Eduardo Viveiros de Castro, A inconstância da alma selvagem (2016). Thereby, in order to give breath to an unprecedented work of comparison between both, we aim to propose thematic resonances and highlight the differences in the two readings.
Acesso aberto (Open Access)
O projeto literário de Dalcídio Jurandir: a relação autor e obra
(Universidade Federal do Pará, 2024-10-17) PINHEIRO, Lucilia Lúbia de Sousa; PRESSLER, Gunter Karl; http://lattes.cnpq.br/0100053541433805
This work examines the configuration of Dalcídio Jurandir's (1909-1979) literary project. Three aspects can be highlighted in the author's novelistic production: the modern coming-of-age novel, the realist novel, and the socialist realist novel, which are characterized by poetic language and narrative complexity, by the detailed description of the social and psychological environment, and by the importance of school education and education for the world. This last point, that of education, evokes an inherent connection between the trajectory of the characters in the novels and the life of the politically engaged author himself. The three aspects are exemplified especially in three novels: Chove nos campos de Cachoeira (1941), Marajó (1947), and Linha do Parque (1959). When approaching the literary project and the author’s image, it is necessary, firstly, to analyze the critical reception from the first publication to specialized academic criticism and, secondly, to compare it with the narratological approach and the identification and analysis of the “levels of communication and instances of the narrative work” (Schmid, 2014, p. 46). The concepts “concrete author” and “abstract author” (Schmid, 2014, p. 47-65) represent a dialectical connection between the author’s biography, his statements about literary production (“concrete author”) and the perception and “creation” of Dalcídio by critics (“abstract author”). The issue of education indicates a strong link between the author Dalcídio and the main characters in the corpus of this study (Alfredo, Missunga, Iglezias) and significantly denotes his literary project.
Acesso aberto (Open Access)
Tornar-se: uma apredizagem poética pelos romances de Clarice Lispector
(Universidade Federal do Pará, 2021-09-14) DOLZANE, Harley Farias; FERRAZ, Antônio Máximo von Sohsten Gomes; http://lattes.cnpq.br/5982898787473373
"The most pressing need for a human being was to become a human being." The observation that is found in Uma aprendizagem ou O livro dos prazeres (1969), brings us to the question that guides this dialogue with Clarice Lispector's novel: the need to “become a human being”. It is possible to interpret this need to become what one is as the search that moves the entire gesture of the Brazilian author's writing. In that search, there is tension and the texture weaving of an original dialogue that the entirety of Lispector's work, especially through her novels, establishes with the roots of Western and Eastern thought. It is from this dialogue that the present work is designed, intending to interpret each of Clarice Lispector's novels as a manifestation of Poetic Learning, that is, as a possible path that the reader has at his or her disposal to understand himself ou herself into the question of the meaning of being. In this way, the work articulates an ontology that sets itself the search for the meaning of being as a creative movement that enables openings from/to other possibilities of achievement. At the same time, in the rehearsal of a hermeneutic and fictional plot that permeates each of the author's novels, the perception of the way in which such dynamic is intended for each human being (reader) is provided as an invitation to self-realization searches through language (logos).
Acesso aberto (Open Access)
Vida literária na Belém oitocentista: a contribuição do Diário de Belém para o desenvolvimento das Letras na capital paraense (1882-1889)
(Universidade Federal do Pará, 2018-11-08) SILVA, Alan Victor Flor da; SALES, Germana Maria Araújo; http://lattes.cnpq.br/8723885160615840
From the research we have carried out in several literary histories, we find that the only writers of prose fiction born in the province of Pará during the nineteenth century mentioned in these works are Inglês de Sousa, Marques de Carvalho and José Veríssimo. However, the study carried out in dictionaries, encyclopaedias and anthologies revealed that Inglês de Sousa left the region where he was born at the age of eleven and never returned to his native land, just as the research in literary histories made José Veríssimo as a critical and historian of literature and Marques de Carvalho, on the other hand, as a naturalist writer without any importance for the development of literary production in the province of Pará neither for the evolution of Brazilian literature. The cataloguing of dictionaries, encyclopaedias and anthologies also showed a slightly more expressive number of authors settled in the province of Pará during the nineteenth century, who dedicated themselves to periodical press and literary production. However, these writers did not obtain national visibility neither did they attain a place in the canon of Brazilian literature. In the same way, the research in the nineteenth century periodical press in Belém carried out by members of the Group of Studies in History of Literature (GEHIL), coordinated by Profa. Dr. Germana Maria Araújo Sales, has also demonstrated a considerable number of writers collaborating with productions written both in verse and fiction prose for periodicals that circulated in the capital of Pará during the last decades of the nineteenth century. We are not referring, therefore, to publications translated or extracted from periodicals coming from other provinces of Brazil, but to original publications prepared to be first published in newspapers that circulated in the city of Belém. The dissertations originating from the research carried out by GEHIL members in periodicals of Belém from the nineteenth century, however, have sought to study the circulation of translated versions of fictional prose signed by foreign writers or of productions extracted from periodicals of other provinces of the country signed by Brazilian writers. Due to the few studies on writers who have established themselves from original publications for the periodical press of Belém, we sought to promote a work that was dedicated to walking a path on the circulation and production of prose fiction signed by writers who settled in the capital of the province of Pará during the nineteenth century and contributed to the periodical press in Belém that century. Our aim, therefore, is not put on evidence authors whose productions were translated or extracted from other periodicals that circulated from other distinct places of Brazil, but writers who were located in the province capital and wrote original fictional narratives for the periodical press from Belém in the nineteenth century. To develop the research, we selected as the main periodical to be studied the Diário de Belém (1868-1892), because this newspaper circulated on a daily basis in the capital of Pará, it lasted for more than a decade in circulation and was the first to offer opportunity and space for writers settled in Belém to ventured themselves by the literary production. From the considerations that we weave, we aim, with this thesis, demonstrate how writers and journalists involved in the periodical press of Belém in the nineteenth century interpreted some subjects, for example, associated with the (in) existence of a literature in the Amazon or in the province of Pará, the publication of works signed by writers established in Belém, literary schools of the nineteenth century, as well as Romanticism, Realism and Naturalism, among others. In addition, we aim to trace a profile of prose fiction published in the Diário de Belém, signed by writers settled in the capital of Pará.