Teses em Letras (Doutorado) - PPGL/ILC

URI Permanente para esta coleçãohttps://repositorio.ufpa.br/handle/2011/6713

O Doutorado Acadêmico iniciou-se em 2012 e pertence ao Programa de Pós-Graduação em Letras (PPGL) do Instituto de Letras e Comunicação (ILC) da Universidade Federal do Pará (UFPA).

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Agora exibindo 1 - 20 de 38

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Antropofagia haroldiana: a reescrita como projeto literário
(Universidade Federal do Pará, 2018-08-31) SAUMA, Thaís do Socorro Pereira Pompeu; LEAL, Izabela Guimarães Guerra; http://lattes.cnpq.br/2507019514021007
The thesis aims as main objective to demonstrate the anthropophagic attitude, in the Oswaldian sense, present in the writing of Haroldo Maranhão (1927-2004). The research of bibliographical nature was based on several critical texts on the anthropophagy, the writing and literary rewriting, the critical fortune on the paraense writer, plus his works that were read entirely. The anthropophagic gesture is studied in three novels of the writer: O Tetraneto del-Rei (1982), Cabelos no coração (1990) and Memorial do fim (1991), which we call the anthropophagic triad to reference them in a more didactic way. Initially a reflection on the anthropophagy was carried out from its begining, passing through a brief history of the movement and all its unfoldings in the field of the arts and the national culture. Then the anthropophagy was studied as a way of thinking that runs through the Haroldian writing, and that can be found in other works beyond the proposed cut. Anthropophagy, in the works of Haroldo Maranhão, has several motivations of a critical nature, such as the trickery and rewriting of history, the revival of influential people, but obliterated by the dominant discourse, and also as a form of legitimation of his writing from the incorporation of canonical writers. The effort to find the presence of other texts inserted in the works under analysis made it possible for us to consider Haroldo Maranhão as an anthropophagous writer, due to the frequent rewriting procedures in his novels that coincide with the bases of the Oswaldian anthropophagic movement, such as: discursive subversion, appropriation, rewriting, deconstruction and irony as tools of betrayal of the previous text, and reversing the history of the winners. The research allowed us to conclude that Haroldo Maranhão's canibal writing proposes new meanings to the Brazilian colonization process, adds information about the life and work of historical people erased by the dominant discourse and takes advantage of the literary canon as a form of penetration and legitimation for purposes of consecration of the text. The explanation of the anthropophagic attitude in Haroldo Maranhão will never be apart from the conception that the anthropophagic writer is constructed from his position as a critical reader of the tradition, that is, the anthropophagic attitude comes from the intense habit of reading, which is articulated later as rewriting capable of promoting the erasing of the sources from the appropriation of other voices so that penetration in the dominant discourse takes place.
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Apropriar-se: o acontecimento poético em contos de Clarice Lispector: (...à beira do abismo, estamos)
(Universidade Federal do Pará, 2019-09-04) ATAÍDE, Luciana de Barros; FERRAZ, Antônio Máximo von Sohsten Gomes; http://lattes.cnpq.br/5982898787473373
The present research intends to identify the relationship between Being, language and thought in narratives of Clarice Lispector, having as reference, mainly, stories that the writer produced throughout the life, from the "First stories" - narratives produced in the decade of 1940 - until the "Last Stories" - produced in the 1970s. In all, twenty one narratives will be studied in which the Being is in force as a matter. However, excerpts from other narratives will also be present, since the approach will be permeated by the search for the appropriative poetic event (Ereignis) through the problematization of the notions of writing and thinking, technique and art, being-alone and being-with, finitude and singularization, I and World. The intention is to show the intertwining ser-man-language-truth under the labyrinth of the question of origin. In Clarice's narratives emerges the investigative project that aims to unfold the essence of man that happens as language - since it is the home of Being and in his dwelling man lives - being a work of listening, understanding and interpretation of the Inherent Questions to the human condition. Thus, starting from the phenomenological-hermeneutic contribution, it will be possible to establish a relationship between Clarice Lispector's literature with thinkers such as Martin Heidegger (especially), Merleau-Ponty, Gaston Bachelard and Manuel Antônio de Castro, among others of great relevance for this study. Another reference of great importance that will support this study is the work The second sex (1980) of the thinker Simone de Beauvoir within the line of 'becoming' with regard to the human condition in possibilities and also with regard to the relation asymmetric gender that tends to reduce female freedom within society. Clarice not only worked as the word, but also with the thought that provides the perception of the velar and unveiling of the man, enabling him to the appropriation of himself, since it is a poetic saying that shows itself as the founding dimension of the condition human, revealed by overwhelming force for engendering a new worldview that lies beyond everyday superficiality. It is, therefore, in this study, narratives (tales) that expose Clarice's artistic-literary work in which poetry dwells in the proximity of thought by constructing a saying that evokes the essence of language.
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Corpo, linguagem e transgressão em lavoura
(Universidade Federal do Pará, 2021-02-26) SANTOS, Elijames Moraes dos; GUIMARÃES, Mayara Ribeiro; http://lattes.cnpq.br/6834076554286321
This thesis titled Body, language and transgression in Ancient Tillage is a study on issues related to the eroticism of bodies, and the transgressions that take a place in and by the language of the novel's narrative, by Raduan Nassar, published in 1975. I proceed with the hypothesis of in Ancient Tillage, there is a conflict between instinct and reason, which are unfolded in the narrative discourses through an allegorical language. Therefore, it is through the body's instinct which the subject violates the patriarchal norm and, at the same time, reveals how desire and sexuality are forbidden. For this purpose, the theoretical path used to support this study is based on the work of Georges Bataille (2016; 2017; 2018), by Walter Benjamin (1984; 2013, b); Michel Foucault (1977; 1988) and Sigmund Freud (2006; 2011; 2013); Giorgio Agamben (2007) and Mircea Eliade (2001). I aim at in Ancient Tillage narrative is based on a language that transits an eroticized poetics, which reveals the subject's instincts and their conflicts. Indeed, there is a confrontation between reason, the world of patriarchal values, and the subversion of the son who leaves the family home and goes in search of new achievements. It is with André's departure that the problems related to the issue of forbidding desires and passions are revealed. Thus, this body carries within itself the unmeasured, which will be revealed by the fragmented form, the emptiness, and in turn by the ruin that spreads over the other members of the family. With this, from the theoretical set outlined here, it was possible to present a discussion around Raduan Nassar´s narrative regarding the presence of the body, its impulses, among other issues that are in the order of violation of the norm, the law, that is, what is forbidden by the father. I reinforce, therefore, that there were some developments through allegories inherent to the language of the corpus, which reveals the fragmentation of a body that emanates the tragic.
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Dalcídio Jurandir: leitor e criador de personagens-leitores no ciclo do extremo Norte
(Universidade Federal do Pará, 2019-08-30) COSTA, Regina Barbosa da; FURTADO, Marli Tereza; http://lattes.cnpq.br/2382303554607592; https://orcid.org/0000-0001-7597-7834
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Das tramas do mito aos (des)caminhos da história: a travessia do herói nas literaturas cervantiana e rosiana
(Universidade Federal do Pará, 2018-08-22) COLLINGE, Márcia Denise da Rocha; JACKSON, Kenneth David; HOLANDA, Sílvio Augusto de Oliveira; http://lattes.cnpq.br/0928175455054278
The present thesis consists of comparative research whose focus is the formation of two heroes in Quixote (1605/1615), by Miguel de Cervantes (1547-1616), and Grande sertão: veredas (1956), by Guimarães Rosa (1908-1967), in order to reveal the protagonist Riobaldo as a figure analogous to the “Knight of the Sad Countenance”, by circumventing the tradition of mythical heroism. From the paradigm of the tradition of “La Mancha,” that links the chief Urutú Branco and the Knight of the Lions, resonates echoes of deities; of mythical characters and of conceptual references from classical and medieval sources. I defend the proposition that Quixote recovers mythology that reverberates as an ironic concept and acts as the genesis of the novel whose genre, especially by the recomposition of archaic roots in the creation of a hero, transforms it into a modern myth in two ways: 1) proclamation of ancient wisdom, 2) the justification and rewriting of the cultural history of a nation. Through this, I apply the presuppositions of the literary remythification, proposed by Eleazar Mielietinski (1918-2005), for the elaboration of the everyman hero in the corpora texts. Therefore, I interact with the mythical figure of the hero after the ritual of consecration in the studies of the mythology, aligned with the thought of intellectuals such as Joseph Campbell (1904-1987) and Gustav Jung (1875-1961). From the dialogue proposed between these and other interpreters, I decipher between the various faces of the hero in a historical-artistic investigation, from the myth in its classical form, such as the epic and the tragedy, to its medieval, baroque and romantic developments. In the exegesis of the works, I present the metamorphosis of the literary myth Don Quixote, whose journey leaves an indelible mark on the universal heroic mosaic — the eternal image. The depth of this study reveals how the ingenious knight stands out in the memory of Brazilian literature, ratifying the various manifestations of empowerment of Cervantine themes, especially in the work of Guimarães Rosa, who sees, in Cervantes’ genius, dimensions for a new system of the creation of different types of heroes — madmen in streaks, full of lucid intervals in the deceptive Sertão of Minas Gerais. I exhibit, through the actions of the knight Tatarana, clear and enigmatic trademarks of La Mancha, among which I emphasize: 1) mature birth 2) cycles and saga resulting from the search for adventure 3) the psychological evolution 4) the myth of the duo 5) the admiration of the lady-knight 6) Love as fantasy 7) the ambivalent battles marked by ritual 8) the return of heroes 9) mad narration 10) the disillusion of darkness and light. Through this work, I establish the idea of “Rosian Quixoticism,” an innovative approach to Rosian criticism from a quixotic reading of the novel. It is Riobaldo, heir to the lineage of Achilles, Odysseus, Oedipus, Amadis de Gaula, Palmeirim of England, Don Quixote and Roque Guinart who, in embodying contradictory values mixing chivalrous ideals and problematic conflicts in a world in absentia, establishes the message of the mythical hero, the human being, in the traversal of “the last classic”. Accordingly, I see the expansion of the Rosian critical fortune, as well as the expansion of tradition of La Mancha in Brazil through the “endless aesthetic-receptive adventure” transmuted into the veiling and unveiling of the mythical faces of these heroes, true literary metamorphoses: Don Riobaldo Manchego and the jagunço, Quixote.
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Do sertão ao sertón: tradução emancipadora e análise de neologismos de grande Sertão Veredas nas traduções para o espanhol
(Universidade Federal do Pará, 2018-06-12) CARVALHO, Leomir Silva de; HOLANDA, Sílvio Augusto de Oliveira; http://lattes.cnpq.br/0928175455054278
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Entre cabeças, olhos e boca: transitanto por Moqueca de maridos e História do olho
(Universidade Federal do Pará, 2020-12-22) FERNANDEZ, Rafaella Dias; LEAL, Izabela Guimarães Guerra; http://lattes.cnpq.br/2507019514021007
This thesis begins with a reflection on the reading of the myth of creation and the destruction of the world for the Tupinambá people. From this narrative, a fundamental element emerges for this people: the land without evil. After a reflection on the importance of this land to the Tupinambá, it is observed that revenge and anthropophagy are vectors of strength and help to build the memory of this indigenous people. These two components, so primordial to the Tupinambá, also emerge as essential elements to understand the narratives present in anthropologist Betty Mindlin's book, Barbecued Husbands – and other stories from the amazon. Written by the anthropologist and indigenous narrators of six ethnic groups: Makurap, Tupari, Wajuru, Djeoromitxí, Arikapú and Aruá. It is worth pointing that the six indigenous peoples who build the records of the myths in the book derive from the Tupi trunk, just like Tupinambá’s. After the reading, there was a constant presence of revenge, murders, torture, eroticism and anthropophagy. Hence, it is proposed to analyze the symbolic meaning of each vector present in the indigenous narratives and its probable correlation with the novel Story of the Eye, by Georges Bataille. These two readings, far from being conflicting, catch the intrinsic connection between two fields considered distinct: indigenous myths and Western literature. After an investigative analysis, it was found that there are points where both seem to resonate one another. Thus, in what sense is it possible to think of convergences between myths and the bataillian novel? What is the symbolic meaning of violence, eroticism and anthropophagy in both? Thus, the central objective of this thesis is to propose a comparative analysis between the works and problematize the metaphorical sense of eroticism, anthropophagy and violence in each of the works. The convergence between French literature and indigenous erotic myths was thought by Eliane Robert Moraes, a scholar of eroticism in Brazil. The author places a brief correspondence between the two by stating that the indigenous imaginary seems quite familiar to those who know modern erotic literature. To accomplish this work, we are based mainly on the studies of Georges Bataille, Eroticism (2013) and Literature and evil (2015), by Georges Didi-Huberman, La Ressemblance Informe ou le Gai Savoir Visual selon Georges Bataille (2015), and the anthropologist Eduardo Viveiros de Castro, A inconstância da alma selvagem (2016). Thereby, in order to give breath to an unprecedented work of comparison between both, we aim to propose thematic resonances and highlight the differences in the two readings.
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Entre críticas e aplausos: os caminhos da consagração dos contos machadianos
(Universidade Federal do Pará, 2018-04-06) CASTRO, Valdiney Valente Lobato de; SALES, Germana Maria Araújo; http://lattes.cnpq.br/8723885160615840
Newspaper was the main means through where literature was conducted in the second half of nineteenth century, reaching, as locomotive, diverse readers in different spaces. Great part of these individuals was highly educated and would follow avidly the literary production conveyed in pamphlets. Machadian short-stories are among these compositions. Even though specialized critics appreciated this type of work as an eclipsed form of other successful genres, the production has toured newspapers’ pages for almost half century and helped consecrate Machado de Assis’ name much before the edition of his first novel. In 1870, with more than thirty written short stories, the author began to gather these narratives in collectanea and publish them, reaching a significant amount of printing and sale to editors at expressive values, resulting in seven anthologies: Contos Fluminenses (1870), Histórias da Meia Noite (1873), Papéis Avulsos (1882), Histórias sem Data (1884), Várias Histórias (1896), Páginas Recolhidas (1899) and Relíquias da Casa Velha (1906). When these selections won the streets, public papers of Rio de Janeiro released disclosure notes, comments of readers, advertisements, and critics, what reveals great attention of reception. To analyze such writings is the main aim of this study. As well as comparing to the judgment built for decades upon the short stories that currently results in an estimable critical fortune. However, many times primary sources such as contracts, manuscripts, letters, and newspapers themselves where the short stories were originally edited have been underestimated. Considering these collections for organizing collectanea is also the aim of this thesis, once Machado, when selecting them, would concern about the representation he wanted to build on readers, as prefaces and letters to his editors well reveal. The reading of texts published in the Brazilian gazette through the launching of short-stories volumes might help framing the understanding Machado had about his readers as to conceive the reception’s judgment criteria of readers in relation to the author’s publishing.
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A Escrita do professor de inglês em formação: indícios de conhecimentos a respeito da aula e da escrita acadêmica
(Universidade Federal do Pará, 2020-02-11) MORHY, Sádie Saady; FAIRCHILD, Thomas Massao; http://lattes.cnpq.br/1771292039081039
Understanding the teacher's relationship with the knowledge proper to teaching implies how it is constituted from language's “dialogism”, of what Foucault (1972) calls “file”, or “discursive heterogeneity” (shown and constitutive) according to Authier-Revuz (2004). Dialogic writing, manifested in internship reports, has a double movement, since it allows the trainee student to reflect and expose his knowledge about the profession. The academic character of this writing is a document that serves as the culmination of an entire study developed during the undergraduate course, which is responsible for building learning for a professional teaching practice of the student of English Letters, at the end of his university course. This document serves as an indicator that reflects your training as a teacher. In this thesis, we are interested in investigating the training of English teachers in two dimensions: that of didactic knowledge that underlies the teaching of the language and that of mastering the processes of producing academic text. Our general objective was to discuss how the relationship of the teacher in training with the knowledge that underlies his work materialized in his writing on teaching practices. More specifically, we seek to know how these trainees produce an academic text, observing their way of describing the observed classes, the way they reveal their didactic knowledge, the mechanisms they use for the construction and production of reports, as well as the way they produce their reflections. We adopted a discursive perspective, focused on the analysis of the French line discourse, based on Foucault (1972), mainly on issues involving the statement. For this, we analyzed excerpts from reports of Supervised Internship students of the English Language Course at the Faculty of Modern Foreign Languages at the Federal University of Para. The results show evidence that the students' writing reveals preconceived positions, marked by beliefs about the profession, indicating the difficulty of the interns in issues related to standard language, academic writing and acquired knowledge, which implies inability, as discourse subjects, in clearly positioning themselves in their area of formation through writing. We found evidence of a subject who occupies three positions in the discourse: a paradoxical one, due to the way he reports his teaching experiences, revealing an image incompatible with the most experienced institutional place of the language; one a-scientific, giving rise.
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A figuração da mulher em Dalcídio Jurandir: entre o desamparo, a opressão e a transgressão
(Universidade Federal do Pará, 2018-05-24) SANTOS, Alinnie Oliveira Andrade; FURTADO, Marli Tereza; http://lattes.cnpq.br/2382303554607592
Dalcídio Jurandir (1909-1979), Brazilian writer, published eleven novels, ten of which make it part of the called Ciclo do Extremo Norte: Chove nos campos de Cachoeira (1941), Marajó (1947), Três casas e um rio (1958), Belém do Grão Pará (1960), Passagem dos Inocentes (1963), Primeira manhã (1967), Ponte do Galo (1971), Os Habitantes (1976), Chão dos Lobos (1976) and Ribanceira (1978) that thematize about man and the Amazon region customs. Even though in these novels men occupy the position of protagonists, it impresses the great number of female characters that collaborate for the development of the narratives, contributing in a hard way to the construction of the plots and the dramas present in the work. This thesis, therefore, it aims to analyze the female characters of the called Cycle, grouping them according to the social situation in which they are. Futhermore, we create the following categories of analysis: helplessness, oppression and transgression, which are not mutually exclusive, but we argue in this work that the characters pass between these three categories. For that, we used as reference the works of BRAIT (2006), ROSENFELD (2011), CANDIDO (2011), WOOD (2011), REIS (2015) to reflect on the fictional character; CASTELO BRANCO and BRANDÃO (1989), BRANDÃO (2006), ZOLIN (2009) and ZINANI (2013), thinking about the relation between woman and literature and the studies of RAGO (2011), SAFFIOTI (2013), ALAMBERT (2004), LENIN (1979), BEAUVOIR (2009), which enabled us to understand the issues of women as well as gender relations. From the sixteen women characters analyzed, six, predominantly, are in the category of helplessness, of which they stand out: Orminda, D. Inacia and Lucíola; three are in oppression, and Felicia and seven of them are in the transgression, of which stand out: Alaíde, D. Amélia and Isaura.Investigating, therefore, the female character of the novels produced by Dalcídio Jurandir, which have a strong social denunciation aspect, helps us to care for Brazilian society at the beginning of the last century, as well as how this society was portrayed in Brazilian literature.
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Futurosos e futuristas: uma história pelo avesso da arte moderna no Pará
(Universidade Federal do Pará, 2018-12-14) QUEIROZ, José Francisco da Silva; PRESSLER, Gunter Karl; http://lattes.cnpq.br/0100053541433805
This work of literary history focuses on the cultural and literary ambience of the city of Belém, capital of the state of Pará, during the 1920s. Historical and chronological extrapolations that overcoming this decade, both before or after, were necessary to emphasize some positions esthetic and affirmations made according to the Modernism Canon instituted. Starting from a narratological approach (SCHMID, 2010; DOLEZEL, 2010), assisted by notions of the Aesthetic of Reception (JAUSS, 1994, 2010); some theoretical tools and critical reflections were transmigrated from these branches of research to employ them in the composition of a historiographic narrative based on the “literary archives” configured in the journalistic media. In this narratological scope were made some critical assumptions in the evaluation of some literary works published in this period, as well as the contestation of the canonized history about the supposed Modernism of Pará. In these terms we present a different perspective on the events that moved the cultural ambience of Pará during the first decades of the twentieth century. The subjects explored here bear the poetic and narrative tradition created by authors from Pará or settled in the State; presents the culture of civic celebrations and the associative commitment of the intellectuals; (Dadaism, Cubism, Futurism…); which were openly criticized by the great majority of intellectuals (journalists, poets, story teller…) “News” or “Elders”. If the most known historiographical works about the 1920s affirm the “triumph of the modernist idea” in Brazil (GOUVEIA, 2013), this research will demonstrate a narrative in which the appreciation of the poetic tradition, telluric writings and historical patriotism were the concepts fundamental that unified artist and “local” intellectuals and not the propounded history of an “adhesion” to Paulista Modernism.
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Gulliver´s Travels na perspectiva adaptada de Clarice Lispector: o leitor infantojuvenilem em questão
(Universidade Federal do Pará, 2021-03-10) AMORIM, Thaís Fernandes; PRESSLER, Gunter Karl; http://lattes.cnpq.br/0100053541433805
This work aims to investigate the moralizing and satirical content present in the Jonathan Swift’s Gulliver’s Travels (1735) in the adapted perspective of Clarice Lispector (1973-2008), showing the treatment that the writer gives to these elements and how a child and youth audience would give account these contexts. Recognizing the narratives, historical or literary, they build a representation about reality and this representation materializes in the text, we try to understand the reception of these texts from the adapted text of Lispector, understanding that this is an intermediate instance between the author, the adapter and the reader. For that, we will approach some theoretical questions that deal with the interpretation and reception of the literary text (JAUSS, 1979), the reader's participation in the construction of the text (ISER, 1999), therefore retextualized by the adaptation, from the unveiling of the metaphors (LAKOFF & JONSON, 2002) and the interpretation of signs, icons and symbols (PIERCE, 2005), since the children's text deals with many images; as well as a translational practice based on dynamic equivalence principle (KADE, 1968), since the translator recreates the function that words may have in the source text situation. Such incursion is necessary, since Lispector retextualizes certain passages in a metaphorical way and does not use illustrations in her work (a recurring feature in works applied to children and adolescents). Knowing then that the text depends on the reader's availability to gather all that is offered and contributes to the constitution of meanings, an investigation will be made in the research of children's literature to discuss who these readers are, as well as in the studies of translation/adaptation of children's literature (LATHEY, 2006; OITTINEN, 2006; VENUTI, 1995), considering that it is this translated and adapted text that the children's reader will have access to.
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A infância desvalida em Dalcídio Jurandir: um bulício de crianças, picado de risos e gritos
(Universidade Federal do Pará, 2019-02-27) VELOSO, Ivone dos Santos; FURTADO, Marli Tereza; http://lattes.cnpq.br/2382303554607592; https://orcid.org/0000-0001-7597-7834
The thesis proposes an analytic–interpretative reading that aims to demonstrate that the childhoood category has a prominet role in the literary proction of Dalcídio Jurandir and especially, in the ethical and aesthetic dimension of the construction of his literary project that became known as the Extreme - North. This study, with a qualitative bibliographical approach, focuses mainly on the first five novels of the Dalcidian cycle, namely: Chove nos Campos de Cachoeira (1941), Marajó (1947), Três casas e um rio (1958), Belém do Grão-Pará (1960) e Passagem dos Inocentes (1963). The analytic-interpretative approach is based on the thematic and discursive technique, which allows us to observe the ideological formations of the discursive construction of the marajoara writer, and the way in which the figuration of childhood and the child collaborate with the social tone of his aesthetic project. From this point of view, the fundamental axes that guide this reading are the relations between Literature and Society and Literature and Memory so that we revise authors that fall within this theoretical scope, as well as those that give treatment to the theme of childhood and the Dalcidian work. The research has shown, among other things, that the childhood universe that emerges from the Dalcidian narratives is not restricted to the presence of children's characters, or that they recall this stage of life, but also comes to light through the representation of the child's imagination, and, by insertion into the narrative structure itself, through the incorporation and often re-elaboration of fairy tales, myths, or other signs of popular and erudite culture that somehow approach the world of childishness. These strategies, in turn, are aligned with the ethical and aesthetic commitment of Dalcídio Jurandir, whose novels combine social commitment and awareness of literary work.
Acesso aberto (Open Access)
José Veríssimo: seus anos de formação (1877-1891)
(Universidade Federal do Pará, 2021-08-30) SILVA, Aline Costa da; PRESSLER, Gunter Karl; http://lattes.cnpq.br/0100053541433805
The work, “José Veríssimo: His formative years (1877 to 1891)”, is about the intellectual production of this Amazonian thinker in his years in Pará, from 1877 to 1891. It aims to comprehend the critic’s thought – how he introduces and integrates the Amazon in the intellectual setting of the time, based on ethnographic, literary and educational themes that started in the Belenian press and which culminated in works that marked the first expressions of his thought. Using a qualitative bibliographic research method, the thesis was based on studies of hermeneutics by Friedrich Schleiermacher (1999), on the aesthetics of reception by Hans Robert Jauss (1979), on the paratextuality presented by Gerard Genette (1982), on the history of book by Roger Laufer (1980[1972]) and Robert Darnton (1995), the narratological studies by Wolf Schmid (2010) and the reception of pragmatic texts by Karlheinz Stierle (1979). Regarding the reception of José Veríssimo's anthology, the reading of Franklin Távora (1883), Silvio Romero (1980), Machado de Assis (1899), Francisco Prisco (1937), João Alexandre Barbosa (1974) and Felipe Tavares de Moraes (2018). Data analysis revealed that in the three themes in which the Obidense intellectual moved - Ethnographic, Literary and Educational - the critic brought to the debate issues of popular culture, politics, art, women, mestizaje, the indigenous, the black, from the working class, religion, housing, language, folklore, economy, among others, introducing, as an Amazonian thinker, a need for representation and interest in the building of a national intellectual project. It was noticed, in turn, that the reception of works is organized in several fields of knowledge, through which readers update the works and seek to understand the historical roots of the country and the formation of the critical language of the author of Scenes from Amazonian Life (1886).
Acesso aberto (Open Access)
Laços luso-paraense na imprensa oitocentista
(Universidade Federal do Pará, 2019-05-31) TAVARES, Maria Lucilena Gonzaga Costa; BARBOSA, Socorro de Fátima Pacífico; http://lattes.cnpq.br/1775931802554481; SALES, Germana Maria Araújo; http://lattes.cnpq.br/8723885160615840
Almost two centuries of the independence of Brazil, some ties still linger in Pará, beyond the language and the political and cultural history left by the Portuguese colonizers. Thus, it was up to the newspaper to archive part of this important story that, in some Brazilian provinces, also witnessed harsh prospects of what intended Brazilians, as happened in Grand Pará Province, whose peculiarity focuses even before his "adherence" to independence in 1823. Therefore, we investigated some newspapers of Pará from the nineteenth century, in particular, those of the 1840s - respectively the end of Cabanagem - the 1880, the decline of Romanticism, in order to show from the perspective of literary history, such as the Grand Province - witnessed in adverse direction of the other, the lusophilia and permanence of Portuguese culture. We propose as the source the journals from Pará cataloged in the microfilm sector from Arthur Viana library, located in the Cultural Foundation of Pará, in which we find record keeping existing literary ties between Brazil and Portugal in the nineteenth century. This research will serve as a bibliographic source to those interested in historical and cultural relationship between Pará and Portugal, given that mosto of the newspapers investigated is located solely in the said Para state library, which certainly favors the little publicity about this historiographical content, besides placing Pará among the important Brazilian provinces of the nineteenth century.
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O leitor verá...: itinerário da obra literária de Josué de Castro
(Universidade Federal do Pará, 2019-02-25) OLIVEIRA, Thiago Azevedo Sá de; HOLANDA, Sílvio Augusto de Oliveira; http://lattes.cnpq.br/0928175455054278
The title sentence The reader will see..., originally used by the writer and critic Olivio Montenegro (1896-1962) to refer to the originality of the short stories conceived by Josué de Castro (1908-1973), is incorporated as epigraph to the present study, in the sense of pointing out the horizon of circulation and reception of the literary work produced by the aforementioned doctor and writer from Pernambuco. Nevertheless, through this analysis, it aims to intermediate some of the interpretive nuances that consolidate the multiple reading history of josuenian’s work. The social drama of starvation discusses the ontological manner by Castro, from essays, tales from Documentário do Nordeste (1937), from poetry booklet A festa das Letras (1937) published with the Cecília Meireles co-authoring, and the novel Homens e caranguejos (1967) predicted the “exploited value of narrador, in a sense translation of ethical field to the aesthetics” (BOSI, 1996, p. 13). The thesis O leitor verá… O itinerário da obra literária de Josué de Castro supports the hermeneutical process based on assumptions from Estética do efeito (ISER, 1983; 2013), the Estética da recepção (JAUSS, 1979), the Geocrítica (BERGEZ et al., 1999) and the Teoria da tradução (BENJAMIN, 2001; BERMAN, 2009; CARVALHAL, 1993) and of Artetnografia (LYRA, 2013). It sets out the “mammoth architectural activity” from the Castro’s work (MELO, 2011; 2012) against the interpretation based on its readers. Availing the comparative theory, checks on reading process of the Josué de Castro literary oeuvre the historical development and consolidation of the readership. Recognizing the interpretation that has been referred since the impressionist reading (MONTENEGRO, 1958; 1959; TOBELEM, 1974), until the recently academic crisis (CARDOSO, 2007; FARIA, 2008; SILVA, 1998; 2012). It stills asking the recognized compliment of the josuenian literary output. The reviewer’s paper on the theoretical appreciation and the appropriation integrated to readers/translators in the work’s expectations. Josué de Castro’s literary collection retains the latent and necessary revision. The necessary receiving has made since 1930, when the first Josué de Castro tales and poems movement, until the contemporaneity, since to highlight the different publications context and the work signification, underscoring decrease in academic production reviewed during the 70’s and 80’s, in function of the Brazilian military government veto in 1964 to the writer’s text. The exiled condition competed to the josuenian literary oeuvre glare. So, the recovery reading history research in the Josué de Castro work, giving the judgment constructed by the audience, responsible for the actualization and the reception resistance of the josuenian work. In a lato sensu, discussing the aspects of the translation of the novel Homens e caranguejos contributes to the contemporary reader’s reflection on how Castro’s fictional text is drawn from written experience, being re-read by music and dramaturgy.
Acesso aberto (Open Access)
Loucura, a escrita de si no espaço do fora: uma análise de Viagem a Andara, o livro invisível de Vicente Cecim
(Universidade Federal do Pará, 2022-08-22) SALES, Maria Domingas Ferreira de; CASTILO, Luís Heleno Montoril Del; http://lattes.cnpq.br/3519128535996125
The question of the Amazon as a stronghold for foreign exploration has been a plausible reason for undertaking research in the Humanities area, insofar as it turns to an ethics of social relations. This concern assumes plural dimensions, opening the way for discussions that go beyond the niche of environmental ecology and political geography, becoming a theme of a planetary order. More specifically in the field of literary studies, the relevance of this western concern in the space of poetic saying becomes evident, transposed into different types, modes and discursive genres. And, if sometimes, due to the opacity on the surface of the poetic text, it is imperceptible, this same literary strategy, paradoxically, is what makes this saying possible. Based on this idea, the present thesis is intended to present a reading of the work Viagem a Andara, o livro invisível, by the writer from Pará Vicente Franz Cecim, son of the contemporary Amazon, emphasizing the presence of madness as event of resistance to the explorer/dominator both in the internal context of the fables and in the effect of estrangement aroused by the formal ruptures present in the work. This double deviant outline will allow us to investigate how the power relations between the mad subject and the dominator are constructed and/or how the truths of the text-man are produced. The corpus selected for this approach consists of the seven books that make up the edition published by Editora Iluminuras (1988), titled in the same chronological order in which they appear in this volume: A asa e a serpente, Os animais da terra, Os jardins e a noite, Terra da sombra e do não, Diante de ti só verás o Atlântico, O sereno e As armas submersas. From the comparative reading between the works of the set, it will be possible to perceive both the transversal presence of madness as an explicit theme of the narratives, as well as the transgressive character of the literary process, elaborated from unconventional constructions. These two axes will form the basis for the construction of the third axis whose topics are in line with the defense that the literary work is essentially the space of the outside or the madness of language. This tripod should offer enough elements to answer the fundamental questions of this study: a) How the madness or the madmen mentioned in Cecim's texts - analyzed in the light of Michel Foucault's studies regarding power relations and the historical forms of subjectivation - do they represent modes of resistance to the mechanisms of control and social coercion identified in the Andara set?; b) In what way the practices of repression of the subjects by the domains of the explorer and their developments are supplanted by the deviant character of the events, taken as resistance, both in the time of the fable and in the linguistic-formal construct of the text, revealing themselves as practices of the self or of12 freedom?; Or: c) How do these actions of resistance correspond to the “space of the outside” – thought taken from Blanchot – also conceived in the double face of the poetic text? The results of this academic endeavor led us, therefore, to the defense that madness, as resistance and practices of freedom of subjects in the context of narratives, can also be constituted as a form of subjectivation or writing of the self of the literary making itself - a response motivated by the clamor of the Cecinian text, rebelled and insurgent against the dictates of the civilizing process to which the Amazonian man is submitted.
Acesso aberto (Open Access)
Lutar com o verbo nunca foi apenas lamento: a poesia elegíaca de Paulo Plínio Abreu
(Universidade Federal do Pará, 2022-02-25) VANSILER, João Jairo Moraes; CARDOZO, Mauricio Mendonça; http://lattes.cnpq.br/6080426102326479; https://orcid.org/0000-0001-9270-6892; LEAL, Izabela Guimarães Guerra; http://lattes.cnpq.br/2507019514021007
This thesis examines the work of Paulo Plínio Abreu (1921-1959), a poet from Pará, Brazil, developed in the 1940s and 1950s, when he published poems and translations in local journals like Terra Imatura, Novidade, Encontro, and Norte, and the newspapers O Estado do Pará and Folha do Norte. By the initiative of Francisco Paulo Mendes (1910-1999), this literary production took the form of a book, edited and published in 1978, nearly 20 years after the poet's early death. The editor named the book Poesia (1978/2008). It entails the poetic material published in the press, including poems and portions of poems, but also the unpublished translation of one of the main German poetic productions of the 20th century: The Duino Elegies, by Austrian poet Rainer Maria Rilke (1875-1926). This thesis reviews traces of such literary production to highlight factors of fragmentation and incompleteness of a literary project left open due to the poet's unexpected death. The editorial decisions towards the book were imperative to avoid the work falling into oblivion. In addition, editorial investments positively impacted the literalness of the production. This issue of sedimentation when collecting the production in the form of a book prompted the inevitable questioning regarding commonplaces of a literary work, such as the author, the work itself, and the reader. Such questioning is conceivable for the condition of possibility founded in the theoretical-methodological bibliography, that includes (ANTELO, 2016), (ISER, 1996), (ECO, 1991), (FOUCAULT, 2001), (CHARTIER, 1999), (BARTHES, 2004), (GENETTE, 2009), and foremost (BENJAMIN, 2018). These authors provided the framework of the thesis’ argument and therefore guided its analysis, which is organized into five main sections. The thesis discusses the itinerary taken by the poems and translations, underlining the Zeitgeist that imprinted a ‘melancholic’ identity into the production. It facilitates the understanding of Poesia as a forged object read by the following generations. Therefore, this thesis is one more instrument to elucidate the work of Paulo Plínio Abreu.
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A narradora e as perspectivas do narrar em Relato de um certo oriente, de Milton Hatoum
(Universidade Federal do Pará, 2021-07-01) SOUZA, Flávia Roberta Menezes de; PRESSLER, Gunter Karl; http://lattes.cnpq.br/0100053541433805
It is about a narratological analysis of the first novel published by Milton Hatoum, Tale of a certain Orient (1989). The second most studied novel by the author has a wide reception already, but the presence of certain gaps and repeated readings in the critic’s speech point to the need of a detailed analysis on the literary text as a whole. Furthermore, the translation activities of the Research Group ANA – Amazonia Antropocene narratology – from which the author of this study is a member, contributed to the identification of theoretical and methodological bases which would be useful to this study. While translating the book Narratology: an introduction (2010) and Elemente der Narratologie (2014) (revised and updated German version) by Wolf Schmid, the key concepts of Narratology were studied and accepted in the analysis of the literary text. The present doctoral thesis sought to answer questions that remained unanswered about the novel from the narratological point of view: based on one analysis of the text, how did the narrator organize “the stories'' of the characters? What kind of narrator can we identify in the novel? How may the results of a narratological analysis be useful to an interpretation of the work? The narratological analysis provided a more refined observation on the phenomena present in the text and revealed, through analytical procedures, how productive the study of this text can be when its reading is based on one theory which its goal is to present a model of analysis.
Acesso aberto (Open Access)
A narradora e as perspectivas do narrar em relato de um certo oriente, de Milton Hatoum
(Universidade Federal do Pará, 2021-07-01) SOUZA, Flávia Roberta Menezes de; PRESSLER, Gunter Karl; http://lattes.cnpq.br/0100053541433805
It is about a narratological analysis of the first novel published by Milton Hatoum, Tale of a certain Orient (1989). The second most studied novel by the author has a wide reception already, but the presence of certain gaps and repeated readings in the critic’s speech point to the need of a detailed analysis on the literary text as a whole. Furthermore, the translation activities of the Research Group ANA – Amazonia Antropocene Narratology – from which the author of this study is a member, contributed to the identification of theoretical and methodological bases which would be useful to this study. While translating the book Narratology: an introduction (2010) and Elemente der Narratologie (2014) (revised and updated German version) by Wolf Schmid, the key concepts of Narratology were studied and accepted in the analysis of the literary text. The present doctoral thesis sought to answer questions that remained unanswered about the novel from the narratological point of view: based on one analysis of the text, how did the narrator organize “the stories'' of the characters? What kind of narrator can we identify in the novel? How may the results of a narratological analysis be useful to an interpretation of the work? The narratological analysis provided a more refined observation on the phenomena present in the text and revealed, through analytical procedures, how productive the study of this text can be when its reading is based on one theory which its goal is to present a model of analysis.