Teses em Letras (Doutorado) - PPGL/ILC

URI Permanente para esta coleçãohttps://repositorio.ufpa.br/handle/2011/6713

O Doutorado Acadêmico iniciou-se em 2012 e pertence ao Programa de Pós-Graduação em Letras (PPGL) do Instituto de Letras e Comunicação (ILC) da Universidade Federal do Pará (UFPA).

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Agora exibindo 1 - 14 de 14

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Bruno de Menezes, Dalcídio Jurandir e De Campos Ribeiro e as territorializações afro-amazônicas urbanas (da belle époque à década de trinta)
(Universidade Federal do Pará, 2019-11-22) SANTOS, Josiclei de Souza; FURTADO, Marli Tereza; http://lattes.cnpq.br/2382303554607592
The present paper makes a reading of the profane and sacred Afro-Amazonian territorializations in the city of Belém from the nineteenth to the twentieth century, and in the first decades of it, from the works Gostosa Belém de Outrora (1965), by José de Campos Ribeiro, Belém do Grão Pará (1960), by Dalcídio Jurandir, and Batuque (1939), by Bruno de Menezes, observing how the mentioned authors, through their experiences and research, got to create works that reinserted Afro-American minority groups in the narrative of the city. Amazonian communities that had been concealed by the narrative of the majority groups of the Amazon belle époque period, which took place during the gomiferous economic cycle, and these communities were hidden from the conformation narrative of the city. In this cycle there was an enunciative agency of Euro-indigenous essentiality, fed through an artistic production committed to the State apparatus. It is interesting for this paper what the referred works have of Minor Literature, working with the signs of Afro-Amazonian territorializations in the city of Belém, erasing the origin genealogies that generate racisms and hierarchies, which diminished the African descent participation in the Amazonian history. As tools for reading the studied works will be used Comparative Studies, as well as Cultural Studies, in a transdisciplinary perspective.
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Desamparo e insulamento nas obras literárias a "Ilha da Ira", de João de Jesus Paes Loureiro e "Órfãos do Eldorado, de Milton Hatoum
(Universidade Federal do Pará, 2018-09-12) FERREIRA, Lourdes Nazaré Sousa; SARMENTO-PANTOJA, Tânia Maria Pereira; http://lattes.cnpq.br/3707451019100958
The present thesis sought to analyze two contemporary literary works, the novel Orphans do Eldorado de Milton Hatoum (2008), and the play The Island of Wrath, by João de Jesus Paes Loureiro, present in the book "Collected works: theaters and essays" (1976). The discursive voices that resonate with the characters in the narratives were important to answer the argument that this thesis is based on: the concept of helplessness as understood throughout the centuries proves sufficient to account for the anguished and traumatized experiences erected in the literary text . And since it is always necessary to construct meanings to represent psychic aspects, this study was based on the observation of all the expressive theoretical procedures for textual composition. It becomes fundamental to clarify, in view of the proposition that was exposed and evaluated in this work, the terms insulation and helplessness. Therefore, the objective of this work was to perform a comparative reading of the two works, verifying through the discourses of the characters how the helplessness is revealed in a literary production from the twentieth century. Through this bias, the developed reflection focused on visions undertaken through a theoretical-investigative study based mainly on a transdisciplinary theoretical framework with Freudian psychoanalysis, in order to broaden the view on helplessness as it emerges from the literary space. These discussions found their main theoretical support in the books Inhibitions, Symptoms and Anguish, by Sigmund Freud (1996), Birman (1999), Camon (1990), Maffesoli (1987), Michaud (2001), among other theorists whose contribution was thorough relevance as a way of presenting the arguments, their contexts and the relations they have with the core of the research. The research allowed to identify in the works of the corpus, the existence, as a metaphorical arsenal of sensations and affections that are manifested with immense force representative of universalizing behaviors and conflicts, such as loneliness, anguish, violence, abandonment, lack. For this reason, the abandonment will be understood, in this study, that in erecting contemporary literary productions will present itself as an aggregator of affections and senses being pertinent to take it as a paradigm or analytical tool for the understanding of other similar fictional texts.
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O discurso do Infilmável: formas de pensar a adaptação entre literatura e cinema
(Universidade Federal do Pará, 2023-09-11) LOUREIRO JUNIOR, João Pereira; SARMENTO-PANTOJA, Carlos Augusto Nascimento; http://lattes.cnpq.br/3263239932031945; https://orcid.org/0000-0003-0552-4295
This thesis reflects on the discourse of the infilmable from the representation of the impossibility in the translation process between literature and cinema, potential justification to evidence a supposed aesthetic impediment in the interartistic relationship the literary and the filmic. To discuss the ways of thinking adaptation from this perspective, we assume that the unfalmable reveals the conflictive relationship between what is proposed to be done (from mechanisms and resources built in the making of the script) and what materialized as an adapted product. This occurs through an intense process of searching for the film and finding solutions to assume the particularity of the cinematographic work, which in the filmable, is as unfalmable, because all cinematic translation is a possibility, a desire to transform aesthetic creation into a language in all its imagery potential. To analyze the constitution of the unfalmable discourses, we used several theoretical frameworks in the field of adaptation that helped us in the research. To discuss relational constructions around the game literature, cinema and translation, we used authors such as Borges (2007), Benjamin (2008), Llosa (2004), Cândido (1972), Adorno (1970), Bernardet (1985). When we discuss the unfalmable, starting from a conceptual, etymological, semantic, linguistic and historical perspective, to reach the places of speech that feed the term, we use authors such as Stam (2008), Avellar (2007), Bazin (1991). To support our readings on translation, adaptation and other related concepts, we propose a dialogue with Figueiredo (2010), Sanchez Noriega (2001), Plaza (2003), Seger (2007), Hutcheon (2013). In order to enhance our discussion, we analyzed some adaptations of films/TV series, based on Don Quixote by Miguel de Cervantes, we used as theoretical contribution scholars such as León (2015); Hidalgo and Arruda (2020), Morell (2022) Silva (2016), Johnson (2003). As a conclusive point for the discursive delimitation that we propose to investigate, this thesis demarcates its position in the field of translation/ adaptation between cinema and literature, evidencing the fragility of a discourse around the unfalmable that potentiates itself in the space of common sense, by the discursive imposition of an uncontrolled impossibility, as soon as it is confronted by the power of translation between the borders that encompass the literary and the filmic and its eternal becoming.
Acesso aberto (Open Access)
Eles muitos cavalos e pssica: a literatura brasileira contemporânea imersa no caleidoscópio citadino
(Universidade Federal do Pará, 2025-02-11) COELHO, Luana da Silva; PEREIRA, Helena Bonito Couto; http://lattes.cnpq.br/9240687015870539
Based on the assumption of the complexity of life in urban centers, which causes social and psychological impacts on the individuals who constitute this reality, this work seeks to analyze how this space is being represented in contemporary Brazilian literature, focusing on the novels Eles eram muitos cavalos (2001) by Luiz Ruffato from Minas Gerais and Pssica (2015) by Edyr Augusto from Pará. With the help of bibliographical research method and comparative literature, the aim is therefore to analyze the city as a space-character in the aforementioned novels, guided by the marks of Romanesque fragmentation, discussed by authors such as Sá (2007), Hossne (2007), Ricciardi (2007) and Macedo (2007); the forms of contemporary realism, based mainly on Schøllhammer (2009; 2012; 2013), the influences of cinematographic montagem techniques, elaborated by Eisenstein (1990), Leone & Mourão (1993), Stam (2000) and Carone (1973) and traces of the detective novel, theorized by Reimão (1983) and Massi (2011). In view of this, since the city is a theme that permeates the history of Brazilian literature, it can be inferred that its recurrent presence in contemporary writing is notable, since it is the locus that brings together a set of social ills. This theme has captured the attention of writers in today's context, being treated in different ways and represented through writing techniques that permeate the simultaneity of events occurring in big metropolises and influenced by the chronotope in which each author and work are inserted – from São Paulo, as in Ruffato's novel, to Belém and the Amazon region, as in Edyr's case.
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Entidades e identidades no diálogo entre seres fantásticos das narrativas orais tradicionais da Amazônia e dos RPGS
(Universidade Federal do Pará, 2021-05-04) MUINHOS, Breno Pauxis; SIMÕES, Maria do Perpétuo Socorro Galvão; http://lattes.cnpq.br/0672011058049782; https://orcid.org/0000-0002-1365-6258
The Amazon, besides being a geographic region, is a space of traditional civilizations and their cultures. Several societies flourished and developed in this space, and came in contact with others from other parts of the world, and in this place they came to create another variety of thoughts that are concretized in narratives that continue today. In Literature, it has become a setting for the most diverse manifestations of literary art, and in History it constitutes a framework rich in the phenomena of humanity. Role-playing games, RPGs, are part of a genre that emerged in the late sixties in the USA, which presents in its vast material reflections of different historical and literary moments. His contributions are noticeable in several printed materials aimed at practitioners of this narrative activity and other medias. The present thesis aims to trace the dialogues that the RPG printed texts have with some oral narratives collected by the IFNOPAP Project, which aims to expose the resistant imagery in the local identity about what they understand as mythological reality. The focus of the work is on the texts that report fantastic creatures present in the testimonies of several subjects that were questioned by the researchers. The reports are placed in comparison with the texts coming from books of narrative games, something that aims to present how traditional popular narratives still resist time and are absorbed by a genre proper to modernity. For a complete perception, an outline of the course of studies of oral narratives in Brazil and other parts of the world, relevant to the objectives of the thesis, will be drawn. In addition to presenting the context of how role-playing games emerged, it will also be presented how the narratives present in the works can be perceived as appropriate literary texts for interpretation and analysis proper to Literary Theory. From these premises, it will be confirmed that fictional entities will be at the side of the construction of the identity of these peoples, based on the material of the authors who contributed to the IFNOPAP Project. Finally, in annex, the thesis will present a proposal that presents examples of how traditional oral narratives can be adapted for use as RPG scenarios, which will have their own characteristics to be used as a form of resistance and Amazonian expression.
Acesso aberto (Open Access)
Escrituras indígenas de autoria de mulheres Potiguara (Brasil) e Mapuche (Chile)
(Universidade Federal do Pará, 2022-02-11) ALENCAR, Larissa Fontinele de; SARMENTO-PANTOJA, Tânia Maria Pereira; http://lattes.cnpq.br/3707451019100958; https://orcid.org/0000-0003-1575-5679
In this dissertation I propose a study in the field of resistence literature on the writings written by the women from the Potiguara (Brazil) and Mapuche (Chile) native peoples. For this purpose, this research is structured as a great tessitura formed by threads and theoreticalmethodological lines whereby the basic epistemologies support, initially, on the process of brushing history against grain, thereby, tracing the (re)made literary plot made by indigenous women thread by thread. A priori, I realize that the literatures of indigenous authorship are resistence literatures and that the indigenous literary territory-body in connection with nature is done through words in defense, as well as it remains firm in its purpose and own ideologies, even with all the impositions and subjugations engendered by the hegemonic discourse perpetuazed by the colonizer. It’s also important to emphasize that the resistence literature is a field of literary theory that studies the literatures that emerge in contexts of authoritarianism, state of exception, barbaric situation, likewise in trauma situtations, or, even, thematize such psychologycal and socio-historical conditions. Therefore, this literature sub-area configures itself as a great potential to existence through resistence, thus forming a poetry rupture of “reexistence”. Seen in these terms, I consider that the Potiguara and Mapuche women’s writings are developed by words that transcend the resistence both gender and ethnic identity. This perspective is significant on the literary corpus of this research, and enables that the scope of the dissertation is done through the expression of the fractured body of the indigenous woman, which, consequently, in resistence, it tenses through the literary production, the memory, ancestry, gender issues, ethnic identity and subjective and collective relationships with the colonial trauma. From this point of view, the literary corpora of this research is composed of the texts by the Potiguara writers: Eliane Potiguara, Graça Graúna and Sulami Katy; of the Mapuche people the texts selected were by the writers: Graciela Huinao, Faumelisa Manquepillán and Daniela Catrileo. However, I reinforce that on this dissertation, there are also references to a considerable writing production created by other writers, including even some that belong to other ethnic groups. Thus, this is a bibliografic and qualitative research developed from a descreptive analytical approach and also done through the reading comprehension of the literary texts selected for it. For this purpose, after doing the literary copora analysis, I pursued to make text snatches that were consonant to the compression of poetic aspects of the indigenous writers’ texts, on the conception of an ancient escrevivência on the development of gender identity poetries and ethnic identities, besides a perspective of the indigenous view about the colonial traumas caused by the genocidal state. Finally, taking an overview about this research, I consider that one of the most significant contributions of this dissertation is on the combination of the resistence literature to indigenous literature, because it adds to this field another literary narrative from decolonial source that goes through bodies and texts that were excluded from literary studies for a longe time.
Acesso aberto (Open Access)
O exílio no testemunho da segunda geração: elementos para um paradigma narrativo
(Universidade Federal do Pará, 2021-02-26) LOBATO, Ladyana dos Santos; SARMENTO-PANTOJA, Tânia Maria Pereira; http://lattes.cnpq.br/3707451019100958; https://orcid.org/0000-0003-1575-5679
In this research, we analyze the testimony of the children of the persecuted, disappeared and political dead of the 1964 Military Dictatorship, which refers to the childhood experience in exile and the way this experience is presented in literary and cinematographic production. For this, we selected two research corpora. The first consists of testimonial narratives published in 2014 in the book Infância Roubada, among which we selected the narratives entitled: “O exílio do meu pai foi a nossa despedida”, by Suely Coqueiro; “Por que você é tão tristinha?” by Marta Nehring; and “Adotados pela Revolução Cubana”, by Virgílio Gomes da Silva Filho. The second corpora consist of the novel entitled Meninos sem Pátria, by Luiz Puntel, published in 1988, by the Vaga-Lume series; the novel titled A Resistencia, published in 2015, by Brazilian writer Julián Fuks, son of parents exiled from the dictatorship in Argentina; and the film entitled Diário de uma Busca, released in 2010, by Flávia Castro, daughter of persecuted politicians from the Dictatorship in Brazil. The thesis dialogues with concepts from the field of migration studies (CAVALCANTI, 2017; OIM, 2009, SAYAD, 1998), among which we highlight the concept of exile (AGAMBEN, 1996; SAID, 2003; VIÑAR and VIÑAR, 1992; ROLLEMBERG, 1999, 2007). The thesis also dialogues with studies on narratives of exile (ADORNO, 1999; CORTÁZAR, 2001; VIDAL, 2004; FIGUEIREDO, 2017), state of exception (AGAMBEN, 2004); testimony (SELIGMANN-SILVA, 2003, 2005, 2013; VILELA, 2000; SALGUEIRO, 2012); literature and testimony (DE MARCO, 2004; LUQUE, 2003); memory (SARLO, 2007; BASILE, 2019; FANDIÑO, 2016); survival (PELBART, 2008, 2013) and utopia (SZACHI, 1972). The study has as its central theoretical approach the studies on exile, testimony and memory of the second generation. However, we found that the testimonial narratives are crossed, as well as the concept of utopia, as there is, in these texts, a personal desire of the children to understand their own identities, which points to the paradigm of an ad infinitum present of the traumatized experience of the event historic. Faced with this reality, an alternative emerges, namely, the desire to carry out a collective project that strives for another form of relationship between the population and the State. Is this the utopia for a way of life not marked by state violence? The utopia of the subject's integrity? This utopian proposal is, at the same time, paradoxical, due to its impossibility, considering that, once physical, psychological or moral integrity is violated, it can never be recovered. To respond to this issue, we propose a common analytical tool for testimonial narratives that report childhood experiences in exile. In this process, we consider the presence of 4 (four) analysis categories. They are: 1) Motivation (for the trip); 2) The Trip; 3) The Stay; 4) The Return. In the analysis of the narratives of the research corpora, from the four proposed categories, we verified that the exile experience of the second generation is linked to a set of elements that point to the way in which the dictatorial state constituted itself as a promoter of violation of fundamental rights of children and that, therefore, utopia is, in the same measure, an unrealizable project. Thus, this study is of fundamental importance for us to present our theoretical contribution to exile studies, as well as to propose an analysis instrument that could be used by other researchers in similar research bodies.
Acesso aberto (Open Access)
A expressão do poder na produção literária de Bruno de Menezes
(Universidade Federal do Pará, 2020-09-21) PEREIRA, Edvaldo Santos; SIMÕES, Maria do Perpétuo Socorro Galvão; http://lattes.cnpq.br/0672011058049782
From the perspective that the composition of literary narratives, the development of the action from power relations is frequent, the hypothesis was formulated that relationships of this nature stand out as aesthetic components of the action in these works. Although without any concerns regarding philosophical concepts, Michel Foucault’s principles on power are used as basis for this research, mainly addressed in the book Microphysics of Power. In addition, Karl Marx’s concept of the power manifested in labor relations in the production process of society will also be considered. In this sense, a relationship is established with the study of the structures that make up the social environment, through microphysics, the principle of which includes issues related to the struggle for social equality in labor, as well as to the molecular formation of society. These concepts are based on a power manifested on the most varied levels and different aspects of a social network. In these circumstances, the scope of the literary work extends with the reproduction of these relations in the narrative action, through the appropriation of this resource in the composition of its characters. To support this thesis, the works of writer Bruno de Menezes, from the state of Pará, were taken as literary object. Divided into four sections, the first addresses manifestation of power from reality to fiction; the second, forms of power manifestation as a practice of the different levels of society transposed to literary work; the third, biographical aspects of the author, with emphasis on his life trajectory, as a person who is attentive to social problems, engaged in union and cooperative movements, and who brought this experience to his work; finally, the fourth section will focus in the author’s literary works, focusing on the power relations manifested in his poetic work and in his fictional narrative.
Acesso aberto (Open Access)
Max Martins: diálogo entre o verbal e o visual plástico na cena literária em Belém
(Universidade Federal do Pará, 2020-06-15) SANTOS, Ilton Ribeiro dos; CASTILO, Luís Heleno Montoril del; http://lattes.cnpq.br/6393961522804578
Acesso aberto (Open Access)
A mesticagem na literatura latino-americana contemporânea: uma leitura da trilogia de Ospina
(Universidade Federal do Pará, 2024-08-30) BARRETO, Francelina Ribeiro; ALMEIDA, Carlos Henrique Lopes de; http://lattes.cnpq.br/9511564560016368; https://orcid.org/0000-0002-2037-905X
This paper has as its aim to reflect on the different dimensions that historical facts assume regarding fiction in the Mozambican, Portuguese and Brazilian literature. The corpus analyzed includes the O alegre canto da perdiz (2018), by Paulina Chiziane, Balada da praia dos cães (2009), by José Cardoso Pires and Galvez, imperador do Acre (2022), by Márcio Souza. In these narratives, it is possible to notice a historical event intertwined in the story: Mozambique’s colonization, Salazar’s dictatorship in Portugal and Acre’s annexation to Brazil; relevant historical moments in the construction of these nations. Furthermore, it is demonstrated how these literary constructions of different societies - African, Portuguese and Brazilian - produce, through literature, original texts which represent ideological positions. Therefore, this study proposes analyzing paradoxical relations between literature and history, in order to demonstrate how these interactions influence the above-mentioned works. When it comes to the possibility of comparative studies with other fields of knowledge, which is proposed is a comparative analysis of texts in Portuguese, whose latency ends up evidencing the conspectus of history, the official one or not. This investigation is bibliographical, which emphasizes the discussion on the relations between literature and society. Analyses are carried out on the novels written by Paulina Chiziane, José Cardoso Pires and Márcio Souza, works which reflect on the artistic elaboration process itself and, at the same time, use history to question its veracity. It is possible to notice that in these works the historiographic metafiction presents itself as a strategy of reflection on history, as well as of resignification and interpretation of facts. The historiographic metafiction is observed in the light of studies by Linda Hutcheon (1991), Zênia de Faria (2012) and Maria Tereza de Freitas (1986); the metastory is studied considering ideas in Hayden White (1994); and the historical novel is discussed using Lukács (1983). Moreover, as memory presents itself as an artifice in the works analyzed, this category is examined through Aleida Assmann (2011) and Halbwachs (2013).
Acesso aberto (Open Access)
A metaficção historiográfica em Paulina Chiziane, José Cardoso Pires e Márcio Souza: reflexões a transfiguração em literaturas de Língua Portuguesa
(Universidade Federal do Pará, 2024-08-28) MINEIRO, Maria Aparecida; ALMEIDA, Carlos Henrique Lopes de; http://lattes.cnpq.br/9511564560016368; https://orcid.org/0000-0002-2037-905X
This paper has as its aim to reflect on the different dimensions that historical facts assume regarding fiction in the Mozambican, Portuguese and Brazilian literature. The corpus analyzed includes the O alegre canto da perdiz (2018), by Paulina Chiziane, Balada da praia dos cães (2009), by José Cardoso Pires and Galvez, imperador do Acre (2022), by Márcio Souza. In these narratives, it is possible to notice a historical event intertwined in the story: Mozambique’s colonization, Salazar’s dictatorship in Portugal and Acre’s annexation to Brazil; relevant historical moments in the construction of these nations. Furthermore, it is demonstrated how these literary constructions of different societies - African, Portuguese and Brazilian - produce, through literature, original texts which represent ideological positions. Therefore, this study proposes analyzing paradoxical relations between literature and history, in order to demonstrate how these interactions influence the above-mentioned works. When it comes to the possibility of comparative studies with other fields of knowledge, which is proposed is a comparative analysis of texts in Portuguese, whose latency ends up evidencing the conspectus of history, the official one or not. This investigation is bibliographical, which emphasizes the discussion on the relations between literature and society. Analyses are carried out on the novels written by Paulina Chiziane, José Cardoso Pires and Márcio Souza, works which reflect on the artistic elaboration process itself and, at the same time, use history to question its veracity. It is possible to notice that in these works the historiographic metafiction presents itself as a strategy of reflection on history, as well as of resignification and interpretation of facts. The historiographic metafiction is observed in the light of studies by Linda Hutcheon (1991), Zênia de Faria (2012) and Maria Tereza de Freitas (1986); the metastory is studied considering ideas in Hayden White (1994); and the historical novel is discussed using Lukács (1983). Moreover, as memory presents itself as an artifice in the works analyzed, this category is examined through Aleida Assmann (2011) and Halbwachs (2013).
Acesso aberto (Open Access)
Necronarrativas em três romances contemporâneos brasileiros
(Universidade Federal do Pará, 2021-07-30) AUTIELLO, Sheila Lopes Maués; RUSSO, Vincenzo; http://lattes.cnpq.br/4108882812232683; CASTILO, Luís Heleno Montoril del; http://lattes.cnpq.br/3519128535996125; https://orcid.org/0000-0002-2507-5346
This thesis deals with the occurrence of necronarratives in Contemporary Brazilian Literature from the novels Pssica (2015), by Edyr Augusto; Enterre seus mortos (2018), by Ana Paula Maia and A Morte e o Meteoro (2019) by Joca Reiners Terron. The objective is to analyze, from an analytical-comparative approach, how the narratives fictionalize the necropolitical processes of Brazilian society in the last five years. The research proposes the analysis of the novels from three critical axes: the first corresponds to the expendable bodies, which will be based on the concepts of naked life, by Giorgio Agamben (2002) and precarious life, by Judith Butler (2019); the second, concerns the predatory presence of "Gore" businesses, which is based on the studies on "Gore" Capitalism, by Sayak Valencia (2010) and, finally, the third, which relates to the recurrence of the image of the undead or zombie, having as its reading key the studies of Deleuze and Guattari (2010) and Leo Barros (2020). The study focuses on the thematic analysis of the works, despite making brief incursions into other narrative elements. It is concluded that the novels studied are part of a structuring force of Romanesque composition, which aesthetically represents the Brazilian necropolitical processes, which I called necronarrative. Therefore, it is understood that the works analyzed, are part of an excerpt from the Brazilian novel that is concerned with aesthetically problematizing life starting from the necropolitics (MBEMBE, 2018). The characterization of necronarratives occurs, above all, by the representations of the precariousness of contemporary bodies; the emergence of criminal markets that flourish in groups subjected to deadly conditions and the initiation of symbolic processes of social zombification. It is, however, a study that identifies a trend and not a generalization.
Acesso aberto (Open Access)
A presença da mulher na música do Pará: o texto na canção de autoria feminina, da Belle Époque até a primeira metade do século XX
(Universidade Federal do Pará, 2020-08-25) SOUZA, Dione Colares de; FURTADO, Marli Tereza; http://lattes.cnpq.br/2382303554607592; https://orcid.org/0000-0001-7597-7834
This research seeks to verify the woman presence in the artistic and musical production at the city of Belém, located in Pará- Brazil, from the Belle Époque until the first half of the 20th century. It is based on the song`s lyrics written by women composers who were born or lived in Pará. Thus, it is an interdisciplinary research that strives for understanding the female authorship musical production, from a historiographical, sociological and gender perspective, which will also allow revealing the processes of woman insertion in cultural practices of that period, as well as understanding the relationship between song`s lyrics and the musical language. Therefore, the following questions are elucidated: What are the songs written by women in the investigated period? Were there criticism, reception and circulation of the song written by women in the Belle Époque period in Pará until the middle of the 20th century? What is the relationship of these musical representations with the social thought, the cultural actuality and the aesthetic ideas of that time? Within the cultural experience of the Belle Époque, does the song written by women have Amazonian peculiarities in their literary and musical strata or does it project a power relationship or standard socio-ideological discourse of that time? The documentary set was collected from the investigation of primary and oral sources. Thus, this set of information assumes a scientific character for the analyses of the song`s lyrics written by women, whose historical and social facts will be aligned with the aesthetic components described in the analyzed works. In addition, the theoretical field was delimited based on the literature review in the area of literary studies, seeking foundations in the guidelines of Candido (1973, 1996, 2010, 2012), as well as in Oliveira (2002), Murray Schaffer (2001), in the interdisciplinary area, Vieira (2001, 2009, 2012, 2013), Salles (1980, 2007, 2012, 2016), Bourdieu (1974, 2007, 2017), and Citron (2000), in the field of social history, cultural and gender studies. Therefore, the following are pointed out as results: the female presence in the Belle Époque artistic and musical scene in Pará until the first half of the 20th century, although her compositions remained without visibility; women not only acted in teaching and performance of music but also composed lyrics and songs; the predominant themes in women`s songs are Sacred, Sentimental, Festive and Regional, and they are related to the social practices of the surveyed women; the piano marks this period as a symbolic element of Europeanization of customs, as well as ideological as a female legacy and a means of social distinction; the historical obscuration of the researched women composers and their works is due to gender issues and social and cultural practices of their time.
Acesso aberto (Open Access)
Representações das identidades homoafetivas na prosa contemporânea brasileira: leituras da escrita de si
(Universidade Federal do Pará, 2019-03-12) OLIVEIRA, Rubenil da Silva; SIMÕES, Maria do Perpétuo Socorro Galvão; http://lattes.cnpq.br/0672011058049782; https://orcid.org/0000-0002-1365-6258
This is a title called "REPRESENTATIONS OF THE HOMOAFFECTIVE IDENTITIES IN BRAZILIAN CONTEMPORARY PROSE: reading of the self-writing" as the analysis of homoaffetive identity in contemporary literature, based on the reading of Stella Manhattan by Silviano Santiago (2017); Confissões do Mar, by Kadu Lago (2010); O Terceiro Travesseiro by Nelson Luiz de Carvalho (2007); O Diário de Marjorie: Memórias de um Travesti, by Marcos Soares (2014); Olho de Boto, by Salomão Larêdo (2015) and the short story "Cachorro Doido", by Haroldo Maranhão (1986), in the light of cultural studies in literature, literature on sexual minority authorship and self-writing. In this research was applied a quantification of data and an attempt to be representative of the homoaffective identities in relation to the theories and critics of the literature pointed out previously. The behavior for the analysis and evaluation of critics in Cevasco (2003, 2005), Bhabha (2013), Compagnon (2010), Cândido (1981, 2000 and 2007), Dalcastagnè (2012), Derrida (2014), D'Onofrio 2004), Eagleton (2011) and others; of the homoafetividade - Okita (2015), Figari (2007), Fry and Macrae (1983), Fry (1982), Trevisan (2002), Gomes Filho (2016) Mott (2003), Oliveira (2016, 2018); of memory and identity - Le Goff (2016), Halbwachs (2013), Ricoeur (2007), Yates (2016), Hall (2014), Woodward (2014); of culture and oral tradition - Zumthor (1997, 2001 and 2018), Câmara Cascudo (2008), Simões (2006), Mindlins (2006) and Paes Loureiro (2006); of power and sexuality - Foucault (2014, 2015, 2016 and 2017), Agamben (2005), and others. The research included the types, bibliographical and field research to find out the necessary conflict resolution process. On comparing what is implied in the theories with the literary readings, it is concluded that the difference between the writing of onselft and another, are in the in the subjects’ experience. Therefore, it can be affirmed that there is a correspondence between living and not living homoaffetivity, since you do not live the best alternative between the real and the literary narrative, while only to hear the narrator is more distant from the fact, above all, because the homoaffective literature is an attitude of resistance.