Dissertações em Letras (Mestrado) - PPGL/ILC

URI Permanente para esta coleçãohttps://repositorio.ufpa.br/handle/2011/2311

O Mestrado Acadêmico iniciou-se em 1987 e pertence ao Programa de Pós-Graduação em Letras (PPGL) do Instituto de Letras e Comunicação (ILC) da Universidade Federal do Pará (UFPA).

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Agora exibindo 1 - 20 de 72

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O aberto na obra de Paulo Plínio Abreu
(Universidade Federal do Pará, 2018-07-05) SANTIAGO, Rúbia de Nazaré Duarte; FERRAZ, Antônio Máximo von Sohsten Gomes; http://lattes.cnpq.br/5982898787473373
This dissertation presents a study about the opening issue on the Works of the paraense poet, Paulo Plínio Abreu. Such issue is very marked in the poem “Oitava Elegia” by Rainer Maria Rilke and brought many ideas to Martin Heidegger’s philosophy. In his work Parmenides, the german philosopher shows how the Greeks understand the opening as the essence of truth and with this insight he makes a parallel with Rilke’s poem. Paulo Plínio was a translator of Rilke’s works and incorporated the opening in his own poems, in the work of truth, however in a singular way. This presented study concerns about how each of the authors cited above show the opening issue, focusing in Paulo Plínio’s works. He uses the opening issue by the hearing of night images, the travel, the angel and the death present in his work Poesia.
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Agulhas e galhofas no romance A Família Agulha (1870) de Luís Guimarães Júnior
(Universidade Federal do Pará, 2021-07-07) BORCEM, Rogerio Pereira; QUEIROZ, Juliana Maia de; http://lattes.cnpq.br/0783166655929922; https://orcid.org/0000-0002-1741-1725
Luís Guimarães Júnior was born on February 17, 1845 in Rio de Janeiro and died on May 20, 1898 in Lisbon. The writer most often forgotten by literary stories and criticism in general was an important man of letters in the 19th century. He produced a considerable number of texts of the most diverse genres and among all this diversity of writings published mainly in the Diário do Rio de Janeiro there is the work A família da Agulha (1870). In view of the rescue of this important literary production of the 19th century, in this research we intend to carry out a critical analysis of this novel, highlighting the issues present in the work and the mechanisms of construction of the narrative itself. Moreover we intend to highlight aspects related to the author's life, his relations with the publishing market of the time, the engagiment with the reading public as well as the critical receptions about his publications in general and more specifically the novel in question. Such appreciation was consolidated mainly from the analysis of some primary sources due to the scarcity of research and studies that target both the writer and his work. Among these sources, the newspaper Diário do Rio de Janeiro from 1869 to 1872 is cited as an example, a period in which Guimarães Júnior served as the writer of this periodical.
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O aprender poético na obra Grande Sertão: veredas de João Guimarãres Rosa
(Universidade Federal do Pará, 2019-02-21) PALHETA, Marcos Roberto Pinho; FERRAZ, Antônio Máximo von Sohsten Gomes; http://lattes.cnpq.br/5982898787473373
The aim of the present research is to investigate the poetic learning in Grande Sertão: Veredas, book by João Guimarães Rosa. The guiding thread of this research is the meaning of thinking, like a letting ourselves be reached by the fundamental question of human as being-in-the-world, that is exposed in the way of its ontological constitution by the originary language, in the ontological construct of the character Riobaldo. In this sense, the intention is to investigate the original poetic meaning that is woven in the Guimarães Rosa masterpiece to situate it as a poetic-educative narrative: poetic because it realizes the ontological truth of being, and educative because it realizes the human being as caretaker of this truth, as a being whose essence is being-in-the-world. Not the human being, considered a formal subject of knowledge, as entifying experience within the predetermined conditions of a science, but one who can only be found in the finite situation of the crossing and that is realized as a finite transcendence. Grande Sertão: veredas should be considered a cosmogonic narrative that introduces the poetic learning as originary language and unveils, in the Riobaldo’s track, the hermeneutic crossing of learning, as the task of a questioning thinking that realizes the human being in the world. In conclusion, this study also intends to show that the rosiana narrative is poetic, because it crosses the word in instrumental use, and thus reveals the originary language as a poetic expression. Language is poetic because it makes known the very hidden in the impropriety of existence in the world. It is the expression of the poet-thinker because all language is originally poetry.
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Araguaia em verso e prosa: os poemas da guerrilha veiculados pelo Resistência (o jornal em defesa dos direitos humanos)
(Universidade Federal do Pará, 2018-08-30) MELO, Ivania da Silva Pereira de; SARMENTO-PANTOJA, Tânia Maria Pereira; http://lattes.cnpq.br/3707451019100958
The Araguaia guerrilla, a revolutionary movement that took place in northern Brazil during the first half of the 1970s, gained prominence in the pages of the Resistência newspaper, both in verse and in prose. In February 1979, the alternative monthly publication in Belém do Pará published, exclusively, eight poems transcribed from the Primeiras Cantigas do Araguaia leaflet, signed by Libério de Campos. In order to identify how such texts fit into the poetics of resistance, support was sought in Alfredo Bosi's approaches to resistance as a theme and as a process. As these are productions inserted in a context of political militancy, a phenomenological approach was adopted. Two other checks, carried out through observational and comparative procedures, deserve to be highlighted in the text, they are: the role played by the Resistência newspaper regarding human rights; and the similarity between the existence of the guerrilla and that of the homo sacer in the sense of “naked life”, that is, one who becomes illegal and is obliged to live in an area of indifference under the condition of a killer, legally unprotected and with the body exposed to extreme violence, comparison made based on the fundamentals of Giorgio Agamben. This work presents three surveys that relate Literature, Press and History, the latter two being important supports for the development of the study carried out on the “poems of the Araguaia guerrilla”.
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Atonia e degradação em personagens de Dalcídio Jurandir
(Universidade Federal do Pará, 2018-08-30) FERNANDES, Jonathan Pires; FURTADO, Marli Tereza; http://lattes.cnpq.br/2382303554607592
The present work proposes a study about the following fictional characters in Dalcídio Jurandir’s literary work: Eutanázio in Chove nos campos de Cachoeira (1941); Edmundo Meneses, in Três casas e um rio (1958); and Virgílio Alcântara, in Belém do Grão Pará (1960). It discusses the three characters based on two themes that, according to what this research proposes, are present in the composition of each one: atony and degradation. It is herein argued that these two themes are related to one of the main lines of interpretation of Dalcídio Jurandir’s literary work according to which most of the author’s fictional universe comprises negative and disillusioned heroes who travel through a discouraging and decadent scenario. In this context, they manifest negative traits such as atony and degradation. These traits can be understood as passions that rule the characters’ mental lives. Among the main works that theoretically support this research, we highlight the following ones: Berman (1982), Candido (1964), Candido (1968), Descartes (1649), Furtado (2002), Lebrun (2009), Lukács (1920) and Marx & Engels (1848).
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Autores brasileiros no Jornal do Pará (1867-1878)
(Universidade Federal do Pará, 2017-02-16) MENDES, Juliana Yeska Torres; SALES, Germana Maria Araújo; http://lattes.cnpq.br/8723885160615840
The daily sheet Jornal do Pará, a periodical active in Belém, there was space for numerous political, news and literary publications, in addition to maintaining dialogue with journals from other provinces of the country, with the purpose of sharing sliced fictional narratives — the famous way to publish prose fiction at the nineteenth century. Given the range of texts published in Pará’s newspaper, and the favorable condition for national authors to disclose their productions, this work aims to recover the works of Brazilian authors that circulated in the journal while it was circulating, emphasizing the way these authors are represented in the Brazilian Literary History, in addition to analyze the theme of these narratives, considering the historical and cultural space in which they were produced. Thus, we intend to emphasize the importance of the literature inside the newspapers in the nineteenth century, as this kind of work allows us to contribute to the record of the history of Brazilian literature.
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Booktubers no campo editorial brasileiro: estudo de caso de oito canais literários (2016-2018)
(Universidade Federal do Pará, 2020-07-10) SILVA, Daniel Prestes da; AUGUSTI, Valéria; http://lattes.cnpq.br/6970953321235328
Acesso aberto (Open Access)
O cavalo desembestado do pensamento: fluxo de consciência como condutor da narrativa em Afonso Contínuo, Santo de altar, de Lindanor Celina
(Universidade Federal do Pará, 2020-06-30) REIS, Gleice do Socorro Bittencourt dos; CASTILO, Luís Heleno Montoril del; : http://lattes.cnpq.br/3519128535996125; https://orcid.org/0000-0002-2507-5346
This dissertation analyzes the novel "Afonso Contínuo, Santo de Altar" (1986), by Lindanor Celina, which is an inexhaustible source of interesting and important topics from a literary and social point of view, as it addresses controversial issues that provoke fertile and necessary debates. The relevance of a study like this is in the appreciation of our Amazonian authors who, even when [just] talking about their homeland, developed extremely universal subjects in their works. The general objective of this work is to analyze the construction of the novel's narrative from the flow of consciousness' perspective, aiming to understand the meanings that can be extracted in this process. The specific objectives are: to identify which techniques are used for the composition of the flow of consciousness; delimit the narrative focus used in the novel; and list and analyze the topics discussed. This research will address the "flow of consciousness", concept absorbed from Psychological studies, to define writings that have, as a major characteristic, the construction of the narrative through the psychological aspects of the characters. To understand the building of this technique, it is also necessary to identify and analyze the point of view or the narrative focus, since the study of focusing also allows the possibility of to delimit certain understandings about life and the world around.
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A cidade personagem de Belém do Grão-Pará
(Universidade Federal do Pará, 2018-11-29) BRASIL, Clara Alice da Silva Guimarães; FURTADO, Marli Tereza; http://lattes.cnpq.br/2382303554607592
A city establishes important meanings for Literature. Thus, many studies show the relevance seeking to understand the relationship between Literature and literary work. In "Belém do Grão-Pará" (1960) by Dalcídio Jurandir, this is no different, since the city becomes a crucial figure for the novel's plot; because of that, many scholars such as, Nunes (2006), Linhares (1987), Furtado (2010), Ornela (2003), Castilo (2007), emphasized the role that the city means in the narrative, more specifically, showing the current personification in the romantic lines. Considering this perspective, the initiative of this study is based on the necessity to extend this indication. To that end, the aim is to interpret Belém city as a character in the work "Belém do Grão-Pará". However, to reach this purpose it intends to note the limits between character and space in the narrative; understanding how configuring the city can establish it as a character; and, at the same time, inspecting how the city dialogues with other characters. To that end, proceeds the bibliographic research on a range of definitions of space, characters and cities in literature. Texts by Osman Lins (1976), Candido (2011), Santos e Oliveira (2001), Dimas (1985), Dias (1986), Briesemeister (1998), Freitag (1998) Mesquita (1986), Borges Filho (2007; 2009), Barbieri (2009), among others, were essential for the reflection of this purpose. Therefore, it is observed that the bounds between space and character are subtle and, mainly, they contribute to build the profile of the city, in concluding that it is a character in "Belém do Grão-Pará".
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Cinzas do Norte, de Milton Hatoum, um romance de formação
(Universidade Federal do Pará, 2018-12-13) PINHEIRO, Lucilia Lúbia de Sousa; PRESSLER, Gunter Karl; http://lattes.cnpq.br/0100053541433805
The present study shows the novel Cinzas do Norte (2005), from the writer Milton Hatoum, according to the Bildungsroman concept.Firstly, this work is foccussed on what R.Selbmann (1994) considers the ―obrigatory instance‖ of a Bildungsroman such as the presence of the formation(scholar or professional). To include the reader into this discussion the studies produced in Brazil and into the Amazon context are approached, taking novels characterized as Bildungsroman in therms of formation or education. In the second place the study is about the structural form of the novel related to narrator,plot, time and space. Brings the possibility of lecture of the Hatoum‘s novel starting with the point of formation. This study brings also the reception of the novel, emphasizing the memorialistic aspect point by the critic.
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A concretude do silêncio nas traduções de Augusto de Campos de poemas de Rilke
(Universidade Federal do Pará, 2021-05-28) TORRES, Ana Maria Ferreira; GUIMARÃES, Mayara Ribeiro; http://lattes.cnpq.br/6834076554286321
Acesso aberto (Open Access)
A construção da identidade no conto fonsequiano: a intertextualidade e a morte como afirmação do estrangeiro
(Universidade Federal do Pará, 2017-02-22) FERREIRA, João Paulo Cordeiro; GUIMARÃES, Mayara Ribeiro; http://lattes.cnpq.br/6834076554286321
In Rubem Fonseca's tales, it is common to find several "intertextualized" discourses, with works, characters, quotations and discussions around famous Brazilian and foreign literary authors who are, in different contexts and literary constructions, placed in the fonsequiana prose, directly or indirectly. In this way, we will take an approach taking into account three important short stories of Fonseca: "Encontro no Amazonas" (from the book O Cobrador), "Romance Negro" (from Romance Negro) and "A matéria do sonho" (from the book Lúcia McCartney). The reading of these tales, in part, suggests to us that there is an intense dialogue between the national and the foreigner, in which death assumes a decisive role for the self-assertion of the foreign tradition in our literature. This dialogue also allows us to identify the relationship between the fonsequiana prose and the narratives of E.T.A. Hoffmann and Edgar A. Poe, since it is possible that some compositions of these authors have drawn a dialogue with the literary constructions of Rubem Fonseca, which in this sense made possible the re- reading of the works of Poe and Hoffmann. In this way, we also emphasize the relation of the fonsequiana prose with the Greek tragedy, relating the use of the mask to the farce and the exchange of identity in the Rubem Fonseca literature. To this end, we consider Maurice Blanchot's theories about the death of the author, Otto Rank, referring to the notion of double and Sigmund Freud, about psychoanalysis.
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A contística das águas como escrita do desastre e da catástrofe: vidas viradas pelo avesso na Pan-Amazônia
(Universidade Federal do Pará, 2021-01-22) SOUZA, Irisvaldo Laurindo de; SARMENTO-PANTOJA, Tânia Maria Pereira; http://lattes.cnpq.br/3707451019100958; https://orcid.org/0000-0003-1575-5679
This master's thesis is the result of a research that investigated the representation of waters in the Amazonian literature, focusing on contouring that has as its leitmotiv the typical hydrological disasters of the region. Among them the Andean "llocllada", the fallen lands, the floods and the fluviomarine tide known as pororoca. The corpus consists of six short stories by four authors: "Terra caída", by Alberto Rangel (2008), part of the book Inferno Verde; "La llocllada" and "Sob as primeiras estrelas" [Cielo sin nubes], by the Peruvian writer Francisco Izquierdo Ríos (1975; 2010); "A flood", by the Amazonian writer Arthur Engrácio (1995); and "Poraquê" and “Mamí tinha razão", by the Paulista writer living in Pará João Meirelles Filho (2017). This research adopts the comparative method and its approach is qualitative, based on bibliography. The main hypothesis was to observe how water disruption impacts the Amazonian subject's experience both on his direct relationship with nature and on his relations with the prevailing social order. The theoretical axis that guides the investigation is the concept of catastrophe, taken from contemporary philosophical thought but directly articulated with the Aristotelian doctrine of human power. The second theoretical key used is the concept of disaster, brought from sociological thought and also epistemologically linked to the power of the natural act in Aristotle's doctrine. With this instrumental, the analytical reading of water contouring is undertaken as an allegorization of the Amazonian man's modus vivendi and of his problematic and sometimes traumatic exposure to the powers that govern the actions of Nature and the facts of Culture. The critical interpretation of literary texts by authors from different periods and aesthetic affiliations thus provides a reflection on the fractures that water disasters cause in daily life and in the experience of individual and collective subjects in the Pan-Amazon, as well as on the traumas imposed on them in late Modernity as a result of the advance of the capital's civilization on the Amazonian border.
Acesso aberto (Open Access)
O corvo, de Edgar Allan Poe: interseção de linguagens entre tradução intersemiótica, adaptação e história em quadrinhos
(Universidade Federal do Pará, 2017-03-20) SOUZA, Deynea Fabíola Ferreira de; GUIMARÃES, Mayara Ribeiro; http://lattes.cnpq.br/6834076554286321
Based on semiosis of intersemiotic translation, the presente study analyzes the language of the transposition of Edgar Allan Poe´s poem The raven, to the comic strip of the graphic artist Luciano Irrthum, from the Machado de Assis translation. Using as theorical references Julio Plaza (2010), Charles Sanders Peirce (2005), Linda Hutcheon (2013), Thierry Groesteen (2015), among others, this thesis discusses the semiosis of the relation among the crossing of the systems o signs – from the written poem to the comics – dealing with the relation among text an image, observing the specificities of the sequential art as, graphic cut, timing, frame, related to the intention of Poe for the poem exposed in his essay The philosophy of composition, in which the poet in relation to the poem an exposes the effect he intends to achieve, such as tone, rhythm, cadence. The present work also address the adaptation of the poem within the context of mass culture.
Acesso aberto (Open Access)
Crônicas portuguesas em jornais paraenses na segunda metade do século XIX (1860-1870)
(Universidade Federal do Pará, 2008-10-14) RODRIGUES, Almir Pantoja; SALES, Germana Maria Araújo; http://lattes.cnpq.br/8723885160615840
Acesso aberto (Open Access)
De Cachoeira a Belém: a inflexão das ilusões de Alfredo
(Universidade Federal do Pará, 2008-03-28) FERREIRA, Paulo Jorge de Morais; FURTADO, Marli Tereza; http://lattes.cnpq.br/2382303554607592
This paper tries to demonstrate, through the journey made character Alfred, along the itineraty that goes from Cachoeira to Belém city, in a dalcidiana creation, the process of gradual disalienation of a boy who little by little becomes a young man. The building of his personality is through a very suffering process, wich in this heros life leads him to a necessary shock caused by some disillusions. Confronting with am bivalent feelings, with stages indecisions and indefiniteness, Alfred goes making his own way through the labyrinth of his being as the city also represents a not less challenging labyrinth. In this integration process, the final aim is the rescue of humain dignity which is not limited by the being of a hero; Alfred embraces a large political projet which is sought as a popular alternative.
Acesso aberto (Open Access)
Os (des)enredos do amor: a narrativa do fracasso amoroso em contos de Lygia Fagundes Telles
(Universidade Federal do Pará, 2010-11-29) VIANA, Maria José Amaral; FURTADO, Marli Tereza; http://lattes.cnpq.br/2382303554607592
This study assumes that the love-themed tales from Lygia Fagundes Telles can be read as narratives of love failure. In a poetic and vibrant way, the writer‟s short stories present the search for love and its failure, as weel as delineate man‟s anxieties, tensions and frustrations, which come from the experience of living and relating their feelings to other people. To develop this hypothesis, eight tales were analyzed, being divided into four tracks: love-incommunicability-loneliness, love-estrangement-fragmentation, love-selfishness-blame, love-degradation-death. In our reading, these tracks delineate and interlace the (mis)direction or (un)plots of romantic relationships in Lygia‟s tales and make it possible to analyze the social, ideological, philosophical and psychological values invested and/or virtualized in the narrative fabric, in order to examine and question the representations of love (des)constructed in the fictional universe of the writer.
Acesso aberto (Open Access)
Descobertas do mundo sob o olhar da criança e do louco em Corpo de baile e Primeiras estórias
(Universidade Federal do Pará, 2011-05-17) HENRIQUE, Rosalina Albuquerque; HOLANDA, Sílvio Augusto de Oliveira; http://lattes.cnpq.br/0928175455054278
This work focuses on the narratives “Campo geral” from Corpo de baile (1956), “The thin edge of happiness”, “Treetops” and “Much ado” from Third bank of the river and other stories (1962), book wrote by the Brazilian João Guimarães Rosa (1908-1967). About the narratives, we will discuss the perspective of the child and of the madman, the way of apprehension of the world and life, through the beauty or the madness, and a comparative reading related to temporality between “The thin edge of happiness” and “Treetops”, whose similarity is present in the theme and in narrative structure. In the study, we will highlight the critic texts from scholars of the criticism reception about Guimarães Rosa as Rónai, Soares, Holanda and Tatit, besides, this paper is based in the Aesthetic of Reception, formulated by the German Hans Robert Jauss under a perspective of a literary hermeneutics that becomes the reader a major collaborator in the building of sense of a given written production, and which the aesthetic experience is taken by an integration between the legacy of the literary-historical tradition and the interpretive horizons of those who read the work, seen mainly in A história da literatura como provocação à teoria literária. Thus, the first chapter will discuss of the study recepcional-aesthetic and literary hermeneutics through of the texts from Jauss, Gadamer, Ricoeur and Palmer, outlining the main theoretical guidelines for the construction of the next chapters. Following, in the second chapter we will make the study of the “The thin edge of happiness”, “Treetops” and “Much ado” (Third bank of the river and other stories) and “Campo geral” (Corpo de baile). Finally, in the third chapter, we will present analyses of criticism reception of the small collection of the referred narratives.
Acesso aberto (Open Access)
O desvelar do processo de criação: a questão da autoria em Um Sopro de Vida, de Clarice Lispector
(Universidade Federal do Pará, 2020-12-02) RIBEIRO, Merissa Ferreira; FERRAZ, Antônio Máximo von Sohsten Gomes; http://lattes.cnpq.br/5982898787473373
Acesso aberto (Open Access)
O dispositivo da delação em regimes de exceção: análise das narrativas No corpo e na alma e Soledad no Recife
(Universidade Federal do Pará, 2020-09-29) OLIVEIRA, Samantha Carolina Vieira de; SARMENTO-PANTOJA, Tânia Maria Pereira; http://lattes.cnpq.br/3707451019100958; https://orcid.org/0000-0003-1575-5679
The study analyses the reporting mechanism in narratives referring to the period of the civil and military dictatorship in Brazil. The corpus delimited to build the analysis is the testimony No corpo e na alma (2002), written by Derlei Catarina de Luca and the novel Soledad no Recife (2009), written by Urariano Mota. On the basis of the two narratives, it was possible to problematize the perspective of the reporting mechanism, proposed category to think about how reporting practices occurred and worked during the state of exception, and, mainly, how the resulting practices escaped as representations for the corpus both testimonial and literary. For this reason, through the case study, the analysis points out, while using other examples, how the protagonists of both narratives had their lives demobilized because of the reporting suffered. The delimitation of the political and historical context was fundamental, because I start from the analysis of the device concept thought up by Michel Foucault, whose assumption is that a device is a control technology that is constantly being readapted, depending on the requirements, therefore, the work understands as the reporting mechanism – that one situated in a historical and political context – as a control tactic readapted from other times and contexts. To better think about the implications and nuances of the reporting mechanism, it was necessary to systematize it from its action elements, which has made it possible to understand the practice of denunciation within the device. And beyond that, the work also needed to present the implications of literary theory with regard to the studies of testimony and testimonial content, concept thought up by Márcio Seligmann-Silva (2009), since both narratives needed to be problematized because of their literary value and the structural divergences presented between them, the first being a testimony and the second a novel with testimonial content. Taking these implications into account, this production needed to be based on categories such as Michael's Foucault (2017) device, state of exception and sovereignty of Giorgio Agamben (2004; 2010); Judith Butler’s precarious life (2018); in addition to theoretical contributions on testimony and Ceília de Luque’s testimonial content (2003), Valéria de Marco (2004), Eugênia Vilela (2012), Márcio Seligamann-Silva (2017); Tânia Sarmento-Pantoja (2018) e Augusto Sarmento-Pantoja (2019). Finally, the research takes as its methodological basis the comparative literature, in particular by considering the circulation of certain issues arising from the relationship between history and culture; and also historical materialism, especially, for analysing the emanations of barbarism in objects of culture and for betting on the perception of the past as a way of rethinking and changing structures of the present.