Dissertações em Letras (Mestrado) - PPGL/ILC

URI Permanente para esta coleçãohttps://repositorio.ufpa.br/handle/2011/2311

O Mestrado Acadêmico iniciou-se em 1987 e pertence ao Programa de Pós-Graduação em Letras (PPGL) do Instituto de Letras e Comunicação (ILC) da Universidade Federal do Pará (UFPA).

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Agora exibindo 1 - 20 de 44

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O aberto na obra de Paulo Plínio Abreu
(Universidade Federal do Pará, 2018-07-05) SANTIAGO, Rúbia de Nazaré Duarte; FERRAZ, Antônio Máximo von Sohsten Gomes; http://lattes.cnpq.br/5982898787473373
This dissertation presents a study about the opening issue on the Works of the paraense poet, Paulo Plínio Abreu. Such issue is very marked in the poem “Oitava Elegia” by Rainer Maria Rilke and brought many ideas to Martin Heidegger’s philosophy. In his work Parmenides, the german philosopher shows how the Greeks understand the opening as the essence of truth and with this insight he makes a parallel with Rilke’s poem. Paulo Plínio was a translator of Rilke’s works and incorporated the opening in his own poems, in the work of truth, however in a singular way. This presented study concerns about how each of the authors cited above show the opening issue, focusing in Paulo Plínio’s works. He uses the opening issue by the hearing of night images, the travel, the angel and the death present in his work Poesia.
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Agulhas e galhofas no romance A Família Agulha (1870) de Luís Guimarães Júnior
(Universidade Federal do Pará, 2021-07-07) BORCEM, Rogerio Pereira; QUEIROZ, Juliana Maia de; http://lattes.cnpq.br/0783166655929922; https://orcid.org/0000-0002-1741-1725
Luís Guimarães Júnior was born on February 17, 1845 in Rio de Janeiro and died on May 20, 1898 in Lisbon. The writer most often forgotten by literary stories and criticism in general was an important man of letters in the 19th century. He produced a considerable number of texts of the most diverse genres and among all this diversity of writings published mainly in the Diário do Rio de Janeiro there is the work A família da Agulha (1870). In view of the rescue of this important literary production of the 19th century, in this research we intend to carry out a critical analysis of this novel, highlighting the issues present in the work and the mechanisms of construction of the narrative itself. Moreover we intend to highlight aspects related to the author's life, his relations with the publishing market of the time, the engagiment with the reading public as well as the critical receptions about his publications in general and more specifically the novel in question. Such appreciation was consolidated mainly from the analysis of some primary sources due to the scarcity of research and studies that target both the writer and his work. Among these sources, the newspaper Diário do Rio de Janeiro from 1869 to 1872 is cited as an example, a period in which Guimarães Júnior served as the writer of this periodical.
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Atonia e degradação em personagens de Dalcídio Jurandir
(Universidade Federal do Pará, 2018-08-30) FERNANDES, Jonathan Pires; FURTADO, Marli Tereza; http://lattes.cnpq.br/2382303554607592
The present work proposes a study about the following fictional characters in Dalcídio Jurandir’s literary work: Eutanázio in Chove nos campos de Cachoeira (1941); Edmundo Meneses, in Três casas e um rio (1958); and Virgílio Alcântara, in Belém do Grão Pará (1960). It discusses the three characters based on two themes that, according to what this research proposes, are present in the composition of each one: atony and degradation. It is herein argued that these two themes are related to one of the main lines of interpretation of Dalcídio Jurandir’s literary work according to which most of the author’s fictional universe comprises negative and disillusioned heroes who travel through a discouraging and decadent scenario. In this context, they manifest negative traits such as atony and degradation. These traits can be understood as passions that rule the characters’ mental lives. Among the main works that theoretically support this research, we highlight the following ones: Berman (1982), Candido (1964), Candido (1968), Descartes (1649), Furtado (2002), Lebrun (2009), Lukács (1920) and Marx & Engels (1848).
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Autores brasileiros no Jornal do Pará (1867-1878)
(Universidade Federal do Pará, 2017-02-16) MENDES, Juliana Yeska Torres; SALES, Germana Maria Araújo; http://lattes.cnpq.br/8723885160615840
The daily sheet Jornal do Pará, a periodical active in Belém, there was space for numerous political, news and literary publications, in addition to maintaining dialogue with journals from other provinces of the country, with the purpose of sharing sliced fictional narratives — the famous way to publish prose fiction at the nineteenth century. Given the range of texts published in Pará’s newspaper, and the favorable condition for national authors to disclose their productions, this work aims to recover the works of Brazilian authors that circulated in the journal while it was circulating, emphasizing the way these authors are represented in the Brazilian Literary History, in addition to analyze the theme of these narratives, considering the historical and cultural space in which they were produced. Thus, we intend to emphasize the importance of the literature inside the newspapers in the nineteenth century, as this kind of work allows us to contribute to the record of the history of Brazilian literature.
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Booktubers no campo editorial brasileiro: estudo de caso de oito canais literários (2016-2018)
(Universidade Federal do Pará, 2020-07-10) SILVA, Daniel Prestes da; AUGUSTI, Valéria; http://lattes.cnpq.br/6970953321235328
Acesso aberto (Open Access)
O cavalo desembestado do pensamento: fluxo de consciência como condutor da narrativa em Afonso Contínuo, Santo de altar, de Lindanor Celina
(Universidade Federal do Pará, 2020-06-30) REIS, Gleice do Socorro Bittencourt dos; CASTILO, Luís Heleno Montoril del; : http://lattes.cnpq.br/3519128535996125; https://orcid.org/0000-0002-2507-5346
This dissertation analyzes the novel "Afonso Contínuo, Santo de Altar" (1986), by Lindanor Celina, which is an inexhaustible source of interesting and important topics from a literary and social point of view, as it addresses controversial issues that provoke fertile and necessary debates. The relevance of a study like this is in the appreciation of our Amazonian authors who, even when [just] talking about their homeland, developed extremely universal subjects in their works. The general objective of this work is to analyze the construction of the novel's narrative from the flow of consciousness' perspective, aiming to understand the meanings that can be extracted in this process. The specific objectives are: to identify which techniques are used for the composition of the flow of consciousness; delimit the narrative focus used in the novel; and list and analyze the topics discussed. This research will address the "flow of consciousness", concept absorbed from Psychological studies, to define writings that have, as a major characteristic, the construction of the narrative through the psychological aspects of the characters. To understand the building of this technique, it is also necessary to identify and analyze the point of view or the narrative focus, since the study of focusing also allows the possibility of to delimit certain understandings about life and the world around.
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A cidade personagem de Belém do Grão-Pará
(Universidade Federal do Pará, 2018-11-29) BRASIL, Clara Alice da Silva Guimarães; FURTADO, Marli Tereza; http://lattes.cnpq.br/2382303554607592
A city establishes important meanings for Literature. Thus, many studies show the relevance seeking to understand the relationship between Literature and literary work. In "Belém do Grão-Pará" (1960) by Dalcídio Jurandir, this is no different, since the city becomes a crucial figure for the novel's plot; because of that, many scholars such as, Nunes (2006), Linhares (1987), Furtado (2010), Ornela (2003), Castilo (2007), emphasized the role that the city means in the narrative, more specifically, showing the current personification in the romantic lines. Considering this perspective, the initiative of this study is based on the necessity to extend this indication. To that end, the aim is to interpret Belém city as a character in the work "Belém do Grão-Pará". However, to reach this purpose it intends to note the limits between character and space in the narrative; understanding how configuring the city can establish it as a character; and, at the same time, inspecting how the city dialogues with other characters. To that end, proceeds the bibliographic research on a range of definitions of space, characters and cities in literature. Texts by Osman Lins (1976), Candido (2011), Santos e Oliveira (2001), Dimas (1985), Dias (1986), Briesemeister (1998), Freitag (1998) Mesquita (1986), Borges Filho (2007; 2009), Barbieri (2009), among others, were essential for the reflection of this purpose. Therefore, it is observed that the bounds between space and character are subtle and, mainly, they contribute to build the profile of the city, in concluding that it is a character in "Belém do Grão-Pará".
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Cinzas do Norte, de Milton Hatoum, um romance de formação
(Universidade Federal do Pará, 2018-12-13) PINHEIRO, Lucilia Lúbia de Sousa; PRESSLER, Gunter Karl; http://lattes.cnpq.br/0100053541433805
The present study shows the novel Cinzas do Norte (2005), from the writer Milton Hatoum, according to the Bildungsroman concept.Firstly, this work is foccussed on what R.Selbmann (1994) considers the ―obrigatory instance‖ of a Bildungsroman such as the presence of the formation(scholar or professional). To include the reader into this discussion the studies produced in Brazil and into the Amazon context are approached, taking novels characterized as Bildungsroman in therms of formation or education. In the second place the study is about the structural form of the novel related to narrator,plot, time and space. Brings the possibility of lecture of the Hatoum‘s novel starting with the point of formation. This study brings also the reception of the novel, emphasizing the memorialistic aspect point by the critic.
Acesso aberto (Open Access)
A concretude do silêncio nas traduções de Augusto de Campos de poemas de Rilke
(Universidade Federal do Pará, 2021-05-28) TORRES, Ana Maria Ferreira; GUIMARÃES, Mayara Ribeiro; http://lattes.cnpq.br/6834076554286321
Acesso aberto (Open Access)
A construção da identidade no conto fonsequiano: a intertextualidade e a morte como afirmação do estrangeiro
(Universidade Federal do Pará, 2017-02-22) FERREIRA, João Paulo Cordeiro; GUIMARÃES, Mayara Ribeiro; http://lattes.cnpq.br/6834076554286321
In Rubem Fonseca's tales, it is common to find several "intertextualized" discourses, with works, characters, quotations and discussions around famous Brazilian and foreign literary authors who are, in different contexts and literary constructions, placed in the fonsequiana prose, directly or indirectly. In this way, we will take an approach taking into account three important short stories of Fonseca: "Encontro no Amazonas" (from the book O Cobrador), "Romance Negro" (from Romance Negro) and "A matéria do sonho" (from the book Lúcia McCartney). The reading of these tales, in part, suggests to us that there is an intense dialogue between the national and the foreigner, in which death assumes a decisive role for the self-assertion of the foreign tradition in our literature. This dialogue also allows us to identify the relationship between the fonsequiana prose and the narratives of E.T.A. Hoffmann and Edgar A. Poe, since it is possible that some compositions of these authors have drawn a dialogue with the literary constructions of Rubem Fonseca, which in this sense made possible the re- reading of the works of Poe and Hoffmann. In this way, we also emphasize the relation of the fonsequiana prose with the Greek tragedy, relating the use of the mask to the farce and the exchange of identity in the Rubem Fonseca literature. To this end, we consider Maurice Blanchot's theories about the death of the author, Otto Rank, referring to the notion of double and Sigmund Freud, about psychoanalysis.
Acesso aberto (Open Access)
O corvo, de Edgar Allan Poe: interseção de linguagens entre tradução intersemiótica, adaptação e história em quadrinhos
(Universidade Federal do Pará, 2017-03-20) SOUZA, Deynea Fabíola Ferreira de; GUIMARÃES, Mayara Ribeiro; http://lattes.cnpq.br/6834076554286321
Based on semiosis of intersemiotic translation, the presente study analyzes the language of the transposition of Edgar Allan Poe´s poem The raven, to the comic strip of the graphic artist Luciano Irrthum, from the Machado de Assis translation. Using as theorical references Julio Plaza (2010), Charles Sanders Peirce (2005), Linda Hutcheon (2013), Thierry Groesteen (2015), among others, this thesis discusses the semiosis of the relation among the crossing of the systems o signs – from the written poem to the comics – dealing with the relation among text an image, observing the specificities of the sequential art as, graphic cut, timing, frame, related to the intention of Poe for the poem exposed in his essay The philosophy of composition, in which the poet in relation to the poem an exposes the effect he intends to achieve, such as tone, rhythm, cadence. The present work also address the adaptation of the poem within the context of mass culture.
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Descobertas do mundo sob o olhar da criança e do louco em Corpo de baile e Primeiras estórias
(Universidade Federal do Pará, 2011-05-17) HENRIQUE, Rosalina Albuquerque; HOLANDA, Sílvio Augusto de Oliveira; http://lattes.cnpq.br/0928175455054278
This work focuses on the narratives “Campo geral” from Corpo de baile (1956), “The thin edge of happiness”, “Treetops” and “Much ado” from Third bank of the river and other stories (1962), book wrote by the Brazilian João Guimarães Rosa (1908-1967). About the narratives, we will discuss the perspective of the child and of the madman, the way of apprehension of the world and life, through the beauty or the madness, and a comparative reading related to temporality between “The thin edge of happiness” and “Treetops”, whose similarity is present in the theme and in narrative structure. In the study, we will highlight the critic texts from scholars of the criticism reception about Guimarães Rosa as Rónai, Soares, Holanda and Tatit, besides, this paper is based in the Aesthetic of Reception, formulated by the German Hans Robert Jauss under a perspective of a literary hermeneutics that becomes the reader a major collaborator in the building of sense of a given written production, and which the aesthetic experience is taken by an integration between the legacy of the literary-historical tradition and the interpretive horizons of those who read the work, seen mainly in A história da literatura como provocação à teoria literária. Thus, the first chapter will discuss of the study recepcional-aesthetic and literary hermeneutics through of the texts from Jauss, Gadamer, Ricoeur and Palmer, outlining the main theoretical guidelines for the construction of the next chapters. Following, in the second chapter we will make the study of the “The thin edge of happiness”, “Treetops” and “Much ado” (Third bank of the river and other stories) and “Campo geral” (Corpo de baile). Finally, in the third chapter, we will present analyses of criticism reception of the small collection of the referred narratives.
Acesso aberto (Open Access)
O desvelar do processo de criação: a questão da autoria em Um Sopro de Vida, de Clarice Lispector
(Universidade Federal do Pará, 2020-12-02) RIBEIRO, Merissa Ferreira; FERRAZ, Antônio Máximo von Sohsten Gomes; http://lattes.cnpq.br/5982898787473373
Acesso aberto (Open Access)
Uma é a escritora, outra, a mulher: um estudo sobre as duas facetas da personagem feminina em Lésbia (1890), de Maria Benedita Câmara Bormann (Délia)
(Universidade Federal do Pará, 2021-08-25) RODRIGUES, Pamela Raiol; QUEIROZ, Juliana Maia de; http://lattes.cnpq.br/0783166655929922; https://orcid.org/0000-0002-1741-1725 Endereço
During the Nineteenth century, the education that Brazilian women belonging to the socioeconomic elite received was primarily designed to make them an exemplary mother and wife. However, with the modernization of the Brazilian Empire and aiming for national development, a better education became necessary, including for women. Thus, some of them were better educated and, from this knowledge construction, they could question their life models. Throughout this period, the Brazilian press and publishing market developed effectively; however, this literary space was quite closed to women writers who intended to write and publish. Today, we know that, despite these difficulties in her education and social life, notable women became writers in the 19th century. Among them was the name of Maria Benedita Câmara Bormann, known as Délia, a widely published writer in 19th century Rio de Janeiro, although today there is almost no access to her work or records of her work in literary compendia. Therefore, the present dissertation aims to ponder on how the female character is configured in the novel Lésbia, published in 1890 by Delia. At the center of the plot, we have Arabela, who becomes a writer, participating in the publishing market of the late nineteenth century, besides experiencing several love relationships throughout the narrative. Thus, our reading of the female figure surrounds two aspects: the representation of the female writer in 19th century Brazil and, then, we analyze Arabela through the bias of her love life and affectivities, elements that make Bormann's prose ahead of its time. To fulfill these specific objectives, we anchor ourselves in studies on the history of Brazilian women, with a focus on those belonging to the wealthier class (VERONA, 2013; SANTOS, 2010, D'INCAO, 2018), studies on female sexuality and affectivity (DEL PRIORE, 2014), on the history of the Brazilian book market of the century in question (EL FAR, 2006, 2010), and on narrative fiction (CANDIDO, 2018; LEITE, 1985). As a result, we believe that currently there is still a need to revise the official literary historiography, because if names like Delia's - a writer who helped consolidate Brazilian literature - are erased, a revision that rescues the names of our first female writers is necessary. In this way, we will be able to make use of a more egalitarian literary history.
Acesso aberto (Open Access)
Ecos cinematográficos na poesia de Carlos Drummont de Andrade
(Universidade Federal do Pará, 2017-03-16) SANTOS, Glleyce Clívia Vinagre; GUIMARÃES, Mayara Ribeiro; http://lattes.cnpq.br/6834076554286321
The present dissertation develops an interpretive proposal of the changes occurred in the twentieth century, regarding human perception and its relation with a poetic language when it makes the movie of the cinema and the mark this in the poetry production of Carlos Drummond de Andrade, both in the which refers to references to cinema or to the use of a cinematographic language as a form of renewal of literary language for the influences in the formation of the drummondiano lyrical subject. Thus, divided into three chapters, poems selected from Alguma poesia (1930), "Canto ao homem do povo Charlie Chaplin", from A rosa do povo (1945), and a selection of poems from the series Boitempo (1968, 1973 and 1979). In the first chapter we see the outline of a panorama that clarifies us about a cinematographic language, such as changes in the structure of human perception when the emergence of cinema in modern man's life and his mark on Drummond's poetry. The second chapter introduces a reading of Drummond poems to investigate his profile as a poet-cinematographer and a transposition of a cinematographic language into a poetic language. In the third and last chapter are revealed some links between a drummondiana poetry and the Charlie Chaplin films, as well as some affinities between the poetic subject Carlos and the film character Carlito. Among the main theoretical and critical references taken as a basic for the writing of the chapters are Walter Benjamin (1987), with regard to the brand of cinema in human perception, Andrei Tarkovski (2010), in the treatment of cinematographic aspects, Paul Ricoeur (2007) and Henri Bergson (1999), with regard to the apprehension of memories in images, André Bazin (2006) in the study of aspects of the chapliniana work, finally, Marlene de Castro Correia (2002, 2010 and 2015), Davi Arrigucci Jr. (2002) and Antonio Candido (1989 and 1995) for the oriented study of the poetry of Carlos Drummond de Andrade.
Acesso aberto (Open Access)
Eu era dois, diversos?: o diálogo poético de Max Martins e Age de Carvalho
(Universidade Federal do Pará, 2018-05-18) SANTOS, Elizier Junior Araujo dos; GUIMARÃES, Mayara Ribeiro; http://lattes.cnpq.br/6834076554286321
This research aims at the poetic dialogue established between Max Martins and Age de Carvalho, both born in Pará, in the northern part of Brazil, through the study of the book A fala entre parêntesis (1982), written in two hands, by both of them. Also, by the dialogue present in the following books, by Max Martins: Caminho de Marahu (1983) and Colmando a Lacuna (2001), and by Age de Carvalho, Arena, Areia (1986), Pedra-um (1990) and Caveira 41 (2003). From then on, the aim is to search answers to the question proposed by the epigraphy of their book: “Eu era dois, diversos?” [Was I two, diverse?]. This question articulates the whole study and highlights the poetic relationship between the two writers, beyond any time. Initially, the reserach discusses the poetic correlation between the concepts of eroticism and melancholy in connection to the existence of a multiple poetic subject, present in A fala entre parêntesis. To discuss that, we take the position of Nunes (1982) which considers the book “a path from subjectiviy through intersubjectivity”. We also consider the thoughts of Georges Bataille (1987; 2015), Barthes (1984), Paz (1994; 2009) and Siscar (2016) in order to examine the erotic character of poetry as a bridge to transgression and tension, in the perspective of metapoetics. From then on, I discuss melancholy as a literary and philosophical activity according to the concepts proposed by Lages (2007), involving the experience of loss and silence in the process of writing. Furthermore, the research turns to the examination of the close connection between poetry and photography, taking the photograph study that accompanies the book A fala entre parêntesis, in the light of Sontag (2007), Didi-Huberman (2010) e Flusser (2011), considering this field of study, with the idea of image as a mirror and testimony of this brotherhood. At last, this research investigates the poetic adventure involving the friendship of the two poets, based on their biography and lyric identities and identifications, in poems published until 2003. I also use Agamben (2009) to debate the concept of contemporary, and the philosophy of Zen-budhism to track the meanings of this friendship and the links established between them
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Ficção e sociedade em Guimarães Rosa: interpretação dos contos “A volta do marido pródigo” e “Minha gente”
(Universidade Federal do Pará, 2011-05-11) MAUÉS, Brenda de Sena; HOLANDA, Sílvio Augusto de Oliveira; http://lattes.cnpq.br/0928175455054278
This work has as theoretical and methodological basis the Aesthetic of Reception, the school of literary theory that emerged in the late sixties in opossition to the dogmas Marxist and formalist, to the extent that they ignore the role of the reader as the main recipient of the literary work. The research is focused on a hermeneutic approach and grounded in an analisis that relates literature and society, considering that is possible to find echoes of humanist ideals in this book, mainly within the tales that form the corpus for our analysis. Thus, following the methodological bias postulated by Jauss (1921-1997), in which the sense of a literary work should be sought into a dialetic constitution between the text and the reader, this paper outlines a survey of short stories “A volta do marido pródigo” and “Minha gente” of Sagarana, especially when it cames to the tematic and formal ties and to the analysis of the characters. In these narratives, it is possible to identify political and amorous disputes wich are developed at the same time along the plot, in general, is depicted the form of the assignment partisan politics and the family relationships in Brazil at the beginning of last century, each tale casts these thematics in their own way, one more comic, focusing on political and social issues and the other emphasizing family relations. In “A volta do marido pródigo” we found a hero with a obvious folk origination within a narrative that dialogues with the parable of the prodigal son and the Aesopian fable of turtle and toad. “Minha gente” tells a story of a relation between the characters lives and the game of chess. Although they retain significant differences between them, those stories have much in common. We took into acount studies already stablished about Sagarana as it is the Mortos de sobrecasaca of Álvaro Lins, as well as others, more recent, of researchers such as Luiz Roncari (O Brasil de Rosa: o amor e o poder), Gilca Seidinger (Guimarães Rosa ou a paixão de contar: narrativas de Sagarana), Nildo Benedetti (Sagarana: o Brasil de Guimarães Rosa) and Sílvio Holanda (Rapsódia Sertaneja: leituras de Sagarana).
Acesso aberto (Open Access)
A figura feminina na escrita de Jane Austen e Júlia Lopes de Almeida
(Universidade Federal do Pará, 2021-12-14) SERRÃO, Rebecca Falção; QUEIROZ, Juliana Maia de; http://lattes.cnpq.br/0783166655929922
This thesis has as one of its main objectives to analyse comparatively the novels Razão e Sensibilidade (1811), written by Jane Austen, and Memórias de Marta (1888), written by Júlia Lopes de Almeida, focusing on the compositional development of its characters: Marianne Dashwood and Marta. Based on a related bibliography, we discuss as a central theme the books already mentioned here the fictional representation of its female figures. It is necessary to present a breaf contextualization of the writers’ life and the period they lived, with the purpose of highlight how this fact could have contributed on the theme’s choice addressed by the authors in their books, this way emphasizing how these writers have questioned the woman’s issue. Being so, we seek for raise interpretative hypothesis about the literary path of the writers as well as compositional aspects of the female characters in consideration of the nineteenth woman’s insertion both in England and in Brazil.
Acesso aberto (Open Access)
Fluxo e refluxo Rio-Belém: a presença de poetas-tradutores modernistas nos suplementos literários letras e artes (1946-1954) e arte-literatura (1946-1951)
(Universidade Federal do Pará, 2018-11-23) LOPES, Eldinar Nascimento; LEAL, Izabela Guimarães Guerra; http://lattes.cnpq.br/2507019514021007
The Present study aims to catalog the literary translations published in literary supplements Arte-Literatura, between 1946-1949, and Letras & Artes, in the period from 1946 to 1954, in the states of Pará and Rio de Janeiro, respectively, to propose a comparative study between them and understand what foreign literatures were widespread at that time and what are the differences and similarities between the translated materials. Moreover, it is necessary to understand the extent to which the translations flow and the presence of foreign authors became indispensable for the expansion project of educational reading, both regarding to interests facing the ideological purposes but also aesthetic. Using as a parameter the post-war period and the unblocking of the New State policy, the circulation of literary productions from different places and different times was very important to recognize the various forms of literary creations and an opening to the multiplicity of cultures mainly to consider the importance of dialogue and inclusion among diverse cultures. In this context of intercultural and intellectual openness to other ways of thinking, the translator's presence plays an important role as a transformer agent, especially when you discover the effort that our writers and translators had to disclose a literature increasingly broad, heterogeneous and critical. At the same time, the cataloging work showed that there was a huge variety of writers and translators, known or not.
Acesso aberto (Open Access)
Fradiquices em terras paroaras: a circulação de prosas embrionárias de cartas de Fradique Mendes n’ A Província do Pará
(Universidade Federal do Pará, 2017-02-17) FERREIRA, Sara Vasconcelos; SALES, Germana Maria Araújo; http://lattes.cnpq.br/8723885160615840; https://orcid.org/0000-0002-2120-7364
Carlos Fradique Mendes is the result of Eça de Queirós, Antero de Quental and Jaime Batgalha Reis’ collective creation. The innovative portuguese author emerged in A Revolução de Setembro’s pages in 1869; years later Eça de Queirós appropriates the character and creates for him a biography, compiles his remaining private letters and publishes the book entitled A Correspondência de Fradique Mendes. However, the first writings that compose Fradique’s biography, as well as the first letters, are disclosed in Rio’s newspaper Gazeta de Notícias. After the Gazeta´s publication, the portuguese author begins, in a fragmented fashion, to publish them in the portuguese magazine Revista de Portugal. In 1892, when the magazine ended its activities, Eça wrote some articles and proses for the Rio newspaper and four more letters, two of these under the signature of Fradique Mendes. Both the epistolary and narrative prose and the article published in Rio de Janeiro were reproduced in the pages of the Pará’s sheet A Província do Pará. With the project of publication of the book the prose were reformulated and transformed into letters. The purpose of this research is to present how the process of rewriting undergone by the prose and embryonic articles published in A Província do Pará was carried out and how the interventions are conveyed to fit the writings to Fradique Mendes’ thoughts. We analyze the transformations of the narrative and epistolary prose, as well as of the articles’, starting from the change of support, the reorganizations of the paragraphs, the adaptation of the writings to the style of Fradique and the transposition to another genre. Thus, we focus on understanding how the Portuguese author builds the Fradiquian personality, based on the first Fradique Mendes and the form that he transforms a character into an ideal of a civilized man. These proses and articles reused to compose the letters of Fradique Mendes and that circulated in the Pará’s newspaper ratify the strong Portuguese presence in Nineteenth Century’s Belém. This study contributes to the researches on the circulation and reception of Eça de Queirós in the capital of Pará and Brazil, as well as the circulation of fiction in periodicals in the 19th century.